Riemann Musik Lexikon

Riemann Musik Lexikon PDF Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1100

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Riemann Musik Lexikon

Riemann Musik Lexikon PDF Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1100

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Herlinde Koelbl

Herlinde Koelbl PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Orchesterbilder

Orchesterbilder PDF Author: Herlinde Koelbl
Publisher:
ISBN: 9783422072381
Category : Musical instruments
Languages : de
Pages : 124

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Alto

Alto PDF Author:
Publisher:
ISBN:
Category : Viola
Languages : de
Pages : 112

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Architecture et art

Architecture et art PDF Author:
Publisher:
ISBN:
Category : Architecture
Languages : de
Pages : 902

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Bielefelder Katalog Schallplatten, Compact Discs, MusiCassetten

Bielefelder Katalog Schallplatten, Compact Discs, MusiCassetten PDF Author:
Publisher:
ISBN:
Category : Music
Languages : un
Pages : 1246

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Pour Le Piano

Pour Le Piano PDF Author: Claude Debussy
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 54

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Breathturn

Breathturn PDF Author: Paul Celan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 304

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The first in a series of three books of Paul Celan published by Green Integer

A Rebel in Music

A Rebel in Music PDF Author: Hanns Eisler
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 228

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Book Description
A collection of popularly written articles by the great German composer and music theoretician.

Composing for the Films

Composing for the Films PDF Author: Theodor W. Adorno
Publisher: A&C Black
ISBN: 9780826480163
Category : Social Science
Languages : en
Pages : 234

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Book Description
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.