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Author: David J. Levin
Publisher: Stanford University Press
ISBN: 9780804722407
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
This collection of 8 essays introduces literary and cultural theorists into the domain of operatic textual analysis, long the exclusive preserve of musicologists. The contributors include some of the most distinguished critics of the past 30 years, most of them writing about opera for the first time.
Author: David J. Levin
Publisher: Stanford University Press
ISBN: 9780804722407
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
This collection of 8 essays introduces literary and cultural theorists into the domain of operatic textual analysis, long the exclusive preserve of musicologists. The contributors include some of the most distinguished critics of the past 30 years, most of them writing about opera for the first time.
Author: Richard Dellamora
Publisher: Columbia University Press
ISBN: 9780231109451
Category : Music
Languages : en
Pages : 366
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Book Description
In this significant collection of original essays, preeminent literary and cultural critics, musicologists, and queer theorists delve into the way opera shapes national character through its representations of gender, sexuality, and class. The book includes essays on the works of Mozart, Verdi, Wagner, and others and examines the impact of such modern phenomena as AIDS. 10 photos. 15 music examples.
Author: Jeffrey H. Jackson
Publisher: Univ. Press of Mississippi
ISBN: 160473521X
Category : Music
Languages : en
Pages : 288
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Book Description
This book begins with a simple question: Why haven't historians and musicologists been talking to one another? Historians frequently look to all aspects of human activity, including music, in order to better understand the past. Musicologists inquire into the social, cultural, and historical contexts of musical works and musical practices to develop theories about the meanings of compositions and the significance of musical creation. Both disciplines examine how people represent their experiences. This collection of original essays, the first of its kind, argues that the conversation between scholars in the two fields can become richer and more mutually informing. The volume features an eloquent personal essay by historian Lawrence W. Levine, whose work has inspired a whole generation of scholars working on African American music in American history. The first six essays address widely different aspects of musical culture and history ranging from women and popular song during the French Revolution to nineteenth-century music publishing in Philadelphia, Pennsylvania. Two additional essays by scholars outside of musicology and history represent a new kind of disciplinary bridging by using the methods of cultural studies to look at cross-dressing in nineteenth- and early twentieth-century opera and blues responses to lynching in the New South. The last four essays offer models for collaborative, multidisciplinary research with a special emphasis on popular music. Jeffrey H. Jackson, Memphis, Tennessee, is assistant professor of history at Rhodes College. He is the author of Making Jazz French: Music and Modern Life in Interwar Paris. Stanley C. Pelkey, Portage, Michigan, is assistant professor of music at Western Michigan University. He is a member of the College Music Society, and his work has appeared in music-related periodicals.
Author: Marcia Landy
Publisher: U of Minnesota Press
ISBN: 0816628254
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Cinematic Uses of the Past was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. From the first, cinema has sustained a romance with the past. The nature of this attachment, and what it reveals about our culture, is the subject of Marcia Landy's book. Cinematic Uses of the Past looks at British, American, Italian, and African films for what they can tell us about popular history and our cultural investment in certain images of the past. Landy peruses six different moments in the history of cinema, employing the theories of Nietzsche and Gramsci. Her reading of these films explores their investments in history and memory in relation to ideas of nation, sexuality, gender, and race. Among the films she discusses are A Fistful of Dynamite, The Scarlet Empress, Dance with a Stranger, Holocaust, Schindler's List, Le camp de Thiaroye, Guelwaar, The Leopard, and Veronika Voss. A thoroughly compelling reading of these emblematic films, Cinematic Uses of the Past is also a revealing interpretation of popular history, exposing the fragmentary, tentative, and invested nature of cultural memory. Marcia Landy is professor of literature and film studies at the University of Pittsburgh. She is the author of several books, including Film, Politics, and Gramsci (Minnesota, 1995).
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 1316515842
Category : Music
Languages : en
Pages : 393
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Book Description
A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.
Author: Linda Hutcheon
Publisher: U of Nebraska Press
ISBN: 9780803273184
Category : Music
Languages : en
Pages : 324
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Book Description
An interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th- and 20th-century operatic texts. This is an examination of how opera uses the singing body to give voice to the suffering person. It presents medical and literary sources to make sense of the changing depiction of disease in opera.
Author: Barbara E. Ward
Publisher: Routledge
ISBN: 1000612309
Category : Political Science
Languages : en
Pages : 298
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Book Description
It was on the basis of her ethnography of the boat-people in Hong Kong that Barbara Ward developed her interpretations of 'conscious models' in the Chinese context. The boat-people are the indigenes of the region around the present city of Canton, and were the original inhabitants of the area now called Hong Kong. This book is a collection of papers collected together here were all written at different dates. They fall fairly naturally into four groups. A group of essays on the boat-people of Hong Kong and South China, a second group on different socio-economic topics and third, two somewhat tentative papers on socialization.
Author: Sophie Alatorre
Publisher: Cambridge Scholars Publishing
ISBN: 1443811645
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
The present volume represents the results of ideas put forward by specialists of literature, linguistics and translation studies at the Institution of Translation in Europe conference held at the University of Provence in June/July 2006. Its aim is to investigate how English-language literary works have been translated, with the focus primarily on French, and how they have been disseminated in Europe throughout a period going as far back as the Renaissance. Exactly how were translations carried out and with whose support? Which official institutions were involved? What were the translators’ intentions? How ‘faithful’ were translations with regard to source texts? What kind of linguistic and literary difficulties were involved in the translations? These are just some of the questions that the present volume aims to answer. It attempts to give an overview which covers a variety of aspects on the complex task of making suitable translations available to the European public. The result, however, is that translations have often been portrayed in quite a different light to the original…
Author: Michal Grover-Friedlander
Publisher: Princeton University Press
ISBN: 140086674X
Category : Music
Languages : en
Pages : 201
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Book Description
Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film. Michal Grover-Friedlander finds striking affinities between film and opera--from Lon Chaney's classic silent film, The Phantom of the Opera, to the Marx Brothers' A Night at the Opera to Fellini's E la nave va. One of the guiding questions of this book is what occurs when what is aesthetically essential about one medium is transposed into the aesthetic field of the other. For example, Grover-Friedlander's comparison of an opera by Poulenc and a Rossellini film, both based on Cocteau's play The Human Voice, shows the relation of the vocal and the visual to be surprisingly affected by the choice of the medium. Her analysis of the Marx Brothers' A Night at the Opera demonstrates how, as a response to opera's infatuation with death, cinema comically acts out a correction of opera's fate. Grover-Friedlander argues that filmed operas such as Zeffirelli's Otello and Friedrich's Falstaff show the impossibility of a direct transformation of the operatic into the cinematic. Paradoxically, cinema at times can be more operatic than opera itself, thus capturing something essential that escapes opera's self-understanding. A remarkable look at how cinema has been haunted--and transformed--by opera, Vocal Apparitions reveals something original and important about each medium.
Author: Daniel H. Foster
Publisher: Cambridge University Press
ISBN: 1139486314
Category : Music
Languages : en
Pages : 399
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Book Description
Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.
