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Author: Milton E. Brener
Publisher: Franz Steiner Verlag
ISBN: 9781861055361
Category : Humor
Languages : en
Pages : 262
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Book Description
Who inspired Carmen's fiery heroine? Was there a plot behind the hostile reception to the premiere of Madame Butterly? What compromises did Richard Strauss make with the Nazi government to get his Die Schweigsame Frau produced? Opera Offstage brings to light the intriguing tales behind 27 of the greatest operas of all time. Milton Brener ignites new appreciation for these classics and their composers by revealing the histories and human circumstances surrounding their creation.
Author: Milton E. Brener
Publisher: Franz Steiner Verlag
ISBN: 9781861055361
Category : Humor
Languages : en
Pages : 262
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Book Description
Who inspired Carmen's fiery heroine? Was there a plot behind the hostile reception to the premiere of Madame Butterly? What compromises did Richard Strauss make with the Nazi government to get his Die Schweigsame Frau produced? Opera Offstage brings to light the intriguing tales behind 27 of the greatest operas of all time. Milton Brener ignites new appreciation for these classics and their composers by revealing the histories and human circumstances surrounding their creation.
Author: Susan Fenty Studham
Publisher: Taylor & Francis
ISBN: 1040114709
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
The Dance and Opera Stage Manager’s Toolkit details unique perspectives and approaches to support stage managers beginning to navigate the fields of dance and opera stage management in live performance. This book demystifies the genre-specific protocols and vocabularies for stage managers who might be unfamiliar with these fields and discusses common practices. Filled with valuable industry-tested tools, templates, and practical information, The Dance and Opera Stage Manager’s Toolkit is designed to assist stage managers interested in pursuing these performance genres. The book also includes interviews and contributions from a range of professional stage managers working in dance and opera. From the student stage manager studying in Theatrical Design and Production university programs to the experienced stage manager wanting to broaden their skill set, this book provides resources and advice for a successful transition into these worlds. The Dance and Opera Stage Manager’s Toolkit includes access to an online repository of resources and paperwork examples to help jumpstart the reader’s journey into dance and opera stage management. To access these resources, visit www.routledge.com/9780367566579.
Author: Christopher Morris
Publisher: University of Chicago Press
ISBN: 0226831280
Category : Music
Languages : en
Pages : 269
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Book Description
An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.
Author: Lorenzo Bianconi
Publisher: University of Chicago Press
ISBN: 0226045919
Category : Music
Languages : en
Pages : 449
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Book Description
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Author: Mary Elaine Wallace
Publisher: SIU Press
ISBN: 9780809314294
Category : Music
Languages : en
Pages : 256
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Book Description
Reviewing the first volume of Opera Scenes for Class and Stage, Walter Ducloux wrote in the Opera Journal: "If you can come up, within five seconds, with an operatic excerpt involving two sopranos, four mezzo-sopranos, two tenors, and a bass, you don't need this book. Otherwise hurry and buy it. I keep it on my night table." In More Opera Scenes, the Wallaces have reviewed 100 additional operas and have chosen over 700 scenes. The popular "Table of Voice Categories" providing more than 300 combinations is also featured in this volume.
Author: Mary Elaine Wallace
Publisher: SIU Press
ISBN: 9780809309030
Category : Music
Languages : en
Pages : 312
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Book Description
Musically sound and fully annotated, this new reference work provides ready access to over 700 excerpts from 100 operas, by voice categories, and thus provides information on a wide variety of matters of interest to directors, teachers, and singers. A table of voice categories, coded excerpts (including length and reference to accessible scores), character descriptions (including estimations of degrees of difficulty of the music), summaries of the action of each excerpt, and indexes to titles, composers, and well-known arias and ensembles make this book an indispensable tool.
Author: David Trippett
Publisher: Cambridge University Press
ISBN: 1107111250
Category : Music
Languages : en
Pages : 399
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Book Description
Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.
Author: Jeongwon Joe
Publisher: Routledge
ISBN: 1136534075
Category : Music
Languages : en
Pages : 252
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Book Description
Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 1139789066
Category : Music
Languages : en
Pages : 437
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Book Description
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
Author: Mary May Robertson
Publisher: Cambridge Scholars Publishing
ISBN: 1527531287
Category : Music
Languages : en
Pages : 866
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Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
