Author: John H. Baron
Publisher: LSU Press
ISBN: 0807150843
Category : Music
Languages : en
Pages : 645
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Concert Life in Nineteenth-Century New Orleans
Author: John H. Baron
Publisher: LSU Press
ISBN: 0807150843
Category : Music
Languages : en
Pages : 645
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Publisher: LSU Press
ISBN: 0807150843
Category : Music
Languages : en
Pages : 645
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
New Orleans in the Sixties
Author: Mary Lou Widmer
Publisher: Pelican Publishing
ISBN:
Category : History
Languages : en
Pages : 166
Book Description
In this, her fifth book in the series describing past decades in New Orleans' history, local author and historian Mary Lou Widmer offers readers unique glimpses into the turbulent and triumphal 1960s. The decade of the sixties was one that confounded America like no period before. It ushered in a time of social change and tension. In New Orleans, this period was visible in the city's skyline as the face of New Orleans began to change. Tourism became a major concern, construction on the Superdome began, some of the biggest buildings were built, and the Saints came marching in. Packed with photographs and reminiscences of an important decade in the evolution of this American metropolis, New Orleans in the Sixties is a unique accomplishment that will interest both residents and lovers of the Crescent City.
Publisher: Pelican Publishing
ISBN:
Category : History
Languages : en
Pages : 166
Book Description
In this, her fifth book in the series describing past decades in New Orleans' history, local author and historian Mary Lou Widmer offers readers unique glimpses into the turbulent and triumphal 1960s. The decade of the sixties was one that confounded America like no period before. It ushered in a time of social change and tension. In New Orleans, this period was visible in the city's skyline as the face of New Orleans began to change. Tourism became a major concern, construction on the Superdome began, some of the biggest buildings were built, and the Saints came marching in. Packed with photographs and reminiscences of an important decade in the evolution of this American metropolis, New Orleans in the Sixties is a unique accomplishment that will interest both residents and lovers of the Crescent City.
Annals of Music in America
Author: Henry Charles Lahee
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
L'étoile du nord
Author: Giacomo Meyerbeer
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 44
Book Description
The Musical Blue Book of America
Author:
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 502
Book Description
Musical America's Guide
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 552
Book Description
Publication
Author:
Publisher:
ISBN:
Category : Income tax
Languages : en
Pages : 908
Book Description
Publisher:
ISBN:
Category : Income tax
Languages : en
Pages : 908
Book Description
Report
Author: Louisiana. Department of State
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
Book Description
Opera Companies and Houses of the United States
Author: Karyl Lynn Zietz
Publisher: McFarland
ISBN: 147661203X
Category : Music
Languages : en
Pages : 353
Book Description
This is a state-by-state guide to more than 90 opera houses and companies in the United States. Inaugural performances, a history of opera in the city, an ordinary season's repertory, and performers and directors are highlighted.
Publisher: McFarland
ISBN: 147661203X
Category : Music
Languages : en
Pages : 353
Book Description
This is a state-by-state guide to more than 90 opera houses and companies in the United States. Inaugural performances, a history of opera in the city, an ordinary season's repertory, and performers and directors are highlighted.
Sounds American
Author: Ann Ostendorf
Publisher: University of Georgia Press
ISBN: 0820341363
Category : History
Languages : en
Pages : 273
Book Description
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory’s phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.
Publisher: University of Georgia Press
ISBN: 0820341363
Category : History
Languages : en
Pages : 273
Book Description
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory’s phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.