Author: Tonia Evans Cianciulli
Publisher:
ISBN: 9781771177597
Category :
Languages : en
Pages : 342
Book Description
In early 2017, Tonia Evans Cianciulli, a professionally trained opera singer born in St. John's, Newfoundland, began planning a concert tour in Newfoundland to commemorate the 150th anniversary of Canada. 1867 was also the birth year of Georgina Stirling, Newfoundland's first prima donna soprano. Tonia noted that her personal repertoire of songs and arias almost perfectly matched that of Georgina Stirling. Thus, the Nightingale tour was launched. When Tonia shared this with her grandfather, Calvin D. Evans, a Newfoundland author, the idea of a new book on Georgina Stirling began to take shape, Tonia writing from the unique perspective of a performing artist, and Calvin providing the historical background and framework. Much new material has become available on Georgina's vocal and instrumental training in Toronto and then in Italy, France, and England, and relating to Georgina's life, her family, and to her international travels. This book provides an understanding of Georgina's accomplishments and the honour she brought to her island home, winning the hearts of audiences throughout Europe and the United States as well as through her charitable concerts in St. John's and her hometown of Twillingate. Georgina Stirling's opera career was cut short, though whether it was due to a strained voice or some kind of catastrophic emotional trauma remains a mystery. In her final years at Twillingate (1929-1935), Georgina attempted to "redeem the time" by giving back to her beloved community in song, in coaching of singing and dramatic stage productions, in many acts of service to the poor and needy, and in her profuse garden, from which she provided bouquets of roses and other flowers to the sick. Georgina's operatic triumphs and her astonishing and beautiful voice were lauded and acclaimed in concert halls and newspapers throughout Europe and the United States. She acknowledged her inspiration from the glorious sea that surrounded her island, to Newfoundland in general, and to Twillingate in particular.
The Heart's Obsession
Author: Tonia Evans Cianciulli
Publisher:
ISBN: 9781771177597
Category :
Languages : en
Pages : 342
Book Description
In early 2017, Tonia Evans Cianciulli, a professionally trained opera singer born in St. John's, Newfoundland, began planning a concert tour in Newfoundland to commemorate the 150th anniversary of Canada. 1867 was also the birth year of Georgina Stirling, Newfoundland's first prima donna soprano. Tonia noted that her personal repertoire of songs and arias almost perfectly matched that of Georgina Stirling. Thus, the Nightingale tour was launched. When Tonia shared this with her grandfather, Calvin D. Evans, a Newfoundland author, the idea of a new book on Georgina Stirling began to take shape, Tonia writing from the unique perspective of a performing artist, and Calvin providing the historical background and framework. Much new material has become available on Georgina's vocal and instrumental training in Toronto and then in Italy, France, and England, and relating to Georgina's life, her family, and to her international travels. This book provides an understanding of Georgina's accomplishments and the honour she brought to her island home, winning the hearts of audiences throughout Europe and the United States as well as through her charitable concerts in St. John's and her hometown of Twillingate. Georgina Stirling's opera career was cut short, though whether it was due to a strained voice or some kind of catastrophic emotional trauma remains a mystery. In her final years at Twillingate (1929-1935), Georgina attempted to "redeem the time" by giving back to her beloved community in song, in coaching of singing and dramatic stage productions, in many acts of service to the poor and needy, and in her profuse garden, from which she provided bouquets of roses and other flowers to the sick. Georgina's operatic triumphs and her astonishing and beautiful voice were lauded and acclaimed in concert halls and newspapers throughout Europe and the United States. She acknowledged her inspiration from the glorious sea that surrounded her island, to Newfoundland in general, and to Twillingate in particular.
Publisher:
ISBN: 9781771177597
Category :
Languages : en
Pages : 342
Book Description
In early 2017, Tonia Evans Cianciulli, a professionally trained opera singer born in St. John's, Newfoundland, began planning a concert tour in Newfoundland to commemorate the 150th anniversary of Canada. 1867 was also the birth year of Georgina Stirling, Newfoundland's first prima donna soprano. Tonia noted that her personal repertoire of songs and arias almost perfectly matched that of Georgina Stirling. Thus, the Nightingale tour was launched. When Tonia shared this with her grandfather, Calvin D. Evans, a Newfoundland author, the idea of a new book on Georgina Stirling began to take shape, Tonia writing from the unique perspective of a performing artist, and Calvin providing the historical background and framework. Much new material has become available on Georgina's vocal and instrumental training in Toronto and then in Italy, France, and England, and relating to Georgina's life, her family, and to her international travels. This book provides an understanding of Georgina's accomplishments and the honour she brought to her island home, winning the hearts of audiences throughout Europe and the United States as well as through her charitable concerts in St. John's and her hometown of Twillingate. Georgina Stirling's opera career was cut short, though whether it was due to a strained voice or some kind of catastrophic emotional trauma remains a mystery. In her final years at Twillingate (1929-1935), Georgina attempted to "redeem the time" by giving back to her beloved community in song, in coaching of singing and dramatic stage productions, in many acts of service to the poor and needy, and in her profuse garden, from which she provided bouquets of roses and other flowers to the sick. Georgina's operatic triumphs and her astonishing and beautiful voice were lauded and acclaimed in concert halls and newspapers throughout Europe and the United States. She acknowledged her inspiration from the glorious sea that surrounded her island, to Newfoundland in general, and to Twillingate in particular.
Opera Viva
Author: Ezra Schabas
Publisher: Dundurn
ISBN: 1459721179
Category : Music
Languages : en
Pages : 330
Book Description
It started with a festival - three classic operas performed in a theatre in Toronto. But when it became apparent that there was a need for a national opera company, an organization was founded that would go on to become one of the largest performing arts organizations in the country. The Canadian Opera Company was born in 1950, and is now one of the major opera companies in North America. The Company has toured extensively throughout Canada and the United States, and has delighted audiences as far away as Australia and Hong Kong, all the while finding the time to record frequently and develop special operatic presentations for children. More than just a group of performers, the COC also provides a training program for young professional singers, and a series of commissions of new works from both up-and-coming and established composers. Opera Viva is a history of the Company, but it is more than that: it is also a history of Canada's cultural growth in the second half of the twentieth century, a time when the Canadian Opera Company became central to Canada's musical life. As the story of the Company unfolds, the figures and personalities that were integral to the building of this landmark of Canadian culture are brought to life.
Publisher: Dundurn
ISBN: 1459721179
Category : Music
Languages : en
Pages : 330
Book Description
It started with a festival - three classic operas performed in a theatre in Toronto. But when it became apparent that there was a need for a national opera company, an organization was founded that would go on to become one of the largest performing arts organizations in the country. The Canadian Opera Company was born in 1950, and is now one of the major opera companies in North America. The Company has toured extensively throughout Canada and the United States, and has delighted audiences as far away as Australia and Hong Kong, all the while finding the time to record frequently and develop special operatic presentations for children. More than just a group of performers, the COC also provides a training program for young professional singers, and a series of commissions of new works from both up-and-coming and established composers. Opera Viva is a history of the Company, but it is more than that: it is also a history of Canada's cultural growth in the second half of the twentieth century, a time when the Canadian Opera Company became central to Canada's musical life. As the story of the Company unfolds, the figures and personalities that were integral to the building of this landmark of Canadian culture are brought to life.
Opera Viva
Author: Ezra Schabas
Publisher: Dundurn
ISBN: 1550023462
Category : Music
Languages : en
Pages : 330
Book Description
A history of the Canadian Opera Company and Canadas cultural growth in the second half of the twentieth century.
Publisher: Dundurn
ISBN: 1550023462
Category : Music
Languages : en
Pages : 330
Book Description
A history of the Canadian Opera Company and Canadas cultural growth in the second half of the twentieth century.
Opera in a Multicultural World
Author: Mary Ingraham
Publisher: Routledge
ISBN: 1317444825
Category : Music
Languages : en
Pages : 281
Book Description
Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.
Publisher: Routledge
ISBN: 1317444825
Category : Music
Languages : en
Pages : 281
Book Description
Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.
Fodor's Canada
Author: Amanda Theunissen
Publisher: Fodors Travel Publications
ISBN: 1400016509
Category : Travel
Languages : en
Pages : 898
Book Description
Describes points of interest in each region of the country, recommends restaurants and hotels, and includes information on shopping and entertainment
Publisher: Fodors Travel Publications
ISBN: 1400016509
Category : Travel
Languages : en
Pages : 898
Book Description
Describes points of interest in each region of the country, recommends restaurants and hotels, and includes information on shopping and entertainment
The Canadian Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 734
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 734
Book Description
Opera
Author: Guy A. Marco
Publisher: Routledge
ISBN: 1135578001
Category : Music
Languages : en
Pages : 1037
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Publisher: Routledge
ISBN: 1135578001
Category : Music
Languages : en
Pages : 1037
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Music in Canada
Author: Carl Morey
Publisher: Routledge
ISBN: 1135570221
Category : Music
Languages : en
Pages : 298
Book Description
Providing access to virtually any subject related to music and musicians in Canada, more than 900 annotated entries are organized under 13 topics, and indexed by author, subject, and title. Background and supplementary information and suggestions for research are presented in introductory essays. The material covered reflects the broad spectrum of music in Canadian society including historical, analytical, and biographical studies of music derived from the European tradition, First Nations and Inuit music, jazz and popular works, folk and ethnic music, education, research and bibliographical materials. The reader is also directed to some important on-line resources. Musical activity in Canada has developed remarkably in the past 50 years, with a parallel growth of musical scholarship examining historical, social, and ethnological aspects of Canadian musical life. This Guide is the first to draw comprehensively on the wealth of studies now available, which are often dispersed and not easily located. Consequently, this information is invaluable to students and researchers interested in Canadian music, the music of North America, and Canadian studies. Index.
Publisher: Routledge
ISBN: 1135570221
Category : Music
Languages : en
Pages : 298
Book Description
Providing access to virtually any subject related to music and musicians in Canada, more than 900 annotated entries are organized under 13 topics, and indexed by author, subject, and title. Background and supplementary information and suggestions for research are presented in introductory essays. The material covered reflects the broad spectrum of music in Canadian society including historical, analytical, and biographical studies of music derived from the European tradition, First Nations and Inuit music, jazz and popular works, folk and ethnic music, education, research and bibliographical materials. The reader is also directed to some important on-line resources. Musical activity in Canada has developed remarkably in the past 50 years, with a parallel growth of musical scholarship examining historical, social, and ethnological aspects of Canadian musical life. This Guide is the first to draw comprehensively on the wealth of studies now available, which are often dispersed and not easily located. Consequently, this information is invaluable to students and researchers interested in Canadian music, the music of North America, and Canadian studies. Index.
Operas in English
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Opera
Author: Franklin Mesa
Publisher: McFarland
ISBN: 1476605378
Category : Music
Languages : en
Pages : 477
Book Description
This encyclopedia includes entries for 1,153 world premiere (and other significant) performances of operas in Europe, the United States, Latin America and Russia. Entries offer details about key persons, arias, interesting facts, and date and location of each premiere. There is a biographical dictionary with 1,288 entries on historical and modern operatic singers, composers, librettists, and conductors. Fully indexed and with a bibliography.
Publisher: McFarland
ISBN: 1476605378
Category : Music
Languages : en
Pages : 477
Book Description
This encyclopedia includes entries for 1,153 world premiere (and other significant) performances of operas in Europe, the United States, Latin America and Russia. Entries offer details about key persons, arias, interesting facts, and date and location of each premiere. There is a biographical dictionary with 1,288 entries on historical and modern operatic singers, composers, librettists, and conductors. Fully indexed and with a bibliography.