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Author: Doris Alexander
Publisher: Penn State Press
ISBN: 0271041021
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
In Eugene O'Neill's Creative Struggle, Doris Alexander gives us a new kind of inside biography that begins where the others leave off. It follows O'Neill through the door into his writing room to give a blow-by-blow account of how he fought out in his plays his great life battles&—love against hate, doubt against belief, life against death&—to an ever-expanding understanding. It presents a new kind of criticism, showing how O'Neill's most intimate struggles worked their way to resolution through the drama of his plays. Alexander reveals that he was engineering his own consciousness through his plays and solving his life problems&—while the tone, imagery, and richness of the plays all came out of the nexus of memories summoned up by the urgency of the problems he faced in them. By the way of O'Neill, this study moves toward a theory of the impulse that sets off a writer's creativity, and a theory of how that impulse acts to shape a work, not only in a dramatist like O'Neill but also in the case of writers in other mediums, and even of painters and composers. The study begins with Desire Under the Elms because that play's plot was consolidated by a dream that opened up the transfixing grief that precipitated the play for O'Neill, and it ends with Days Without End when he had resolved his major emotional-philosophical struggle and created within himself the voice of his final great plays. Since the analysis brings to bear on the plays all of his conscious decisions, ideas, theories, as well as the life-and-death struggles motivating them, documenting even the final creative changes made during rehearsals, this book provides a definitive account of the nine plays analyzed in detail (Desire Under the Elms, Marco Millions, The Great God Brown, Lazarus Laughed, Strange Interlude, Dynamo, Mourning Becomes Electra, Ah, Wilderness!, and Days Without End, with additional analysis of plays written before and after.
Author: Doris Alexander
Publisher: Penn State Press
ISBN: 0271041021
Category : Literary Criticism
Languages : en
Pages : 354
Get Book Here
Book Description
In Eugene O'Neill's Creative Struggle, Doris Alexander gives us a new kind of inside biography that begins where the others leave off. It follows O'Neill through the door into his writing room to give a blow-by-blow account of how he fought out in his plays his great life battles&—love against hate, doubt against belief, life against death&—to an ever-expanding understanding. It presents a new kind of criticism, showing how O'Neill's most intimate struggles worked their way to resolution through the drama of his plays. Alexander reveals that he was engineering his own consciousness through his plays and solving his life problems&—while the tone, imagery, and richness of the plays all came out of the nexus of memories summoned up by the urgency of the problems he faced in them. By the way of O'Neill, this study moves toward a theory of the impulse that sets off a writer's creativity, and a theory of how that impulse acts to shape a work, not only in a dramatist like O'Neill but also in the case of writers in other mediums, and even of painters and composers. The study begins with Desire Under the Elms because that play's plot was consolidated by a dream that opened up the transfixing grief that precipitated the play for O'Neill, and it ends with Days Without End when he had resolved his major emotional-philosophical struggle and created within himself the voice of his final great plays. Since the analysis brings to bear on the plays all of his conscious decisions, ideas, theories, as well as the life-and-death struggles motivating them, documenting even the final creative changes made during rehearsals, this book provides a definitive account of the nine plays analyzed in detail (Desire Under the Elms, Marco Millions, The Great God Brown, Lazarus Laughed, Strange Interlude, Dynamo, Mourning Becomes Electra, Ah, Wilderness!, and Days Without End, with additional analysis of plays written before and after.
Author: O'Neill, Eugene
Publisher: Yale University Press
ISBN: 0300214324
Category : Drama
Languages : en
Pages : 608
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Book Description
The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.
Author: Robert M. Dowling
Publisher: Yale University Press
ISBN: 0300210590
Category : Biography & Autobiography
Languages : en
Pages : 566
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Book Description
An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times
Author: Eugene O'Neill
Publisher: Library of America
ISBN: 9780940450486
Category : Drama
Languages : en
Pages : 0
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Book Description
The only American dramatist awarded the Nobel Prize for Literature, Eugene O’Neill wrote with poetic expressiveness, emotional intensity, and immense dramatic power. This Library of America volume (the first in a three-volume set) contains twenty-nine plays he wrote between 1913, when he began his career, and 1920, the year he first achieved Broadway success. Many of O’Neill’s early plays are one-act melodramas whose characters are caught in extreme situations. Thirst and Fog depict shipwreck survivors, The Web a young mother trapped in the New York underworld, and Abortion the aftermath of a college student’s affair with a stenographer. His first distinctive works are four one-act plays about the crew of the tramp steamer Glencairn that render sailors’ speech with masterful faithfulness. Bound East for Cardiff, In the Zone, The Long Voyage Home, and The Moon of the Caribbees portray these “children of the sea” as they watch over a dying man, sail though submarine-patrolled waters, take their shore leave in a London dive, and drink rum in a moonlit tropical anchorage. In Beyond the Horizon Robert Mayo begins a tragic chain of events by abandoning his dream of a life at sea, choosing instead to marry the woman his brother loves and remain on his family farm. The sea in “Anna Christie” is both “dat ole devil” to coal barge captain Chris Christopherson and a source of spiritual cleansing to his daughter Anna, an embittered prostitute. When a swaggering stoker falls in love with her, Anna becomes the apex of a three-sided struggle full of enraged pride, grim foreboding, and stubborn hope. Both of these plays won the Pulitzer Prize and helped establish O’Neill as a successful Broadway playwright. The Emperor Jones depicts the nightmarish journey through a West Indian forest of Brutus Jones, a former Pullman porter turned island ruler. Fleeing his rebellious subjects, Jones confronts his violent deeds and the tortured history of his race in a series of hallucinatory episodes whose expressionist quality anticipates many of O’Neill’s later plays. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author: Eugene O'Neill
Publisher:
ISBN:
Category : American dramaa
Languages : en
Pages : 176
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Book Description
Author: Eugene O'Neill
Publisher: Dramatists Play Service Inc
ISBN: 9780822205432
Category : Drama
Languages : en
Pages : 36
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Book Description
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
Author: Eugene O'Neill
Publisher:
ISBN:
Category :
Languages : en
Pages : 904
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Author: Dennis Alexander Goebels
Publisher: GRIN Verlag
ISBN: 3640620194
Category : Language Arts & Disciplines
Languages : en
Pages : 37
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Book Description
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Eugene O'Neill, language: English, abstract: The Iceman Cometh (published in 1940) and Long Day's Journey into Night (published in 1956 after O'Neill's death) are widely recognized to be two of Eugene O'Neill's best plays. Both belong to his late plays and apart from that bear a lot of similarities. The focus of this paper will be to analyze The Iceman Cometh and Long Day's Journey into Night with special regard to the importance of illusion and reality for both the characters and the progress of the play. Furthermore a comparison will be made between Hickey in The Iceman Cometh and Mary Cavan Tyrone in Long Day's Journey into Night in order to show that they have similar functions in their respective plays. Finally a conclusion will be given which will sum up the argumentation.
Author: Eugene O'Neill
Publisher: Vintage
ISBN: 9780394718569
Category : Drama
Languages : en
Pages : 199
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Book Description
The action of the seven one-act plays takes place in the years preceding World War I
Author: Arthur Gelb
Publisher:
ISBN:
Category : Dramatists, American
Languages : en
Pages : 0
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Book Description
