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Author: M. Todd Bennett
Publisher: Univ of North Carolina Press
ISBN: 0807835749
Category : History
Languages : en
Pages : 380
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Book Description
World War II coincided with cinema's golden age. Movies now considered classics were created at a time when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, One World,
Author: M. Todd Bennett
Publisher: Univ of North Carolina Press
ISBN: 0807835749
Category : History
Languages : en
Pages : 380
Get Book Here
Book Description
World War II coincided with cinema's golden age. Movies now considered classics were created at a time when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, One World,
Author: David Thomson
Publisher: Macmillan + ORM
ISBN: 1466827718
Category : Performing Arts
Languages : en
Pages : 1010
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Book Description
“An engaging primer on film history” examining the rise of movies, their influence, and the technology that conveys them (New York Times Book Review). The Big Screen tells the enthralling story of the movies and their signal role in modern life: their rise and spread, their remarkable influence over us, and the technology that made the screen—smaller now, but ever more ubiquitous—as important as the images it carries. At first, film was a waking dream, the gift of appearance delivered for a nickel to huddled masses sitting in the dark. But soon, and abruptly, movies began transforming our societies and our perceptions of the world. The celebrated film authority David Thomson takes us around the globe, through time, and across many media—moving from Eadweard Muybridge to Steve Jobs, from Sunrise to I Love Lucy, from John Wayne to George Clooney, from television commercials to streaming video—to tell the complex, gripping, paradoxical story of the movies. Does the big screen take us out into the world, or merely mesmerize us? That is Thomson’s question in this grand adventure of a book. This passionate and provocative feat of storytelling is vital to anyone trying to make sense of the age of screens—the age that, more than ever, we are living in. “Erudite and entertaining.” —Lisa Schwarzbaum, Entertainment Weekly “Thomson has a deft, conversational style across an amazing range of topics . . . fresh and insightful.” —Clint O’Connor, The Plain Dealer (Cleveland) “For those who take their films seriously, The Big Screen will have you both rethinking some mainstream ideas and reorganizing your Netflix queue.” —Neal Justin, Star Tribune (Minneapolis)
Author: Monica Silveira Cyrino
Publisher: John Wiley & Sons
ISBN: 1405150327
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Big Screen Rome is the first systematic survey of the most important and popular films from the past half century that reconstruct the image of Roman antiquity. The first systematic survey of the most important and popular recent films about Roman antiquity. Shows how cinema explores, reinvents and celebrates the spectacle of ancient Rome. Films discussed in depth include Stanley Kubrick’s Spartacus, Ridley Scott’s Gladiator and Terry Jones’s Monty Python’s Life of Brian. Contributes to discussions about the ongoing relevance of the classical world. Shows how contemporary film-makers use recreations of ancient history as commentaries on contemporary society. Structured in a way that makes it suitable for course use, and features issues for discussion and analysis, and reference to further bibliographic resources. Written in an energetic and engaging style.
Author: Terry Lindvall
Publisher: NYU Press
ISBN: 1479886742
Category : Performing Arts
Languages : en
Pages : 373
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Book Description
Links film history with church history over the past century, illuminating America’s broader relationship with religious currents over time Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods. God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion.
Author: John Gregory Dunne
Publisher: Vintage
ISBN: 037575024X
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
In Hollywood, screenwriters are a curse to be borne, and beating up on them is an industry blood sport. But in this ferociously funny and accurate account of life on the Hollywood food chain, it's a screenwriter who gets the last murderous laugh. That may be because the writer is John Gregory Dunne, who has written screenplays, along with novels and non-fiction, for thirty years. In 1988 Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale "Up Close and Personal" starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Monster illuminates the process with sagacity and raucous wit.
Author: R. Douglas Geivett
Publisher: InterVarsity Press
ISBN: 0830875182
Category : Religion
Languages : en
Pages : 311
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Book Description
"Those who tell stories rule society." Plato So who today are our principal storytellers? Not philosophers, but filmmakers. For those who know both the enormous entertainment potential and the culture-shaping power of film, this book will stir mind and imagination. For great stories freight world-sized ideas, ideas worthy of contemplation and conversation. Great cinema inspires wonder. But another philosopher, Aristotle, reminds us that wonder is the true source of philosophy. So perhaps Plato or Aristotle might have a shot at ruling society, even today--if they took an interest in film. These fourteen essays consider classic and current films together with several major philosophical themes, all within the context of Christian faith: (1) the human condition, (2) the human mind and the nature of knowing, (3) the moral life, and (4) faith and religion. Citizen Kane, Big Fish and Pretty Woman contribute to an in-depth consideration of the human condition. The Truman Show, The Matrix, Being John Malkovich and It's a Wonderful Life, among others, illuminate reflection on the human mind and the nature of knowing. Looking at the moral life, contributors interact with such notable films as Pleasantville, Bowling for Columbine, Mystic River and The Silence of the Lambs. The final section pursues the theme of faith and religion traced through a number of Hong Kong martial arts films, Contact, 2001: A Space Odyssey and U2's music documentary Rattle and Hum. A veritable film festival for all those who want to nurture the wonder of philosophical inquiry and the love of Christian theology through an engagement with the big ideas on the big screen.
Author: Ronny Regev
Publisher: UNC Press Books
ISBN: 1469637065
Category : History
Languages : en
Pages : 289
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Book Description
A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers--people like Clark Gable, Katharine Hepburn, and Anita Loos--were the outliers in the American workforce, an extraordinary working class. Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.
Author: Michael Lawrence
Publisher: Manchester University Press
ISBN: 1526117304
Category : Political Science
Languages : en
Pages : 289
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This collection interrogates the representation of humanitarian crisis, catastrophe and care. Contributors explore the refraction of humanitarian intervention from the mid-twentieth century to the present across a diverse range of media forms, including screen media (film, television and online video), newspapers, memoirs, music festivals and social media platforms (notably Facebook, YouTube and Flickr). Examining the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century, the book reveals significant synergies between the humanitarian enterprise – the endeavour to alleviate the suffering of particular groups – and its media representations, particularly in their modes of addressing and appealing to specific publics.
Author: Karen A. Ritzenhoff
Publisher: Springer
ISBN: 1137360720
Category : Social Science
Languages : en
Pages : 506
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Book Description
Filmic constructions of war heroism have a profound impact on public perceptions of conflicts. Here, contributors examine the ways motifs of gender and heroism in war films are used to justify ideological positions, shape the understanding of the military conflicts, support political agendas and institutions, and influence collective memory.
Author: Matthew B. Hill
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
Tracing the "American Guerrilla" narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history. American guerrillas fight small-scale battles that, despite their implications for large-scale American victories, often go untold. This book evaluates those stories to illumine the ways in which film and television have created, reinforced, and circulated an "American Guerrilla" fantasy—a mythic narrative in which Americans, despite having the most powerful military in history, are presented as underdog resistance fighters against an overwhelming and superior occupying evil. Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film explains that this fantasy has occupied the center of numerous war films and in turn shaped the way in which Americans see those wars and themselves. Informed by the author's expertise on war in contemporary literature and popular culture, this book begins with an introduction that outlines the basics of the "American Guerrilla" narrative and identifies it as a recurring theme in American war films. Subsequent chapters cover one hundred years of American "guerrillas" in film and television. The book concludes with a chapter on science fiction narratives, illustrating how the conventions and politics of these stories shape even the representation of wholly fictional, imagined wars on screen.
