Author: William Shakespeare
Publisher: Hal Leonard Corporation
ISBN: 9781557836564
Category : Drama
Languages : en
Pages : 434
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Book Description
(Applause Books). There has been a great change in the last twenty years to actor auditions, which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before, and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game, the Shakespearean actor needs more knowledge of what makes the play tick, especially since the early plays demand a different style from the later ones. Each genre (comedy, history, tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. One More unto the Speech, Dear Friends now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare's 37 plays, only Pericles is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series. There are four parts to each speech: * A background giving context and approximate timing; * A modern text version; * The original folio version; * Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech's genre, the age and gender of the character, and more.
Author: William Shakespeare
Publisher: Hal Leonard Corporation
ISBN: 9781557836571
Category : Drama
Languages : en
Pages : 450
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Book Description
(Applause Books). There has been a great change in the last twenty years to actor auditions, which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before, and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game, the Shakespearean actor needs more knowledge of what makes the play tick, especially since the early plays demand a different style from the later ones. Each genre (comedy, history, tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. One More unto the Speech, Dear Friends now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare's 37 plays, only Pericles is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series. There are four parts to each speech: * A background giving context and approximate timing; * A modern text version; * The original folio version; * Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech's genre, the age and gender of the character, and more.
Author: Paul Sugarman
Publisher: Rowman & Littlefield
ISBN: 1493056891
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies
Author: Paul Sugarman
Publisher: Rowman & Littlefield
ISBN: 1493056778
Category : Drama
Languages : en
Pages : 193
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Book Description
Curated by series editor Paul Sugarman from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologues from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies
Author: Paul Sugarman
Publisher: Rowman & Littlefield
ISBN: 1493056832
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies
Author: Paul Sugarman
Publisher: Rowman & Littlefield
ISBN: 1493056956
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike. There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books. Titles in the series: Monologues from Shakespeare's First Folio for Any Gender: The Comedies Monologues from Shakespeare's First Folio for Any Gender: The Histories Monologues from Shakespeare's First Folio for Any Gender: The Tragedies Monologues from Shakespeare's First Folio for Women: The Comedies Monologues from Shakespeare's First Folio for Women: The Histories Monologues from Shakespeare's First Folio for Women: The Tragedies Monologues from Shakespeare's First Folio for Younger Men: The Comedies Monologues from Shakespeare's First Folio for Younger Men: The Histories Monologues from Shakespeare's First Folio for Younger Men: The Tragedies Monologues from Shakespeare's First Folio for Older Men: The Comedies Monologues from Shakespeare's First Folio for Older Men: The Histories Monologues from Shakespeare's First Folio for Older Men: The Tragedies
Author: William Shakespeare
Publisher:
ISBN:
Category : Monologues
Languages : en
Pages : 454
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 752
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 752
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Book Description
Author: Nathalie Vienne-Guerrin (éd.)
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 9782877758413
Category : Art
Languages : en
Pages : 364
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Book Description
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.
