Author: Douglas Crimp
Publisher: MIT Press
ISBN: 9780262531269
Category : Architecture
Languages : en
Pages : 374
Book Description
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
On the Museum's Ruins
Author: Douglas Crimp
Publisher: MIT Press
ISBN: 9780262531269
Category : Architecture
Languages : en
Pages : 374
Book Description
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
Publisher: MIT Press
ISBN: 9780262531269
Category : Architecture
Languages : en
Pages : 374
Book Description
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
Picnic In the Ruins
Author: Todd Robert Petersen
Publisher: Catapult
ISBN: 1640093230
Category : Fiction
Languages : en
Pages : 266
Book Description
Named Best Mystery Thriller in the 2021 New Mexico-Arizona Book Awards "Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly entertaining hybrid of Tony Hillerman and Edward Abbey." --Kirkus Reviews Anthropologist Sophia Shepard is researching the impact of tourism on cultural sites in a remote national monument on the Utah-Arizona border when she crosses paths with two small-time criminals. The Ashdown brothers were hired to steal maps from a "collector" of Native American artifacts, but their ineptitude has alerted the local sheriff to their presence. Their employer, a former lobbyist seeking lucrative monument land that may soon be open to energy exploration, sends a fixer to clean up their mess. Suddenly, Sophia must put her theories to the test in the real world, and the stakes are higher than she could have ever imagined. What begins as a madcap caper across the RV-strewn vacation lands of southern Utah becomes a meditation on mythology, authenticity, the ethics of preservation, and one nagging question: Who owns the past?
Publisher: Catapult
ISBN: 1640093230
Category : Fiction
Languages : en
Pages : 266
Book Description
Named Best Mystery Thriller in the 2021 New Mexico-Arizona Book Awards "Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly entertaining hybrid of Tony Hillerman and Edward Abbey." --Kirkus Reviews Anthropologist Sophia Shepard is researching the impact of tourism on cultural sites in a remote national monument on the Utah-Arizona border when she crosses paths with two small-time criminals. The Ashdown brothers were hired to steal maps from a "collector" of Native American artifacts, but their ineptitude has alerted the local sheriff to their presence. Their employer, a former lobbyist seeking lucrative monument land that may soon be open to energy exploration, sends a fixer to clean up their mess. Suddenly, Sophia must put her theories to the test in the real world, and the stakes are higher than she could have ever imagined. What begins as a madcap caper across the RV-strewn vacation lands of southern Utah becomes a meditation on mythology, authenticity, the ethics of preservation, and one nagging question: Who owns the past?
Museum Matters
Author: Miruna Achim
Publisher: University of Arizona Press
ISBN: 081653957X
Category : History
Languages : en
Pages : 313
Book Description
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
Publisher: University of Arizona Press
ISBN: 081653957X
Category : History
Languages : en
Pages : 313
Book Description
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
Utopian Ruins
Author: Jie Li
Publisher: Duke University Press
ISBN: 1478012765
Category : Art
Languages : en
Pages : 247
Book Description
In Utopian Ruins Jie Li traces the creation, preservation, and elision of memories about China's Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and its cataclysmic reverberations. Li proposes a critical framework for understanding the documentation and transmission of the socialist past that mediates between nostalgia and trauma, anticipation and retrospection, propaganda and testimony. Assembling each chapter like a memorial exhibit, Li explores how corporeal traces, archival documents, camera images, and material relics serve as commemorative media. Prison writings and police files reveal the infrastructure of state surveillance and testify to revolutionary ideals and violence, victimhood and complicity. Photojournalism from the Great Leap Forward and documentaries from the Cultural Revolution promoted faith in communist miracles while excluding darker realities, whereas Mao memorabilia collections, factory ruins, and memorials at trauma sites remind audiences of the Chinese Revolution's unrealized dreams and staggering losses.
Publisher: Duke University Press
ISBN: 1478012765
Category : Art
Languages : en
Pages : 247
Book Description
In Utopian Ruins Jie Li traces the creation, preservation, and elision of memories about China's Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and its cataclysmic reverberations. Li proposes a critical framework for understanding the documentation and transmission of the socialist past that mediates between nostalgia and trauma, anticipation and retrospection, propaganda and testimony. Assembling each chapter like a memorial exhibit, Li explores how corporeal traces, archival documents, camera images, and material relics serve as commemorative media. Prison writings and police files reveal the infrastructure of state surveillance and testify to revolutionary ideals and violence, victimhood and complicity. Photojournalism from the Great Leap Forward and documentaries from the Cultural Revolution promoted faith in communist miracles while excluding darker realities, whereas Mao memorabilia collections, factory ruins, and memorials at trauma sites remind audiences of the Chinese Revolution's unrealized dreams and staggering losses.
Ruins and Rivals
Author: James E. Snead
Publisher: University of Arizona Press
ISBN: 9780816523979
Category : Social Science
Languages : en
Pages : 260
Book Description
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University Ruins are as central to the image of the American Southwest as are its mountains and deserts, and antiquity is a key element of modern southwestern heritage. Yet prior to the mid-nineteenth century this rich legacy was largely unknown to the outside world. While military expeditions first brought word of enigmatic relics to the eastern United States, the new intellectual frontier was seized by archaeologists, who used the results of their southwestern explorations to build a foundation for the scientific study of the American past. In Ruins and Rivals, James Snead helps us understand the historical development of archaeology in the Southwest from the 1890s to the 1920s and its relationship with the popular conception of the region. He examines two major research traditions: expeditions dispatched from the major eastern museums and those supported by archaeological societies based in the Southwest itself. By comparing the projects of New York's American Museum of Natural History with those of the Southwest Museum in Los Angeles and the Santa Fe-based School of American Archaeology, he illustrates the way that competition for status and prestige shaped the way that archaeological remains were explored and interpreted. The decades-long competition between institutions and their advocates ultimately created an agenda for Southwest archaeology that has survived into modern times. Snead takes us back to the days when the field was populated by relic hunters and eastern "museum men" who formed uneasy alliances among themselves and with western boosters who used archaeology to advance their own causes. Richard Wetherill, Frederic Ward Putnam, Charles Lummis, and other colorful characters all promoted their own archaeological endeavors before an audience that included wealthy patrons, museum administrators, and other cultural figures. The resulting competition between scholarly and public interests shifted among museum halls, legislative chambers, and the drawing rooms of Victorian America but always returned to the enigmatic ruins of Chaco Canyon, Bandelier, and Mesa Verde. Ruins and Rivals contains a wealth of anecdotal material that conveys the flavor of digs and discoveries, scholars and scoundrels, tracing the origins of everything from national monuments to "Santa Fe Style." It rekindles the excitement of discovery, illustrating the role that archaeology played in creating the southwestern "past" and how that image of antiquity continues to exert its influence today.
Publisher: University of Arizona Press
ISBN: 9780816523979
Category : Social Science
Languages : en
Pages : 260
Book Description
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University Ruins are as central to the image of the American Southwest as are its mountains and deserts, and antiquity is a key element of modern southwestern heritage. Yet prior to the mid-nineteenth century this rich legacy was largely unknown to the outside world. While military expeditions first brought word of enigmatic relics to the eastern United States, the new intellectual frontier was seized by archaeologists, who used the results of their southwestern explorations to build a foundation for the scientific study of the American past. In Ruins and Rivals, James Snead helps us understand the historical development of archaeology in the Southwest from the 1890s to the 1920s and its relationship with the popular conception of the region. He examines two major research traditions: expeditions dispatched from the major eastern museums and those supported by archaeological societies based in the Southwest itself. By comparing the projects of New York's American Museum of Natural History with those of the Southwest Museum in Los Angeles and the Santa Fe-based School of American Archaeology, he illustrates the way that competition for status and prestige shaped the way that archaeological remains were explored and interpreted. The decades-long competition between institutions and their advocates ultimately created an agenda for Southwest archaeology that has survived into modern times. Snead takes us back to the days when the field was populated by relic hunters and eastern "museum men" who formed uneasy alliances among themselves and with western boosters who used archaeology to advance their own causes. Richard Wetherill, Frederic Ward Putnam, Charles Lummis, and other colorful characters all promoted their own archaeological endeavors before an audience that included wealthy patrons, museum administrators, and other cultural figures. The resulting competition between scholarly and public interests shifted among museum halls, legislative chambers, and the drawing rooms of Victorian America but always returned to the enigmatic ruins of Chaco Canyon, Bandelier, and Mesa Verde. Ruins and Rivals contains a wealth of anecdotal material that conveys the flavor of digs and discoveries, scholars and scoundrels, tracing the origins of everything from national monuments to "Santa Fe Style." It rekindles the excitement of discovery, illustrating the role that archaeology played in creating the southwestern "past" and how that image of antiquity continues to exert its influence today.
Other Criteria
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 0226771857
Category : Art
Languages : en
Pages : 466
Book Description
Leo Steinberg’s classic Other Criteria comprises eighteen essays on topics ranging from “Contemporary Art and the Plight of Its Public” and the “flatbed picture plane” to reflections on Picasso, Rauschenberg, Rodin, de Kooning, Pollock, Guston, and Jasper Johns. The latter, which Francine du Plessix Gray called “a tour de force of critical method,” is widely regarded as the most eye-opening analysis of the Johns’s work ever written. This edition includes a new preface and a handful of additional illustrations. “The art book of the year, if not of the decade and possibly of the century. . . .The significance of this volume lies not so much in the quality of its insights—although the quality is very high and the insights are important—as in the richness, precision, and elegance of its style. . . . A meeting with the mind of Leo Steinberg is one of the most enlightening experiences that contemporary criticism affords.” —Alfred Frankenstein, Art News “Not only one of the most lucid and independent minds among art critics, but a profound one.”—Robert Motherwell
Publisher: University of Chicago Press
ISBN: 0226771857
Category : Art
Languages : en
Pages : 466
Book Description
Leo Steinberg’s classic Other Criteria comprises eighteen essays on topics ranging from “Contemporary Art and the Plight of Its Public” and the “flatbed picture plane” to reflections on Picasso, Rauschenberg, Rodin, de Kooning, Pollock, Guston, and Jasper Johns. The latter, which Francine du Plessix Gray called “a tour de force of critical method,” is widely regarded as the most eye-opening analysis of the Johns’s work ever written. This edition includes a new preface and a handful of additional illustrations. “The art book of the year, if not of the decade and possibly of the century. . . .The significance of this volume lies not so much in the quality of its insights—although the quality is very high and the insights are important—as in the richness, precision, and elegance of its style. . . . A meeting with the mind of Leo Steinberg is one of the most enlightening experiences that contemporary criticism affords.” —Alfred Frankenstein, Art News “Not only one of the most lucid and independent minds among art critics, but a profound one.”—Robert Motherwell
Cultures of Collecting
Author: Roger Cardinal
Publisher: Reaktion Books
ISBN: 186189421X
Category : Education
Languages : en
Pages : 324
Book Description
This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the "Other" and the marginal – the ephemeral, exotic, or just plain curious. There are essays on the Neoclassical architect Sir John Soane, Sigmund Freud and Kurt Schwitters, one of the masters of collage. Others examine imperialist encounters with remote cultures – the consquitadors in America in the sixteenth century, and the British in the Pacific in the eighteenth – and the more recent collectors of popular culture, be they of Swatch watches, Elvis Presley memorabilia or of packaging and advertising. With essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, John Elsner, Roger Cardinal and an interview with Robert Opie.
Publisher: Reaktion Books
ISBN: 186189421X
Category : Education
Languages : en
Pages : 324
Book Description
This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the "Other" and the marginal – the ephemeral, exotic, or just plain curious. There are essays on the Neoclassical architect Sir John Soane, Sigmund Freud and Kurt Schwitters, one of the masters of collage. Others examine imperialist encounters with remote cultures – the consquitadors in America in the sixteenth century, and the British in the Pacific in the eighteenth – and the more recent collectors of popular culture, be they of Swatch watches, Elvis Presley memorabilia or of packaging and advertising. With essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, John Elsner, Roger Cardinal and an interview with Robert Opie.
Revisiting the Past in Museums and at Historic Sites
Author: Anca I. Lasc
Publisher: Routledge
ISBN: 1000466566
Category : Art
Languages : en
Pages : 274
Book Description
Revisiting the Past in Museums and at Historic Sites demonstrates that museums and historic spaces are increasingly becoming "backdrops" for all sorts of appropriations and interventions that throw new light upon the objects they comprise and the pasts they reference. Rooted in new scholarship that expands established notions of art installations, museums, period rooms, and historic sites, the book brings together contributions from scholars from intersecting disciplines. Arguing that we are witnessing a paradigm shift concerning the place of historic spaces and museums in the contemporary imaginary, the volume shows that such institutions are merging traditional scholarly activities tied to historical representation and inquiry with novel modes of display and interpretation, drawing them closer to the world of entertainment and interactive consumption. Case studies analyze how a range of interventions impact historic spaces and conceptions of the past they generate. The book concludes that museums and historic sites are reinventing themselves in order to remain meaningful and to play a role in societies aspiring to be more inclusive and open to historical and cultural debate. Revisiting the Past in Museums and at Historic Sites will be of interest to students and faculty who are engaged in the study of museums, art history, architectural and design history, social and cultural history, interior design, visual culture, and material culture.
Publisher: Routledge
ISBN: 1000466566
Category : Art
Languages : en
Pages : 274
Book Description
Revisiting the Past in Museums and at Historic Sites demonstrates that museums and historic spaces are increasingly becoming "backdrops" for all sorts of appropriations and interventions that throw new light upon the objects they comprise and the pasts they reference. Rooted in new scholarship that expands established notions of art installations, museums, period rooms, and historic sites, the book brings together contributions from scholars from intersecting disciplines. Arguing that we are witnessing a paradigm shift concerning the place of historic spaces and museums in the contemporary imaginary, the volume shows that such institutions are merging traditional scholarly activities tied to historical representation and inquiry with novel modes of display and interpretation, drawing them closer to the world of entertainment and interactive consumption. Case studies analyze how a range of interventions impact historic spaces and conceptions of the past they generate. The book concludes that museums and historic sites are reinventing themselves in order to remain meaningful and to play a role in societies aspiring to be more inclusive and open to historical and cultural debate. Revisiting the Past in Museums and at Historic Sites will be of interest to students and faculty who are engaged in the study of museums, art history, architectural and design history, social and cultural history, interior design, visual culture, and material culture.
Ruin Lust
Author: Brian Dillon
Publisher: Tate
ISBN: 9781849763011
Category : Architecture
Languages : en
Pages : 63
Book Description
Ruin Lust offers a guide to the mournful, thrilling, comic, and perverse uses of ruins in art from the 17th century to the present day. This book, which accompanied a major Tate Britain exhibition, includes more than 100 works by artists such as J. M. W Turner, John Constable, John Martin, Eduardo Paolozzi, Paul Nash, and Rachel Whiteread. Beginning in the midst of the craze that sent artists, writers, architects, and tourists in search of ruins and picturesque landscapes in the 18th century, it shows how ruins have continued to be a source of visual and emotional fascination at particular historical moments. Thoroughly illustrated, Ruin Lust explores how ruin has become a way of thinking about art itself and its connection to both the past and the future.
Publisher: Tate
ISBN: 9781849763011
Category : Architecture
Languages : en
Pages : 63
Book Description
Ruin Lust offers a guide to the mournful, thrilling, comic, and perverse uses of ruins in art from the 17th century to the present day. This book, which accompanied a major Tate Britain exhibition, includes more than 100 works by artists such as J. M. W Turner, John Constable, John Martin, Eduardo Paolozzi, Paul Nash, and Rachel Whiteread. Beginning in the midst of the craze that sent artists, writers, architects, and tourists in search of ruins and picturesque landscapes in the 18th century, it shows how ruins have continued to be a source of visual and emotional fascination at particular historical moments. Thoroughly illustrated, Ruin Lust explores how ruin has become a way of thinking about art itself and its connection to both the past and the future.
Behind the Scenes at the Museum
Author: Kate Atkinson
Publisher: Macmillan
ISBN: 9780312150600
Category : Fiction
Languages : en
Pages : 338
Book Description
This 1995 Whitbread Book of the Year paints a rich, vivid portrait of heartbreak and happiness, recounting the story of Ruby Lennox, a narrator who will leave no stone unturned in her account of family life above a pet shop in England. "A poignant and beautifully wrought portrait of a young girl's growth".--"Seattle Times".
Publisher: Macmillan
ISBN: 9780312150600
Category : Fiction
Languages : en
Pages : 338
Book Description
This 1995 Whitbread Book of the Year paints a rich, vivid portrait of heartbreak and happiness, recounting the story of Ruby Lennox, a narrator who will leave no stone unturned in her account of family life above a pet shop in England. "A poignant and beautifully wrought portrait of a young girl's growth".--"Seattle Times".