Author: Duncan Wu
Publisher: Wiley-Blackwell
ISBN: 9780631218777
Category : Literary Criticism
Languages : en
Pages : 566
Book Description
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
A Companion to Romanticism
Author: Duncan Wu
Publisher: Wiley-Blackwell
ISBN: 9780631218777
Category : Literary Criticism
Languages : en
Pages : 566
Book Description
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
Publisher: Wiley-Blackwell
ISBN: 9780631218777
Category : Literary Criticism
Languages : en
Pages : 566
Book Description
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
The Beautiful, the Sublime and the Picturesque in Eighteenth Century British Aesthetic Theory
Author: Walter J. Hipple
Publisher:
ISBN: 9780859677660
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780859677660
Category :
Languages : en
Pages :
Book Description
A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful
Author: Edmund Burke
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 326
Book Description
The Picturesque, The Sublime, The Beautiful: Visual Artistry in the Works of Charlotte Smith (1749-1806)
Author: Valerie Derbyshire
Publisher: Vernon Press
ISBN: 1622737466
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This book considers the relationships between British Romantic-era novelist, poet and writer of educational works for children, Charlotte Smith (1749-1806), and a number of visual artists of the eighteenth century with whom she had connections. By exploring these associations with artists such as George Smith of Chichester, George Romney, James Northcote, John Raphael Smith and Emma Smith, the book demonstrates how the artwork of these individual artists influenced Charlotte Smith’s literary corpus. It also shows a mutual influence: how the literary works of Charlotte Smith impacted the corpora of these artists. This study uncovers information which was not heretofore known regarding these artists: it reveals a mistaken attribution of a sketch which accompanied the second volume of Smith’s Elegiac Sonnets (1797) and sheds light on a print, held by the British Museum, which was previously shrouded in mystery. The artworks also enhance the existing scholarly knowledge about Smith’s biography. This book analyses the tropes and motifs employed by Smith’s artist-associates in the context of the popular aesthetics of the period and undertakes parallel readings between such visual artistry and Smith’s literary works. The book deliberates on how Smith utilises these aesthetics as narrative devices, making use of the tropes of the picturesque, the sublime and the beautiful, as well as that of a national British heraldic artwork, in order to produce and enhance meaning in her literary oeuvre. Thus, Smith uses aesthetic structures as vehicles for social critique, commentating on political, gender, moral and class concerns in addition to enhancing the perceived authenticity of her own artistry. The scholarship aims to correct the common misperception that Smith was a lonely marginal figure of Romanticism and instead asserts her central position in an enormous network of key artistic figures of British Romanticism.
Publisher: Vernon Press
ISBN: 1622737466
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This book considers the relationships between British Romantic-era novelist, poet and writer of educational works for children, Charlotte Smith (1749-1806), and a number of visual artists of the eighteenth century with whom she had connections. By exploring these associations with artists such as George Smith of Chichester, George Romney, James Northcote, John Raphael Smith and Emma Smith, the book demonstrates how the artwork of these individual artists influenced Charlotte Smith’s literary corpus. It also shows a mutual influence: how the literary works of Charlotte Smith impacted the corpora of these artists. This study uncovers information which was not heretofore known regarding these artists: it reveals a mistaken attribution of a sketch which accompanied the second volume of Smith’s Elegiac Sonnets (1797) and sheds light on a print, held by the British Museum, which was previously shrouded in mystery. The artworks also enhance the existing scholarly knowledge about Smith’s biography. This book analyses the tropes and motifs employed by Smith’s artist-associates in the context of the popular aesthetics of the period and undertakes parallel readings between such visual artistry and Smith’s literary works. The book deliberates on how Smith utilises these aesthetics as narrative devices, making use of the tropes of the picturesque, the sublime and the beautiful, as well as that of a national British heraldic artwork, in order to produce and enhance meaning in her literary oeuvre. Thus, Smith uses aesthetic structures as vehicles for social critique, commentating on political, gender, moral and class concerns in addition to enhancing the perceived authenticity of her own artistry. The scholarship aims to correct the common misperception that Smith was a lonely marginal figure of Romanticism and instead asserts her central position in an enormous network of key artistic figures of British Romanticism.
Essays on the Picturesque, as Compared with the Sublime and the Beautiful
Author: Sir Uvedale Price
Publisher:
ISBN:
Category : Landscape gardening
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Landscape gardening
Languages : en
Pages : 0
Book Description
The Sublime in Modern Philosophy
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Emmeline, the Orphan of the Castle
Author: Charlotte Smith
Publisher:
ISBN:
Category : Bookplates
Languages : en
Pages : 314
Book Description
Publisher:
ISBN:
Category : Bookplates
Languages : en
Pages : 314
Book Description
The British Aesthetic Tradition
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 052151830X
Category : History
Languages : en
Pages : 361
Book Description
Offers a comprehensive account of British aesthetics from the early eighteenth century to the late twentieth century in Britain and beyond.
Publisher: Cambridge University Press
ISBN: 052151830X
Category : History
Languages : en
Pages : 361
Book Description
Offers a comprehensive account of British aesthetics from the early eighteenth century to the late twentieth century in Britain and beyond.
Essays on the Picturesque
Author: Sir Uvedale Price
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 402
Book Description
Distant Suffering
Author: Luc Boltanski
Publisher: Cambridge University Press
ISBN: 9780521659536
Category : Philosophy
Languages : en
Pages : 272
Book Description
Distant Suffering, first published in 1999, examines the moral and political implications for a spectator of the distant suffering of others as presented through the media. What are the morally acceptable responses to the sight of suffering on television, for example, when the viewer cannot act directly to affect the circumstances in which the suffering takes place? Luc Boltanski argues that spectators can actively involve themselves and others by speaking about what they have seen and how they were affected by it. Developing ideas in Adam Smith's moral theory, he examines three rhetorical 'topics' available for the expression of the spectator's response to suffering: the topics of denunciation and of sentiment and the aesthetic topic. The book concludes with a discussion of a 'crisis of pity' in relation to modern forms of humanitarianism. A possible way out of this crisis is suggested which involves an emphasis and focus on present suffering.
Publisher: Cambridge University Press
ISBN: 9780521659536
Category : Philosophy
Languages : en
Pages : 272
Book Description
Distant Suffering, first published in 1999, examines the moral and political implications for a spectator of the distant suffering of others as presented through the media. What are the morally acceptable responses to the sight of suffering on television, for example, when the viewer cannot act directly to affect the circumstances in which the suffering takes place? Luc Boltanski argues that spectators can actively involve themselves and others by speaking about what they have seen and how they were affected by it. Developing ideas in Adam Smith's moral theory, he examines three rhetorical 'topics' available for the expression of the spectator's response to suffering: the topics of denunciation and of sentiment and the aesthetic topic. The book concludes with a discussion of a 'crisis of pity' in relation to modern forms of humanitarianism. A possible way out of this crisis is suggested which involves an emphasis and focus on present suffering.