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Author: Leon Battista Alberti
Publisher: Yale University Press
ISBN: 9780300000016
Category : Art
Languages : en
Pages : 148
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Book Description
Alberti’s Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. John R. Spencer's translation of Della Pittura is based on all the known manuscripts and is edited with an Introduction and Notes.
Author: Leon Battista Alberti
Publisher: Yale University Press
ISBN: 9780300000016
Category : Art
Languages : en
Pages : 148
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Book Description
Alberti’s Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. John R. Spencer's translation of Della Pittura is based on all the known manuscripts and is edited with an Introduction and Notes.
Author: Emile A. Gruppé
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Dust jacket notes: "Vibrant, fresh, immediate! The direct oil painting technique is an intense reaction to nature, a race with time to capture the color, the light and shadow, the design and the spirit of a subject in a few short hours. And now, Emile Gruppe - master of the direct oil painting technique - shows how you can use the broad strokes and lively colors of this spontaneous approach to infuse your own paintings with vitality, vigor, and on-the-spot freshness. A firm believer in using the best materials for the best results, Gruppe begins with a quick review of his favorite brushes, colors, easels, and painting surfaces. Next, he covers the basics of good design, what to look for and how to orchestrate what you see: masses, lines, values, and relationships. Turning to color, a fundamental element of his painting technique, Gruppe discusses complements, color harmony, color vibration, local color, reflected color, and using color to create atmospheric perspective. He explains how color appears on various kinds of days - foggy, clear, cloudy - and under different lighting conditions - front lighting, backlighting, sidelighting. In subsequent chapters, the author focuses on composing seascapes and landscapes; he explains how to paint rocks, ocean, lighthouses, boats, piers, pilings, roads, trees, streams, snow, mountains, valleys. Then, in full-color step-by-step demonstrations, the author shows how he captures a subject in his unique, exuberant, on-the-spot style.
Author: Leon Battista Alberti
Publisher: Cambridge University Press
ISBN: 1107000629
Category : Art
Languages : en
Pages : 231
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Book Description
In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text.
Author: Leonardo
Publisher: Yale University Press
ISBN: 9780300090956
Category : Art
Languages : en
Pages : 340
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Book Description
This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.
Author: Protter
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Mira Schor
Publisher: Duke University Press
ISBN: 9780822319153
Category : Art
Languages : en
Pages : 284
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Book Description
Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light.
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740785508
Category : Art
Languages : en
Pages : 228
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Book Description
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Author: John W. Robichaux
Publisher: Courier Corporation
ISBN: 0486437280
Category : Art
Languages : en
Pages : 82
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Book Description
An artist for over seventy years and a teacher for more than sixty, painter Henry Hensche (1901–1992) placed great emphasis in his classes on Monet's Impressionist tradition of seeing and painting color under the influence of light. Hensche taught his students to "see the light, not the object," says his biographer John Robichaux. This book reveals the basic painting philosophy and methodology of a great teacher, as expounded in his famous classes and workshops on Cape Cod.
Author: Charles W. Hawthorne
Publisher: Courier Corporation
ISBN: 048620653X
Category : Art
Languages : en
Pages : 98
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Book Description
Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts
Author: Leon Battista Alberti
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : la
Pages : 178
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Book Description
This volume makes available the texts of two of his major works of artistic theory, which in part reflected and in part determined the practice of painting and sculpture and which are fundamental for the understanding of the theory and practice of Italian Renaissance art. In spite of their long acknowledge importance and frequent use, the texts themselves have remained comparatively neglected and not infreaquently misunderstood. -- Book Jacket.
