On Christian Iconography PDF Download
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Author: Francisco Pacheco
Publisher:
ISBN: 9780916101893
Category : Painting
Languages : en
Pages : 0
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Book Description
An introduction to Pacheco's writings on the decorum of religious painting -- Of the order, decency and decorum that invention ought to follow -- In which the matter of decorum is continued -- In which the approval of the painting of the Last Judgment and the subject of decorum is concluded -- Important counsels on a number of sacred histories, regarding the truth and correctness with which they should be painted in accordance with the Divine Scriptures and the Holy Doctors -- In which counsels on the painting of sacred histoiries are continued -- In which the counsels on sacred paintings are continued -- On the truthful paintings of some of the best known of the saints -- In favor of painting the four nails with which Christ our Redeemer was crucified -- In which the thought and approval of these two letters is given be learned men that examined and approved them
Author: Francisco Pacheco
Publisher:
ISBN: 9780916101893
Category : Painting
Languages : en
Pages : 0
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Book Description
An introduction to Pacheco's writings on the decorum of religious painting -- Of the order, decency and decorum that invention ought to follow -- In which the matter of decorum is continued -- In which the approval of the painting of the Last Judgment and the subject of decorum is concluded -- Important counsels on a number of sacred histories, regarding the truth and correctness with which they should be painted in accordance with the Divine Scriptures and the Holy Doctors -- In which counsels on the painting of sacred histoiries are continued -- In which the counsels on sacred paintings are continued -- On the truthful paintings of some of the best known of the saints -- In favor of painting the four nails with which Christ our Redeemer was crucified -- In which the thought and approval of these two letters is given be learned men that examined and approved them
Author: George Ferguson
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308
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Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 546
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Book Description
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 552
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Book Description
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 554
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Book Description
Author: André Grabar
Publisher: Princeton University Press
ISBN: 0691252084
Category : Art
Languages : en
Pages : 430
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Book Description
An illuminating look at the iconography of the early church and its important place in the history of Christian art In this book, historian André Grabar demonstrates how early Christian iconography assimilated contemporary imagery of the time. Grabar looks at the most characteristic examples of paleo-Christian iconography, dwelling on their nature, form, and content. He explores the limits of originality in such art, its debt to figurative art, and the broader cultural climate in the Roman Empire, drawing a distinction between expressive images—that is, genuine works of art—and informative ones. Throughout, Grabar establishes the importance of imperial iconography in the development of Christian portraits and sheds light on the role they played alongside other forms of Christian piety in their day.
Author: Thomas F. Mathews
Publisher: Getty Publications
ISBN: 1606065092
Category : Art
Languages : en
Pages : 59
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Book Description
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.
Author: Alva William Steffler
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802846761
Category : Art
Languages : en
Pages : 180
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Book Description
Symbols of the Christian Faith is an illustrated guide to the major visual symbols used by the Christian church throughout history. These stylized illustrations, designed by artist Alva William Steffler, are intended to provide usable, up-to-date resources for contemporary church worship and Christian education. Throughout church history symbols have been used to aid worship and to communicate difficult spiritual ideas. Steffler here collects these symbols, from early Christian catacomb art to the present, offering fresh graphic interpretations of old visual forms. The accompanying text notes the biblical sources for the various symbols and traces their use in church tradition and their links to Greco-Roman culture. Extensive glossaries and indexes round out the book. Broadly inclusive and sensitive to the perspectives of every church tradition, this volume will be an invaluable resource for churches using Christian art as well as for general readers curious about the meaning of common Christian symbols.
Author: Jeana Visel
Publisher: Liturgical Press
ISBN: 0814646840
Category : Religion
Languages : en
Pages : 192
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Book Description
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.
Author: Saint John (of Damascus)
Publisher: St Vladimir's Seminary Press
ISBN: 9780881412451
Category : Art
Languages : en
Pages : 192
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Book Description
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
