Author: Gil Robinson
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 330
Book Description
Old Wagon Show Days
Author: Gil Robinson
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category : Circus
Languages : en
Pages : 330
Book Description
A.L.A. Catalog, 1926
Author: Isabella Mitchell Cooper
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1302
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1302
Book Description
The Billboard
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 942
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 942
Book Description
The Wagon and Other Stories from the City
Author: Martin Preib
Publisher: University of Chicago Press
ISBN: 0226679810
Category : True Crime
Languages : en
Pages : 176
Book Description
Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself. The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.
Publisher: University of Chicago Press
ISBN: 0226679810
Category : True Crime
Languages : en
Pages : 176
Book Description
Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself. The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.
Agnes Lake Hickok
Author: Carolyn M. Bowers
Publisher: University of Oklahoma Press
ISBN: 0806185570
Category : Biography & Autobiography
Languages : en
Pages : 414
Book Description
The first woman in America to own and operate a circus, Agnes Lake spent thirty years under the Big Top before becoming the wife of Wild Bill Hickok—a mere five months before he was killed. Although books abound on the famous lawman, Agnes’s life has remained obscured by circus myth and legend. Linda A. Fisher and Carrie Bowers have written the first biography of this colorful but little-known circus performer. Agnes originally found fame as a slack-wire walker and horseback rider, and later as an animal trainer. Her circus career spanned more than four decades. Following the murder of her first husband, Bill Lake, she was the sole manager of the “Hippo-Olympiad and Mammoth Circus.” While taking her show to Abilene, she met town marshal Hickok and five years later she married him. After Hickok’s death, Agnes traveled with P. T. Barnum and Buffalo Bill Cody, and managed her daughter Emma Lake’s successful equestrian career. This account of a remarkable life cuts through fictions about Agnes’s life, including her own embellishments, to uncover her true story. Numerous illustrations, including rare photographs and circus memorabilia, bring Agnes’s world to life.
Publisher: University of Oklahoma Press
ISBN: 0806185570
Category : Biography & Autobiography
Languages : en
Pages : 414
Book Description
The first woman in America to own and operate a circus, Agnes Lake spent thirty years under the Big Top before becoming the wife of Wild Bill Hickok—a mere five months before he was killed. Although books abound on the famous lawman, Agnes’s life has remained obscured by circus myth and legend. Linda A. Fisher and Carrie Bowers have written the first biography of this colorful but little-known circus performer. Agnes originally found fame as a slack-wire walker and horseback rider, and later as an animal trainer. Her circus career spanned more than four decades. Following the murder of her first husband, Bill Lake, she was the sole manager of the “Hippo-Olympiad and Mammoth Circus.” While taking her show to Abilene, she met town marshal Hickok and five years later she married him. After Hickok’s death, Agnes traveled with P. T. Barnum and Buffalo Bill Cody, and managed her daughter Emma Lake’s successful equestrian career. This account of a remarkable life cuts through fictions about Agnes’s life, including her own embellishments, to uncover her true story. Numerous illustrations, including rare photographs and circus memorabilia, bring Agnes’s world to life.
The Revenger
Author: Aaron Woodard
Publisher: Rowman & Littlefield
ISBN: 149303393X
Category : History
Languages : en
Pages : 185
Book Description
The Revenger: The Life and Times of Wild Bill Hickok examines Wild Bill’s life in the context of 19th Century American history, from his birth, through his early manhood, and to his eventual demise. Woven into his life story are the significant role played by the Civil War in the development of his character and philosophy, the role played by popular media in the creation of his legendary status, and the changing of the western landscape and lifestyle that began to eliminate the need for gunmen such as Wild Bill. The book discusses Hickok’s early jobs in law enforcement and his associations with other significant westerners and recounts the events that transformed Hickok from a formidable lawman into a national celebrity and popular hero. Details of Hickok’s most famous gunfights, including weapons used and participants and outcomes and, of course, the end of his career including his famous death at the hands of an assassin in a saloon in Deadwood South Dakota are all explored. The book also incorporates changing views of historiographical interpretation of lawmen/gunmen in general and Wild Bill in particular. The book will have extensive illustrations—archival photos of Wild Bill, his contemporaries, his guns, etc.
Publisher: Rowman & Littlefield
ISBN: 149303393X
Category : History
Languages : en
Pages : 185
Book Description
The Revenger: The Life and Times of Wild Bill Hickok examines Wild Bill’s life in the context of 19th Century American history, from his birth, through his early manhood, and to his eventual demise. Woven into his life story are the significant role played by the Civil War in the development of his character and philosophy, the role played by popular media in the creation of his legendary status, and the changing of the western landscape and lifestyle that began to eliminate the need for gunmen such as Wild Bill. The book discusses Hickok’s early jobs in law enforcement and his associations with other significant westerners and recounts the events that transformed Hickok from a formidable lawman into a national celebrity and popular hero. Details of Hickok’s most famous gunfights, including weapons used and participants and outcomes and, of course, the end of his career including his famous death at the hands of an assassin in a saloon in Deadwood South Dakota are all explored. The book also incorporates changing views of historiographical interpretation of lawmen/gunmen in general and Wild Bill in particular. The book will have extensive illustrations—archival photos of Wild Bill, his contemporaries, his guns, etc.
Wisconsin Library Bulletin
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 764
Book Description
Circus Life
Author: Micah D. Childress
Publisher: Univ. of Tennessee Press
ISBN: 1621903958
Category : Performing Arts
Languages : en
Pages : 265
Book Description
The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.
Publisher: Univ. of Tennessee Press
ISBN: 1621903958
Category : Performing Arts
Languages : en
Pages : 265
Book Description
The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.
Indiana Historical Society Publications
Author: Indiana Historical Society
Publisher:
ISBN:
Category : Indiana
Languages : en
Pages : 564
Book Description
Vol. 1, t.-p. dated 1897, includes the Society's proceedings and all papers and publications from its organization in 1830 to 1886. Each succeeding volume made up from papers originally issued separately. Vol. 6, no. 4 contains minutes of the society, 1886-1918.
Publisher:
ISBN:
Category : Indiana
Languages : en
Pages : 564
Book Description
Vol. 1, t.-p. dated 1897, includes the Society's proceedings and all papers and publications from its organization in 1830 to 1886. Each succeeding volume made up from papers originally issued separately. Vol. 6, no. 4 contains minutes of the society, 1886-1918.
Showboats
Author: Philip Graham
Publisher: University of Texas Press
ISBN: 0292775555
Category : History
Languages : en
Pages : 265
Book Description
This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock. It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums. And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier. For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities. To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message. The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans. Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous. Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.
Publisher: University of Texas Press
ISBN: 0292775555
Category : History
Languages : en
Pages : 265
Book Description
This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock. It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums. And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier. For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities. To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message. The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans. Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous. Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.