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Author: Joseph Needham
Publisher: Cambridge University Press
ISBN: 9780521086905
Category : History
Languages : en
Pages : 520
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Book Description
Part one of the fifth volume of Joseph Needham's great enterprise is written by one of the project's collaborators. Professor Tsien Tsuen-Hsuin, working in regular consultation with Dr Needham, has written the most comprehensive account of every aspect of paper and printing in China to be published in the West. From a close study of the vast mass of source material, Professor Tsien brings order and illumination to an area of technology which has been of profound importance in the spread of civilisation. The main body of the book is a detailed study of the invention, technology and aesthetic development of printing in China. From the growth and ultimate refinements of early woodcut printing to the spread of printing from movable type and the development of book-binding, Professor Tsien carries the story forward to the beginning of the nineteenth century when 'more printed pages existed in Chinese than in all other languages put together'.
Author: Joseph Needham
Publisher: Cambridge University Press
ISBN: 9780521086905
Category : History
Languages : en
Pages : 520
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Book Description
Part one of the fifth volume of Joseph Needham's great enterprise is written by one of the project's collaborators. Professor Tsien Tsuen-Hsuin, working in regular consultation with Dr Needham, has written the most comprehensive account of every aspect of paper and printing in China to be published in the West. From a close study of the vast mass of source material, Professor Tsien brings order and illumination to an area of technology which has been of profound importance in the spread of civilisation. The main body of the book is a detailed study of the invention, technology and aesthetic development of printing in China. From the growth and ultimate refinements of early woodcut printing to the spread of printing from movable type and the development of book-binding, Professor Tsien carries the story forward to the beginning of the nineteenth century when 'more printed pages existed in Chinese than in all other languages put together'.
Author: Jean-Pierre Drège
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110701723
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Paper has become the most common writing material worldwide in the course of a two millennia history. This study provides a magisterial synthesis of recent scholarship and original insights into the origins of papermaking and its subsequent history in imperial China, including a wide range of archaeological evidence and literary sources. The volume introduces the materials and technologies of paper production and presents the cultural history of paper in traditional China. A comprehensive survey of literary sources on the production and use of paper is undertaken starting with the ongoing debate about the origin and genesis of paper, which was fuelled by recent archaeological discoveries of paper or proto-paper from the last two centuries BCE. In addition to its having become a popular writing material produced in many different qualities for both handwriting and printing, it also served as a material for wrapping or decorating, money and numerous uses in everyday life, such as umbrellas, windows, clothing, wallpapers, curtains and kites. Precious paper contributed to the aesthetics of calligraphy and painting, catering to the taste of the educated elite and artists.
Author: Dard Hunter
Publisher: Courier Corporation
ISBN: 0486236196
Category : Crafts & Hobbies
Languages : en
Pages : 690
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Book Description
The classic work on papermaking, this book traces the craft's history from its invention in China to its introductions in Europe and America. The foremost authority on the subject covers tools and materials; hand moulds; pressing, drying, and sizing; hand- and machine-made paper; watermarking; and more. Over 320 illustrations.Reprint of the second, revised, and enlarged 1947 edition.
Author: Jörg B. Quenzer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110753340
Category : Literary Criticism
Languages : en
Pages : 1283
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Book Description
This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.
Author: Meher McArthur
Publisher:
ISBN: 9780500238233
Category : Art
Languages : en
Pages : 256
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Book Description
Presents an illustrated analysis and survey of Asian art forms as understood through the spiritual significance of artistic materials and techniques, tracing the historical and social applications of ten specific artistic materials, from jade and silk to bamboo and paper.
Author: Welford Dunaway Taylor
Publisher: David R. Godine Publisher
ISBN: 9781567920499
Category : Art
Languages : en
Pages : 140
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Book Description
Taylor (English, U. of Richmond) paints a rich portrait of Lankes, arguably the first genuine native-born American woodcut artist who was the sole creator of about 1,300 b&w images used on everything from book jackets to theater posters. He presents Lankes' varied and striking renditions of the peop
Author: Sukey Hughes
Publisher: Tokyo ; New York : Kodansha International
ISBN:
Category : Technology & Engineering
Languages : en
Pages : 368
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Book Description
Author:
Publisher:
ISBN:
Category : Forest products
Languages : en
Pages : 40
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Book Description
Author: Caroline Fowler
Publisher: Yale University Press
ISBN: 0300246021
Category : Art
Languages : en
Pages : 185
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Book Description
The untold story of how paper revolutionized art making during the Renaissance, exploring how it shaped broader concepts of authorship, memory, and the transmission of ideas over the course of three centuries In the late medieval and Renaissance period, paper transformed society--not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist's workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became "Europeanized" through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper--as refuse and rags transformed into white surface--informed the works for which it was used, as well as artists' thinking more broadly, across the early modern world.
Author:
Publisher:
ISBN:
Category : Papermaking
Languages : en
Pages : 890
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Book Description
