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Author: William W. Kibler
Publisher: Modern Language Assn of Amer
ISBN: 9780873522922
Category : Foreign Language Study
Languages : en
Pages : 366
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Book Description
The first section, on the grammar, presents reading selections from Marie de France's lai "Fresne" and selections in two major literary dialects of Old French--Anglo-Norman and Picard. These are followed by chapters on Old French morphology and syntax; phonology sections are included at the end of each chapter. Contains a glossary, an index, and a select bibliography.
Author: William W. Kibler
Publisher: Modern Language Assn of Amer
ISBN: 9780873522922
Category : Foreign Language Study
Languages : en
Pages : 366
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Book Description
The first section, on the grammar, presents reading selections from Marie de France's lai "Fresne" and selections in two major literary dialects of Old French--Anglo-Norman and Picard. These are followed by chapters on Old French morphology and syntax; phonology sections are included at the end of each chapter. Contains a glossary, an index, and a select bibliography.
Author: Wilfred Joseph Cripps
Publisher:
ISBN:
Category : Hallmarks
Languages : fr
Pages : 130
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Book Description
Author: Sophie Segur
Publisher: Applewood Books
ISBN: 1429011866
Category : Juvenile Fiction
Languages : en
Pages : 300
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Book Description
This 1920 collection includes five timeless French fairy tales written by Comtesse De Segur and illustrated by the 19 year old Virginia Sterrett.
Author: Alan Hindley
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 646
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Book Description
This is the first Old French-English dictionary of its kind to provide a comprehensive reference tool for a broad range of English-speaking users. In the form of a compendious but manageable single volume, it is designed for both the general and specialist reader of Old French texts including students, scholars, philologists and historians. The dictionary is based on a large and varied number of texts up to c.1350, starting from the 'classics' of medieval French literature and extending through all the genres: epic, romance, religious, moral, didactic and allegorical texts, lyric poetry, drama, humour and satire, as well as non-literary historical, political and legal documents. The aim has been to include a wide range of variant spellings as well as the main dialectal forms to help the anglophone user in particular. Detailed definitions and grammatical functions are provided, together with common phrases with their translations.
Author: E. Einhorn
Publisher: Cambridge University Press
ISBN: 9780521098380
Category : Foreign Language Study
Languages : en
Pages : 212
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Book Description
A concise but unusually comprehensive handbook for the students of Old French. Based on Dr Einhorn's very successful introductory lecture course for undergraduates, this book describes the phonology, morphology and syntax of standard Old French, paying attention also to the main dialect forms. There are numerous examples in the text; the book also gives representative passages of some length, and a glossary. Students taking university courses and scholars teaching themselves should find in this book an ideal combination of features in a handy format.
Author: Reginald Hyatte
Publisher: BRILL
ISBN: 9004247297
Category : History
Languages : en
Pages : 215
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Book Description
The Prophet of Islam in Old French gives the first English translation of the only medieval French narratives that present comprehensive accounts of Muhammad's prophethood: Alexandre du Pont's Romance of Muhammad from 1258 and the 1264 translation of a Muslim apocalypse, The Book of Muhammad's Ladder. The introduction addresses the problems of the romance's divergence from conventional Christian representations of Muhammad's confirmation as prophet and the absence of Christian commentary in the apocalypse. It discusses the traditions regarding Muhammad's prophethood, the conventions of the apocalyptic genre, and the propagandistic aims of both narratives in relation to the crusades and missionary activity at that time. These works are of particular interest because they are the first to present to a French lay audience the topic of Muhammad's prophethood, and scholars have long debated whether the apocalypse influenced Dante's Divine Comedy.
Author: Catherine Mary Jones
Publisher:
ISBN: 9780813066462
Category : Cycles (Literature)
Languages : en
Pages : 0
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Book Description
This volume offers a broad and rich view of the tradition of Old French epic poetry, or chansons de geste, by providing an updated English translation of three central poems from the twelfth-century Guillaume d'Orange cycle.
Author: Deborah L Arteaga
Publisher: Springer Science & Business Media
ISBN: 9400747683
Category : Language Arts & Disciplines
Languages : en
Pages : 387
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Book Description
The present volume presents scholarly study into Old French as it is practiced today, in all of its forms, within a variety of theoretical frameworks, from Optimality Theory to Minimalism to Discourse Analysis. Many of the chapters are corpus-based, reflecting a new trend in the field, as more electronic corpora become available. The chapters contribute to our understanding of both the synchronic state and diachronic evolution, not only of Old French, but of language in general. Its breadth is extensive in that contributors pursue research on a wide variety of topics in Old French focusing on the various subsystems of language. All examples are carefully glossed and the relevant characteristics of Old French are clearly explained, which makes it uniquely accessible to non-specialists and linguists at all levels of training.
Author: Cyril Aslanov
Publisher: Cambridge Scholars Publishing
ISBN: 1527524949
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
This book delves into the question of the coexistence, convergence, and opposition between the sacred and the secular as reflected in Old French and Old Provençal poetry from the early to the late central Middle Ages, that is from the end of the ninth century until the thirteenth century. It breaks the boundaries between the intratextual dimension and the cultural and historical context wherefrom the texts emanated, in order to reassess the role of sacredness in the civilizational landscape of France and Occitania during the golden age of Old French and Old Provençal poetry. It will interest not only Romanists, but also historians, specialists of the history of religions, and students and scholars of general and comparative literature.
Author: Sylvia Huot
Publisher: Cornell University Press
ISBN: 1501746685
Category : Poetry
Languages : en
Pages : 531
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Book Description
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
