Elements of English Country Dance PDF Download
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Author: Hugh Stewart
Publisher:
ISBN: 9780951919316
Category : Country dancing
Languages : en
Pages : 38
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Book Description
Author: Hugh Stewart
Publisher:
ISBN: 9780951919316
Category : Country dancing
Languages : en
Pages : 38
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Book Description
Author: Daniel J. Walkowitz
Publisher: NYU Press
ISBN: 1479890359
Category : History
Languages : en
Pages : 352
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Book Description
This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America.
Author: John Playford
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 128
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Book Description
Author: John Playford
Publisher:
ISBN:
Category : Country dancing
Languages : en
Pages : 54
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Book Description
Author: Hugh Rippon
Publisher: Bloomsbury Shire Publications
ISBN:
Category : Folk dancing
Languages : en
Pages : 64
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Book Description
Author: Phil Jamison
Publisher: University of Illinois Press
ISBN: 0252097327
Category : Music
Languages : en
Pages : 305
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Book Description
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
Author: Davinia Caddy
Publisher: Cambridge University Press
ISBN: 9781108469951
Category : Music
Languages : en
Pages : 325
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Book Description
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.
Author: Thomas Wilson (dancing master.)
Publisher:
ISBN:
Category : Country dancing
Languages : en
Pages : 192
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Book Description
Designed for "those who possess no knowledge whatsoever of country-dancing," the manual uses text, tables, and color-coded diagrams to explain the figures for English country dances. Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular early nineteenth-century ballroom dances. Originally published in 1808, the manual was reissued in 1822, and another version appeared in 1815 under the title The complete system of English country dancing. This edition is dedicated to Madame Angiolini, principal dancer at the King's Theatre, where Wilson held the post of dancing master.
Author: E. David Gregory
Publisher: Rowman & Littlefield
ISBN: 0810869888
Category : Ballads, English
Languages : en
Pages : 600
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Book Description
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
Author: Belinda Quirey
Publisher: Dance Books Limited
ISBN: 9781852731601
Category : Dance
Languages : en
Pages : 124
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Book Description
This book sets out to trace the development of our social dancing from its origins in the ancient ring dances of antiquity to the teenager's beat dancing of today. From the invention of the couple dance by the Troubadors of Provence, through the domination of the Italian, the English and the French courts to the French Revolution and then on to the most shocking dance ever known to Western man, the Waltz. Eighty years later, and the syncopated beat of ragtime leads us to the age of the Foxtrot and the Quickstep - until Bill Haley starts to play and Elvis moves his pelvis . . . This is not a look at how to dance but what people danced, and why. Belinda Quirey was an Honorary Member of the Guildhall School of Music and Drama, and a Founder Fellow (and past Chairman) of the Historical Branch of the Imperial Society of Teachers of Dancing. She taught dance history at the Royal Academy of Dancing, the London Academy of Music and Dramatic Art, the London College of Dance and Drama, the London Contemporary Dance School, the London Theatre School, and the British and European Studies Group. She choreographed for most of our main theatrical companies, and was for many years the choreographer of the English Bach Festival Trust in its revivals of Baroque operas. Steve Bradshaw, after studying English at Queens College, Cambridge, joined BBC Radio London during its early days, producing and presenting 'Breakthrough' a rock magazine programme for young people. He is now a freelance film-maker, writer, journalist and broadcaster. Ronald Smedley was Producer of the BBC television series 'May I Have The Pleasure?', and is a member of the English Folk Dance and Song Society and visiting teacher in traditional dance at the Royal Ballet School.
