Official Report of the Calcutta International Exhibition, 1883-84

Official Report of the Calcutta International Exhibition, 1883-84 PDF Author:
Publisher:
ISBN:
Category : Handicraft
Languages : en
Pages : 808

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Official Report of the Calcutta International Exhibition, 1883-84

Official Report of the Calcutta International Exhibition, 1883-84 PDF Author:
Publisher:
ISBN:
Category : Handicraft
Languages : en
Pages : 808

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Catalogue

Catalogue PDF Author: Calcutta (India). Imperial library
Publisher:
ISBN:
Category : India
Languages : en
Pages : 476

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An Empire on Display

An Empire on Display PDF Author: Peter H. Hoffenberg
Publisher: Univ of California Press
ISBN: 9780520922969
Category : Business & Economics
Languages : en
Pages : 632

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Book Description
The exhibitions of the Victorian and Edwardian eras are the lens through which this book examines the economic, cultural, and social forces that helped define Britain and the Empire. It focuses on exhibitions in England, Australia, and India from the Great Exhibition to the Festival of Empire.

Exhibitions, Music and the British Empire

Exhibitions, Music and the British Empire PDF Author: Sarah Kirby
Publisher: Boydell & Brewer
ISBN: 1783276738
Category : Exhibitions
Languages : en
Pages : 264

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Book Description
"International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.

Subject-index to the author-catalogue. 1908-10. 2 v

Subject-index to the author-catalogue. 1908-10. 2 v PDF Author: Imperial Library, Calcutta
Publisher:
ISBN:
Category : India
Languages : en
Pages : 570

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Imperial Wine

Imperial Wine PDF Author: Jennifer Regan-Lefebvre
Publisher: Univ of California Press
ISBN: 0520402162
Category : Business & Economics
Languages : en
Pages : 341

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Book Description
A fascinating and approachable deep dive into the colonial roots of the global wine industry. Imperial Wine is a bold, rigorous history of Britain’s surprising role in creating the wine industries of Australia, South Africa, and New Zealand. Here, historian Jennifer Regan-Lefebvre bridges the genres of global commodity history and imperial history, presenting provocative new research in an accessible narrative. This is the first book to argue that today’s global wine industry exists as a result of settler colonialism and that imperialism was central, not incidental, to viticulture in the British colonies. Wineries were established almost immediately after the colonization of South Africa, Australia, and New Zealand as part of a civilizing mission: tidy vines, heavy with fruit, were symbolic of Britain’s subordination of foreign lands. Economically and culturally, nineteenth-century settler winemakers saw the British market as paramount. However, British drinkers were apathetic towards what they pejoratively called "colonial wine." The tables only began to turn after the First World War, when colonial wines were marketed as cheap and patriotic and started to find their niche among middle- and working-class British drinkers. This trend, combined with social and cultural shifts after the Second World War, laid the foundation for the New World revolution in the 1980s, making Britain into a confirmed country of wine-drinkers and a massive market for New World wines. These New World producers may have only received critical acclaim in the late twentieth century, but Imperial Wine shows that they had spent centuries wooing, and indeed manufacturing, a British market for inexpensive colonial wines. This book is sure to satisfy any curious reader who savors the complex stories behind this commodity chain.

Report of Curator

Report of Curator PDF Author: Lackawanna Historical Society, Scranton
Publisher:
ISBN:
Category :
Languages : en
Pages : 50

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A Classified List, in Alphabetical Order, of Reports and Other Publications in the Record Branch of the India Office December 1892

A Classified List, in Alphabetical Order, of Reports and Other Publications in the Record Branch of the India Office December 1892 PDF Author: Great Britain. India Office
Publisher:
ISBN:
Category : India
Languages : en
Pages : 480

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A Science of Our Own

A Science of Our Own PDF Author: Peter H. Hoffenberg
Publisher: University of Pittsburgh Press
ISBN: 0822987066
Category : Science
Languages : en
Pages : 298

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Book Description
When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a distinctive public science in Australia during the nineteenth century. It extends beyond the political underpinnings of the development of public science to consider the rich social and cultural context at its core. For the Australian colonies, as Peter H. Hoffenberg argues, these exhibitions not only offered a path to progress by promoting both the knowledge and authority of local scientists and public policies; they also ultimately redefined the relationship between science and society by representing and appealing to the growing popularity of science at home and abroad.

Colonialism and the Object

Colonialism and the Object PDF Author: T. J. Barringer
Publisher: Psychology Press
ISBN: 9780415157766
Category : Art
Languages : en
Pages : 244

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Book Description
Drawing together intensive case studies from an international group of scholars, the editors explore the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.