Author: Karen Stollznow
Publisher: Cambridge University Press
ISBN: 110849627X
Category : Discrimination in language
Languages : en
Pages : 325
Book Description
"You people ... She was asking for it ... That's so gay ... Don't be a Jew ... My ex-girlfriend is crazy ... You'd be pretty if you lost weight ... You look good ... for your age ... These statements can be offensive to some people, but it is complicated to understand exactly why. It is often difficult to recognize the veiled racism, sexism, ableism, lookism, ageism, and other -isms that hide in our everyday language. From an early age, we learn and normalize many words and phrases that exclude groups of people and reinforce bias and social inequality. Our language expresses attitudes and beliefs that can reveal internalized discrimination, prejudice, and intolerance. Some words and phrases are considered to be offensive, even if we're not trying to be"--
On the Offensive
Author: Karen Stollznow
Publisher: Cambridge University Press
ISBN: 110849627X
Category : Discrimination in language
Languages : en
Pages : 325
Book Description
"You people ... She was asking for it ... That's so gay ... Don't be a Jew ... My ex-girlfriend is crazy ... You'd be pretty if you lost weight ... You look good ... for your age ... These statements can be offensive to some people, but it is complicated to understand exactly why. It is often difficult to recognize the veiled racism, sexism, ableism, lookism, ageism, and other -isms that hide in our everyday language. From an early age, we learn and normalize many words and phrases that exclude groups of people and reinforce bias and social inequality. Our language expresses attitudes and beliefs that can reveal internalized discrimination, prejudice, and intolerance. Some words and phrases are considered to be offensive, even if we're not trying to be"--
Publisher: Cambridge University Press
ISBN: 110849627X
Category : Discrimination in language
Languages : en
Pages : 325
Book Description
"You people ... She was asking for it ... That's so gay ... Don't be a Jew ... My ex-girlfriend is crazy ... You'd be pretty if you lost weight ... You look good ... for your age ... These statements can be offensive to some people, but it is complicated to understand exactly why. It is often difficult to recognize the veiled racism, sexism, ableism, lookism, ageism, and other -isms that hide in our everyday language. From an early age, we learn and normalize many words and phrases that exclude groups of people and reinforce bias and social inequality. Our language expresses attitudes and beliefs that can reveal internalized discrimination, prejudice, and intolerance. Some words and phrases are considered to be offensive, even if we're not trying to be"--
Bad Language
Author: Edwin Battistella
Publisher: Oxford University Press
ISBN: 0199883831
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
Is today's language at an all-time low? Are pronunciations like cawfee and chawklit bad English? Is slang like my bad or hook up improper? Is it incorrect to mix English and Spanish, as in Yo quiero Taco Bell? Can you write Who do you trust? rather than Whom do you trust? Linguist Edwin Battistella takes a hard look at traditional notions of bad language, arguing that they are often based in sterile conventionality. Examining grammar and style, cursing, slang, and political correctness, regional and ethnic dialects, and foreign accents and language mixing, Battistella discusses the strong feelings evoked by language variation, from objections to the pronunciation NU-cu-lar to complaints about bilingual education. He explains the natural desire for uniformity in writing and speaking and traces the association of mainstream norms to ideas about refinement, intelligence, education, character, national unity and political values. Battistella argues that none of these qualities is inherently connected to language. It is tempting but wrong, Battistella argues, to think of slang, dialects and nonstandard grammar as simply breaking the rules of good English. Instead, we should view language as made up of alternative forms of orderliness adopted by speakers depending on their purpose. Thus we can study the structure and context of nonstandard language in order to illuminate and enrich traditional forms of language, and make policy decisions based on an informed engagement. Re-examining longstanding and heated debates, Bad Language will appeal to a wide spectrum of readers engaged and interested in the debate over what constitutes proper language.
Publisher: Oxford University Press
ISBN: 0199883831
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
Is today's language at an all-time low? Are pronunciations like cawfee and chawklit bad English? Is slang like my bad or hook up improper? Is it incorrect to mix English and Spanish, as in Yo quiero Taco Bell? Can you write Who do you trust? rather than Whom do you trust? Linguist Edwin Battistella takes a hard look at traditional notions of bad language, arguing that they are often based in sterile conventionality. Examining grammar and style, cursing, slang, and political correctness, regional and ethnic dialects, and foreign accents and language mixing, Battistella discusses the strong feelings evoked by language variation, from objections to the pronunciation NU-cu-lar to complaints about bilingual education. He explains the natural desire for uniformity in writing and speaking and traces the association of mainstream norms to ideas about refinement, intelligence, education, character, national unity and political values. Battistella argues that none of these qualities is inherently connected to language. It is tempting but wrong, Battistella argues, to think of slang, dialects and nonstandard grammar as simply breaking the rules of good English. Instead, we should view language as made up of alternative forms of orderliness adopted by speakers depending on their purpose. Thus we can study the structure and context of nonstandard language in order to illuminate and enrich traditional forms of language, and make policy decisions based on an informed engagement. Re-examining longstanding and heated debates, Bad Language will appeal to a wide spectrum of readers engaged and interested in the debate over what constitutes proper language.
Offensive Language
Author: Jim O’Driscoll
Publisher: Bloomsbury Publishing
ISBN: 1350169692
Category : Language Arts & Disciplines
Languages : en
Pages : 215
Book Description
Why do people take offence at things that are said? What is it exactly about an offending utterance which causes this negative reaction? How well motivated is the response to the offence? Offensive Language addresses these questions by applying an array of concepts from linguistic pragmatics and sociolinguistics to a wide range of examples, from TV to Twitter and from Mel Gibson to Donald Trump. Establishing a sharp distinction between potential offence and actual offence, Jim O'Driscoll then examines a series of case studies where offence has been caused, assessing the nature and degree of both the offence and the documented response to it. Through close linguistic analysis, this book explores the fine line between free speech and criminal activity, searching for a principled way to distinguish the merely embarrassing from the reprehensible and the censurable. In this way, a new approach to offensive language emerges, involving both how we study it and how it might be handled in public life.
Publisher: Bloomsbury Publishing
ISBN: 1350169692
Category : Language Arts & Disciplines
Languages : en
Pages : 215
Book Description
Why do people take offence at things that are said? What is it exactly about an offending utterance which causes this negative reaction? How well motivated is the response to the offence? Offensive Language addresses these questions by applying an array of concepts from linguistic pragmatics and sociolinguistics to a wide range of examples, from TV to Twitter and from Mel Gibson to Donald Trump. Establishing a sharp distinction between potential offence and actual offence, Jim O'Driscoll then examines a series of case studies where offence has been caused, assessing the nature and degree of both the offence and the documented response to it. Through close linguistic analysis, this book explores the fine line between free speech and criminal activity, searching for a principled way to distinguish the merely embarrassing from the reprehensible and the censurable. In this way, a new approach to offensive language emerges, involving both how we study it and how it might be handled in public life.
Forbidden Words
Author: Keith Allan
Publisher: Cambridge University Press
ISBN: 1139457608
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
Many words and expressions are viewed as 'taboo', such as those used to describe sex, our bodies and their functions, and those used to insult other people. This 2006 book provides a fascinating insight into taboo language and its role in everyday life. It looks at the ways we use language to be polite or impolite, politically correct or offensive, depending on whether we are 'sweet-talking', 'straight-talking' or being deliberately rude. Using a range of colourful examples, it shows how we use language playfully and figuratively in order to swear, to insult, and also to be politically correct, and what our motivations are for doing so. It goes on to examine the differences between institutionalized censorship and the ways individuals censor their own language. Lively and revealing, Forbidden Words will fascinate anyone who is interested in how and why we use and avoid taboos in daily conversation.
Publisher: Cambridge University Press
ISBN: 1139457608
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
Many words and expressions are viewed as 'taboo', such as those used to describe sex, our bodies and their functions, and those used to insult other people. This 2006 book provides a fascinating insight into taboo language and its role in everyday life. It looks at the ways we use language to be polite or impolite, politically correct or offensive, depending on whether we are 'sweet-talking', 'straight-talking' or being deliberately rude. Using a range of colourful examples, it shows how we use language playfully and figuratively in order to swear, to insult, and also to be politically correct, and what our motivations are for doing so. It goes on to examine the differences between institutionalized censorship and the ways individuals censor their own language. Lively and revealing, Forbidden Words will fascinate anyone who is interested in how and why we use and avoid taboos in daily conversation.
Offensive Language
Author: Jim O’Driscoll
Publisher: Bloomsbury Academic
ISBN: 1350169676
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Book Description
Why do people take offence at things that are said? What is it exactly about an offending utterance which causes this negative reaction? How well motivated is the response to the offence? Offensive Language addresses these questions by applying an array of concepts from linguistic pragmatics and sociolinguistics to a wide range of examples, from TV to Twitter and from Mel Gibson to Donald Trump. Establishing a sharp distinction between potential offence and actual offence, Jim O'Driscoll then examines a series of case studies where offence has been caused, assessing the nature and degree of both the offence and the documented response to it. Through close linguistic analysis, this book explores the fine line between free speech and criminal activity, searching for a principled way to distinguish the merely embarrassing from the reprehensible and the censurable. In this way, a new approach to offensive language emerges, involving both how we study it and how it might be handled in public life.
Publisher: Bloomsbury Academic
ISBN: 1350169676
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Book Description
Why do people take offence at things that are said? What is it exactly about an offending utterance which causes this negative reaction? How well motivated is the response to the offence? Offensive Language addresses these questions by applying an array of concepts from linguistic pragmatics and sociolinguistics to a wide range of examples, from TV to Twitter and from Mel Gibson to Donald Trump. Establishing a sharp distinction between potential offence and actual offence, Jim O'Driscoll then examines a series of case studies where offence has been caused, assessing the nature and degree of both the offence and the documented response to it. Through close linguistic analysis, this book explores the fine line between free speech and criminal activity, searching for a principled way to distinguish the merely embarrassing from the reprehensible and the censurable. In this way, a new approach to offensive language emerges, involving both how we study it and how it might be handled in public life.
Bad Language
Author: Edwin Battistella
Publisher: Oxford University Press
ISBN: 0199721416
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
Is today's language at an all-time low? Are pronunciations like cawfee and chawklit bad English? Is slang like my bad or hook up improper? Is it incorrect to mix English and Spanish, as in Yo quiero Taco Bell? Can you write Who do you trust? rather than Whom do you trust? Linguist Edwin Battistella takes a hard look at traditional notions of bad language, arguing that they are often based in sterile conventionality. Examining grammar and style, cursing, slang, and political correctness, regional and ethnic dialects, and foreign accents and language mixing, Battistella discusses the strong feelings evoked by language variation, from objections to the pronunciation NU-cu-lar to complaints about bilingual education. He explains the natural desire for uniformity in writing and speaking and traces the association of mainstream norms to ideas about refinement, intelligence, education, character, national unity and political values. Battistella argues that none of these qualities is inherently connected to language. It is tempting but wrong, Battistella argues, to think of slang, dialects and nonstandard grammar as simply breaking the rules of good English. Instead, we should view language as made up of alternative forms of orderliness adopted by speakers depending on their purpose. Thus we can study the structure and context of nonstandard language in order to illuminate and enrich traditional forms of language, and make policy decisions based on an informed engagement. Re-examining longstanding and heated debates, Bad Language will appeal to a wide spectrum of readers engaged and interested in the debate over what constitutes proper language.
Publisher: Oxford University Press
ISBN: 0199721416
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
Is today's language at an all-time low? Are pronunciations like cawfee and chawklit bad English? Is slang like my bad or hook up improper? Is it incorrect to mix English and Spanish, as in Yo quiero Taco Bell? Can you write Who do you trust? rather than Whom do you trust? Linguist Edwin Battistella takes a hard look at traditional notions of bad language, arguing that they are often based in sterile conventionality. Examining grammar and style, cursing, slang, and political correctness, regional and ethnic dialects, and foreign accents and language mixing, Battistella discusses the strong feelings evoked by language variation, from objections to the pronunciation NU-cu-lar to complaints about bilingual education. He explains the natural desire for uniformity in writing and speaking and traces the association of mainstream norms to ideas about refinement, intelligence, education, character, national unity and political values. Battistella argues that none of these qualities is inherently connected to language. It is tempting but wrong, Battistella argues, to think of slang, dialects and nonstandard grammar as simply breaking the rules of good English. Instead, we should view language as made up of alternative forms of orderliness adopted by speakers depending on their purpose. Thus we can study the structure and context of nonstandard language in order to illuminate and enrich traditional forms of language, and make policy decisions based on an informed engagement. Re-examining longstanding and heated debates, Bad Language will appeal to a wide spectrum of readers engaged and interested in the debate over what constitutes proper language.
Dirty Word
Author: Jim Parker Walker
Publisher: Upper Room Books
ISBN: 9780881775396
Category : Christianity
Languages : en
Pages : 0
Book Description
Jesus said he came to heal the sick, not the well. And yet some churches have a feeling about them that is vaguely antiseptic, where there seems to be an unspoken pressure to censor any unpleasantness. Jim Walker wanted to build a church that was honest, that lived out its mission down in the muck of life where Jesus calls us to get our hands dirty. In the rough and often unpleasant neighborhoods of the South Side of Pittsburgh, Jim began finding people who wanted to live in a new way--passionate, committed, and totally devoted to God. The worshiping community they built together, now known as Hot Metal Bridge Church, is a place of harsh honesty and tender caring, of deep pain and great joy. In Dirty Word you''ll meet a street person named Fetus who has an encounter with Jesus at the communion table that leads him to change his name to Feed Us. You''ll visit the weekly Bible Fight Club where guys with plenty of tattoos take their Bible study very seriously, and find a new perspective on how the kingdom of God really looks, sounds and smells. Be forewarned: Some of the stories and descriptions in Dirty Word might offend you, or run afoul of your expectations of the clergy. But if you are equally offended by watered-down theology and pallid discipleship, Dirty Word offers a bracing challenge and a fresh evocation of hope. Dirty Word is a raw, uncensored look at an unapologetic way of being the church. From chapter 8 One Sunday, after worship Amanda and Eric approached me. Amanda is a twenty something with a mix of blond and black and red hair. Eric has the black and blue tint to his hair that I''ve always wanted and have never had the nerve to get. Both Eric and Amanda are eccentric and artsy, love old monster movies and rock n roll. "Pastor Jim", Amanda started, "We want to get involved in a Bible study. Is this church going to have any Bible studies?" I quickly got defensive. That''s what we pastors do when it is insinuated that we''re not providing the right products. "We already have Bible studies going on right now," I replied, "We have a study on Monday night, a study about Ephesians on Wednesday, and a study on Romans on Saturday nights at the coffee shop." Eric looked at me, politely, but pained, and said to me very gently and kindly "Yeah, we went to those...." "It''s just not what we''re looking for, Pastor Jim", Amanda said. "Well, what is it you''re looking for? Maybe we can get something new going." That''s when Amanda got bold. I braced myself. "To be honest, Pastor Jim, I don''t like those other studies because it''s just a bunch of people sitting around nodding at one other. I mean, everyone is just agreeing with each other. I feel like we''re being brain-washed or something." "What are you suggesting?" I replied, kind of confused. "I don''t know. We want to be part of a Bible study where no one agrees." "No one agrees?" "Sure, why don''t we have a study where everyone comes and we fight?" When we started Bible Fight Club, the purpose wasn''t, and still isn''t, discipleship. The club isn''t meant to be a place where we grow in our faith, per se. The point to the gathering is not to worship, and it''s not to study scripture and it''s not to fellowship. The point to Bible Fight Club is to fight. It is a time for debate, a time for wrestling, and for doubting and questioning the things that we sometimes we hold as gospel. Sometimes this even means the Gospel. For our church it has been a place where atheists, agnostics, believers, ''non-believers'', and believers of other faiths can come and toss in their two cents. To make sure that the argument is valued and that people are valued as well, we made the following rules: Bible Fight Club Rules 1. Respect: we love and respect each other, but not necessarily each other''s opinions. We respect the argument by being good listeners. 2. Say Anything: no judging and no holding grudges. The tattoo shop basement is a safe place where anything can be said. 3. Fight: all those in attendance must participate. No one is allowed to come and observe in silence. (Observers and silent onlookers skew the argument by inadvertently becoming a kind of jury that people try to convince.) 4. Get to the point: no speeches. "Make your point and shut up"--so others can speak. 5. Honor the Argument: phrases like ''Well, it''s all just a mystery'' or ''we''ll never know the answer, so why bother arguing'' do not honor the argument. Take a side and fight, no matter how ''mysterious'' you think the subject is. 6. Admit when you''ve been hit: At the end of the evening we take time to talk about the argument. Everyone must share something that was said that made them think. Sometimes this might mean having some humility. But that''s the point.
Publisher: Upper Room Books
ISBN: 9780881775396
Category : Christianity
Languages : en
Pages : 0
Book Description
Jesus said he came to heal the sick, not the well. And yet some churches have a feeling about them that is vaguely antiseptic, where there seems to be an unspoken pressure to censor any unpleasantness. Jim Walker wanted to build a church that was honest, that lived out its mission down in the muck of life where Jesus calls us to get our hands dirty. In the rough and often unpleasant neighborhoods of the South Side of Pittsburgh, Jim began finding people who wanted to live in a new way--passionate, committed, and totally devoted to God. The worshiping community they built together, now known as Hot Metal Bridge Church, is a place of harsh honesty and tender caring, of deep pain and great joy. In Dirty Word you''ll meet a street person named Fetus who has an encounter with Jesus at the communion table that leads him to change his name to Feed Us. You''ll visit the weekly Bible Fight Club where guys with plenty of tattoos take their Bible study very seriously, and find a new perspective on how the kingdom of God really looks, sounds and smells. Be forewarned: Some of the stories and descriptions in Dirty Word might offend you, or run afoul of your expectations of the clergy. But if you are equally offended by watered-down theology and pallid discipleship, Dirty Word offers a bracing challenge and a fresh evocation of hope. Dirty Word is a raw, uncensored look at an unapologetic way of being the church. From chapter 8 One Sunday, after worship Amanda and Eric approached me. Amanda is a twenty something with a mix of blond and black and red hair. Eric has the black and blue tint to his hair that I''ve always wanted and have never had the nerve to get. Both Eric and Amanda are eccentric and artsy, love old monster movies and rock n roll. "Pastor Jim", Amanda started, "We want to get involved in a Bible study. Is this church going to have any Bible studies?" I quickly got defensive. That''s what we pastors do when it is insinuated that we''re not providing the right products. "We already have Bible studies going on right now," I replied, "We have a study on Monday night, a study about Ephesians on Wednesday, and a study on Romans on Saturday nights at the coffee shop." Eric looked at me, politely, but pained, and said to me very gently and kindly "Yeah, we went to those...." "It''s just not what we''re looking for, Pastor Jim", Amanda said. "Well, what is it you''re looking for? Maybe we can get something new going." That''s when Amanda got bold. I braced myself. "To be honest, Pastor Jim, I don''t like those other studies because it''s just a bunch of people sitting around nodding at one other. I mean, everyone is just agreeing with each other. I feel like we''re being brain-washed or something." "What are you suggesting?" I replied, kind of confused. "I don''t know. We want to be part of a Bible study where no one agrees." "No one agrees?" "Sure, why don''t we have a study where everyone comes and we fight?" When we started Bible Fight Club, the purpose wasn''t, and still isn''t, discipleship. The club isn''t meant to be a place where we grow in our faith, per se. The point to the gathering is not to worship, and it''s not to study scripture and it''s not to fellowship. The point to Bible Fight Club is to fight. It is a time for debate, a time for wrestling, and for doubting and questioning the things that we sometimes we hold as gospel. Sometimes this even means the Gospel. For our church it has been a place where atheists, agnostics, believers, ''non-believers'', and believers of other faiths can come and toss in their two cents. To make sure that the argument is valued and that people are valued as well, we made the following rules: Bible Fight Club Rules 1. Respect: we love and respect each other, but not necessarily each other''s opinions. We respect the argument by being good listeners. 2. Say Anything: no judging and no holding grudges. The tattoo shop basement is a safe place where anything can be said. 3. Fight: all those in attendance must participate. No one is allowed to come and observe in silence. (Observers and silent onlookers skew the argument by inadvertently becoming a kind of jury that people try to convince.) 4. Get to the point: no speeches. "Make your point and shut up"--so others can speak. 5. Honor the Argument: phrases like ''Well, it''s all just a mystery'' or ''we''ll never know the answer, so why bother arguing'' do not honor the argument. Take a side and fight, no matter how ''mysterious'' you think the subject is. 6. Admit when you''ve been hit: At the end of the evening we take time to talk about the argument. Everyone must share something that was said that made them think. Sometimes this might mean having some humility. But that''s the point.
The Anatomy of Polish Offensive Words
Author: Łukasz Zarzycki
Publisher: John Benjamins Publishing Company
ISBN: 9027247307
Category : Language Arts & Disciplines
Languages : en
Pages : 356
Book Description
Swearing plays an important role in everyday language. We swear in the streets, at school, universities, at work and at home, on the means of transport, with family and friends. People have used swear words for centuries and they will continue to use them. The Anatomy of Polish Offensive Words examines offensive and vulgar language of young Poles in their everyday life including its forms, uses, manifestations and the ways in which people censor their words and sentences. The book presents a novel viewpoint on people’s psyche since we observe how society reacts to other humans so as to impose taboos by censoring Polish language. This book is the first book written in English on Polish swearing intended for the international reader (both linguists and non-linguists) who can benefit from it. It offers an intriguing look into Polish swear words, their classification in terms of offensiveness both from the perspective of quantitative and qualitative research but also from the AI (Artificial Intelligence) viewpoint. Mixed methods research, i.e., a questionnaire-based study and a corpus-based study, makes the research original. The findings deepen our understanding of swearing and its role in language.
Publisher: John Benjamins Publishing Company
ISBN: 9027247307
Category : Language Arts & Disciplines
Languages : en
Pages : 356
Book Description
Swearing plays an important role in everyday language. We swear in the streets, at school, universities, at work and at home, on the means of transport, with family and friends. People have used swear words for centuries and they will continue to use them. The Anatomy of Polish Offensive Words examines offensive and vulgar language of young Poles in their everyday life including its forms, uses, manifestations and the ways in which people censor their words and sentences. The book presents a novel viewpoint on people’s psyche since we observe how society reacts to other humans so as to impose taboos by censoring Polish language. This book is the first book written in English on Polish swearing intended for the international reader (both linguists and non-linguists) who can benefit from it. It offers an intriguing look into Polish swear words, their classification in terms of offensiveness both from the perspective of quantitative and qualitative research but also from the AI (Artificial Intelligence) viewpoint. Mixed methods research, i.e., a questionnaire-based study and a corpus-based study, makes the research original. The findings deepen our understanding of swearing and its role in language.
Artemis
Author: Andy Weir
Publisher: Ballantine Books
ISBN: 0553448145
Category : Fiction
Languages : en
Pages : 369
Book Description
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon. Jasmine Bashara never signed up to be a hero. She just wanted to get rich. Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time. So when a chance at a huge score finally comes her way, Jazz can’t say no. Sure, it requires her to graduate from small-time smuggler to full-on criminal mastermind. And it calls for a particular combination of cunning, technical skills, and large explosions—not to mention sheer brazen swagger. But Jazz has never run into a challenge her intellect can’t handle, and she figures she’s got the ‘swagger’ part down. The trouble is, engineering the perfect crime is just the start of Jazz’s problems. Because her little heist is about to land her in the middle of a conspiracy for control of Artemis itself. Trapped between competing forces, pursued by a killer and the law alike, even Jazz has to admit she’s in way over her head. She’ll have to hatch a truly spectacular scheme to have a chance at staying alive and saving her city. Jazz is no hero, but she is a very good criminal. That’ll have to do. Propelled by its heroine’s wisecracking voice, set in a city that’s at once stunningly imagined and intimately familiar, and brimming over with clever problem-solving and heist-y fun, Artemis is another irresistible brew of science, suspense, and humor from #1 bestselling author Andy Weir.
Publisher: Ballantine Books
ISBN: 0553448145
Category : Fiction
Languages : en
Pages : 369
Book Description
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon. Jasmine Bashara never signed up to be a hero. She just wanted to get rich. Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time. So when a chance at a huge score finally comes her way, Jazz can’t say no. Sure, it requires her to graduate from small-time smuggler to full-on criminal mastermind. And it calls for a particular combination of cunning, technical skills, and large explosions—not to mention sheer brazen swagger. But Jazz has never run into a challenge her intellect can’t handle, and she figures she’s got the ‘swagger’ part down. The trouble is, engineering the perfect crime is just the start of Jazz’s problems. Because her little heist is about to land her in the middle of a conspiracy for control of Artemis itself. Trapped between competing forces, pursued by a killer and the law alike, even Jazz has to admit she’s in way over her head. She’ll have to hatch a truly spectacular scheme to have a chance at staying alive and saving her city. Jazz is no hero, but she is a very good criminal. That’ll have to do. Propelled by its heroine’s wisecracking voice, set in a city that’s at once stunningly imagined and intimately familiar, and brimming over with clever problem-solving and heist-y fun, Artemis is another irresistible brew of science, suspense, and humor from #1 bestselling author Andy Weir.
The Hate U Give
Author: Angie Thomas
Publisher:
ISBN: 9781406387933
Category : Police shootings
Languages : en
Pages : 437
Book Description
Read the book that inspired the movie! Sixteen-year-old Starr lives in two worlds: the poor neighbourhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a police officer. Now what Starr says could destroy her community. It could also get her killed. Inspired by the Black Lives Matter movement, this is a powerful and gripping novel about one girl's struggle for justice.
Publisher:
ISBN: 9781406387933
Category : Police shootings
Languages : en
Pages : 437
Book Description
Read the book that inspired the movie! Sixteen-year-old Starr lives in two worlds: the poor neighbourhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a police officer. Now what Starr says could destroy her community. It could also get her killed. Inspired by the Black Lives Matter movement, this is a powerful and gripping novel about one girl's struggle for justice.