Author: Danny Gardner
Publisher: Down & Out Books
ISBN:
Category :
Languages : en
Pages : 214
Book Description
In 1952, after a year on the run, disgraced Chicago Police Officer Elliot Caprice wakes up in a jailhouse in St. Louis. His friends from his hometown secure his release and he returns to find the family farm in foreclosure and the man who raised him dying in a flophouse. Desperate for money, he accepts a straight job as a process server and eventually crosses paths with a powerful family from Chicago’s North Shore. A captain of industry is dead, the key to his estate disappeared with the chauffeur, and soon Elliot is in up to his neck. The mixed-race son of Illinois farm country must return to the Windy City with the Chicago Police on his heels and the Syndicate at his throat. Good thing he’s had a lifetime of playing both sides to the middle. Praise for A NEGRO AND AN OFAY: “A a solid entry in the ranks of African-American crime fiction.” —Publishers Weekly “Fans of Walter Mosley and George Pelecanos are going to devour Danny Gardner’s brilliant new book. A Negro and an Ofay breathes exciting new life into noir fiction.” —Jonathan Maberry, The New York Times bestselling author “Elliot Caprice is a terrific character with his own Midwestern territory and Danny Gardner tells his stories with style and cunning.” —Peter Blauner, The New York Times bestselling author and co-Executive Producer of CBS’s Blue Bloods “Danny Gardner’s Elliot Caprice is a complex mix of muscle and brain, of toughness and heart, of doing wrong and only sometimes getting it right. A Negro and an Ofay reads like a long lost Raymond Chandler, one that he wrote from the south side of Chicago.” —Lori Rader-Day, Mary Higgins Clark Award-winning author of Little Pretty Things and The Black Hour “Danny Gardner’s masterful debut engenders echoes of the greats. I had the impression I had somehow stumbled across a previously undiscovered work of Chester Himes, or Jim Thompson, or Walter Mosley―or all three magically rolled into one.”―David Corbett, prize-winning author of The Mercy of the Night “Immersive, poignant and utterly enthralling. Written from the middle of America’s great racial divide, it’s satirical, cool and irrevocably honest; imbued with an inherent nobility that rivals any modern day hero.” —Tom Avitabile, bestselling author of Give Us This Day “A Negro and an Ofay is a smart, crisp, historically accurate, and unapologetically racial narrative that signals the arrival of a strong, necessary voice in crime fiction. This is the best debut you’ll read in a long time.” —Gabino Iglesias, author of Zero Saints “Hard-boiled don’t get much harder than this. Danny Gardner hits all the right notes, but with enough swagger and voice to make it completely his own. Elliot Caprice is a fantastic character, stuck between two worlds—black and white, good and bad—and I really hope to see more of him.” —Rob W. Hart, author of South Village “One of the best tools Gardner has in his toolbox…is his sense of humanity.” —Scott Waldyn, Literary Orphans Journal “…it manages to be smart, historical, and about identity/racial issues while retaining all the entertainment value that pulpy thrillers bring to the table. This is a book with a carefully crafted plot that touches on a lot of issues that were as relevant six decades ago as they are now.” —Out of the Gutter Review “This is a stunning debut! A powerful combination of brilliant storytelling and a breathtaking grasp of dialog subtext that strongly reminds of Mamet. Gardner is destined to become a big name in this writing game.” —Les Edgerton, author of The Genuine, Imitation, Plastic Kidnapping “Elliot Caprice is a trouble magnet and that makes for a great character.” —Simon Wood, author of The One That Got Away “Plenty of hardboiled patter and a dense plot with a great sense of place and wonderful dialogue.” —Eric Beetner, author of Rumrunners “A Negro and an Ofay forces us to look into the brutal mirror of our past in the hope we might understand our future. With his sharp as a whip crack writing, Gardner may just change the world” —Paul Bishop, author of Lie Catchers
A Negro and an Ofay
Author: Danny Gardner
Publisher: Down & Out Books
ISBN:
Category :
Languages : en
Pages : 214
Book Description
In 1952, after a year on the run, disgraced Chicago Police Officer Elliot Caprice wakes up in a jailhouse in St. Louis. His friends from his hometown secure his release and he returns to find the family farm in foreclosure and the man who raised him dying in a flophouse. Desperate for money, he accepts a straight job as a process server and eventually crosses paths with a powerful family from Chicago’s North Shore. A captain of industry is dead, the key to his estate disappeared with the chauffeur, and soon Elliot is in up to his neck. The mixed-race son of Illinois farm country must return to the Windy City with the Chicago Police on his heels and the Syndicate at his throat. Good thing he’s had a lifetime of playing both sides to the middle. Praise for A NEGRO AND AN OFAY: “A a solid entry in the ranks of African-American crime fiction.” —Publishers Weekly “Fans of Walter Mosley and George Pelecanos are going to devour Danny Gardner’s brilliant new book. A Negro and an Ofay breathes exciting new life into noir fiction.” —Jonathan Maberry, The New York Times bestselling author “Elliot Caprice is a terrific character with his own Midwestern territory and Danny Gardner tells his stories with style and cunning.” —Peter Blauner, The New York Times bestselling author and co-Executive Producer of CBS’s Blue Bloods “Danny Gardner’s Elliot Caprice is a complex mix of muscle and brain, of toughness and heart, of doing wrong and only sometimes getting it right. A Negro and an Ofay reads like a long lost Raymond Chandler, one that he wrote from the south side of Chicago.” —Lori Rader-Day, Mary Higgins Clark Award-winning author of Little Pretty Things and The Black Hour “Danny Gardner’s masterful debut engenders echoes of the greats. I had the impression I had somehow stumbled across a previously undiscovered work of Chester Himes, or Jim Thompson, or Walter Mosley―or all three magically rolled into one.”―David Corbett, prize-winning author of The Mercy of the Night “Immersive, poignant and utterly enthralling. Written from the middle of America’s great racial divide, it’s satirical, cool and irrevocably honest; imbued with an inherent nobility that rivals any modern day hero.” —Tom Avitabile, bestselling author of Give Us This Day “A Negro and an Ofay is a smart, crisp, historically accurate, and unapologetically racial narrative that signals the arrival of a strong, necessary voice in crime fiction. This is the best debut you’ll read in a long time.” —Gabino Iglesias, author of Zero Saints “Hard-boiled don’t get much harder than this. Danny Gardner hits all the right notes, but with enough swagger and voice to make it completely his own. Elliot Caprice is a fantastic character, stuck between two worlds—black and white, good and bad—and I really hope to see more of him.” —Rob W. Hart, author of South Village “One of the best tools Gardner has in his toolbox…is his sense of humanity.” —Scott Waldyn, Literary Orphans Journal “…it manages to be smart, historical, and about identity/racial issues while retaining all the entertainment value that pulpy thrillers bring to the table. This is a book with a carefully crafted plot that touches on a lot of issues that were as relevant six decades ago as they are now.” —Out of the Gutter Review “This is a stunning debut! A powerful combination of brilliant storytelling and a breathtaking grasp of dialog subtext that strongly reminds of Mamet. Gardner is destined to become a big name in this writing game.” —Les Edgerton, author of The Genuine, Imitation, Plastic Kidnapping “Elliot Caprice is a trouble magnet and that makes for a great character.” —Simon Wood, author of The One That Got Away “Plenty of hardboiled patter and a dense plot with a great sense of place and wonderful dialogue.” —Eric Beetner, author of Rumrunners “A Negro and an Ofay forces us to look into the brutal mirror of our past in the hope we might understand our future. With his sharp as a whip crack writing, Gardner may just change the world” —Paul Bishop, author of Lie Catchers
Publisher: Down & Out Books
ISBN:
Category :
Languages : en
Pages : 214
Book Description
In 1952, after a year on the run, disgraced Chicago Police Officer Elliot Caprice wakes up in a jailhouse in St. Louis. His friends from his hometown secure his release and he returns to find the family farm in foreclosure and the man who raised him dying in a flophouse. Desperate for money, he accepts a straight job as a process server and eventually crosses paths with a powerful family from Chicago’s North Shore. A captain of industry is dead, the key to his estate disappeared with the chauffeur, and soon Elliot is in up to his neck. The mixed-race son of Illinois farm country must return to the Windy City with the Chicago Police on his heels and the Syndicate at his throat. Good thing he’s had a lifetime of playing both sides to the middle. Praise for A NEGRO AND AN OFAY: “A a solid entry in the ranks of African-American crime fiction.” —Publishers Weekly “Fans of Walter Mosley and George Pelecanos are going to devour Danny Gardner’s brilliant new book. A Negro and an Ofay breathes exciting new life into noir fiction.” —Jonathan Maberry, The New York Times bestselling author “Elliot Caprice is a terrific character with his own Midwestern territory and Danny Gardner tells his stories with style and cunning.” —Peter Blauner, The New York Times bestselling author and co-Executive Producer of CBS’s Blue Bloods “Danny Gardner’s Elliot Caprice is a complex mix of muscle and brain, of toughness and heart, of doing wrong and only sometimes getting it right. A Negro and an Ofay reads like a long lost Raymond Chandler, one that he wrote from the south side of Chicago.” —Lori Rader-Day, Mary Higgins Clark Award-winning author of Little Pretty Things and The Black Hour “Danny Gardner’s masterful debut engenders echoes of the greats. I had the impression I had somehow stumbled across a previously undiscovered work of Chester Himes, or Jim Thompson, or Walter Mosley―or all three magically rolled into one.”―David Corbett, prize-winning author of The Mercy of the Night “Immersive, poignant and utterly enthralling. Written from the middle of America’s great racial divide, it’s satirical, cool and irrevocably honest; imbued with an inherent nobility that rivals any modern day hero.” —Tom Avitabile, bestselling author of Give Us This Day “A Negro and an Ofay is a smart, crisp, historically accurate, and unapologetically racial narrative that signals the arrival of a strong, necessary voice in crime fiction. This is the best debut you’ll read in a long time.” —Gabino Iglesias, author of Zero Saints “Hard-boiled don’t get much harder than this. Danny Gardner hits all the right notes, but with enough swagger and voice to make it completely his own. Elliot Caprice is a fantastic character, stuck between two worlds—black and white, good and bad—and I really hope to see more of him.” —Rob W. Hart, author of South Village “One of the best tools Gardner has in his toolbox…is his sense of humanity.” —Scott Waldyn, Literary Orphans Journal “…it manages to be smart, historical, and about identity/racial issues while retaining all the entertainment value that pulpy thrillers bring to the table. This is a book with a carefully crafted plot that touches on a lot of issues that were as relevant six decades ago as they are now.” —Out of the Gutter Review “This is a stunning debut! A powerful combination of brilliant storytelling and a breathtaking grasp of dialog subtext that strongly reminds of Mamet. Gardner is destined to become a big name in this writing game.” —Les Edgerton, author of The Genuine, Imitation, Plastic Kidnapping “Elliot Caprice is a trouble magnet and that makes for a great character.” —Simon Wood, author of The One That Got Away “Plenty of hardboiled patter and a dense plot with a great sense of place and wonderful dialogue.” —Eric Beetner, author of Rumrunners “A Negro and an Ofay forces us to look into the brutal mirror of our past in the hope we might understand our future. With his sharp as a whip crack writing, Gardner may just change the world” —Paul Bishop, author of Lie Catchers
Ofay
Author: Earl Shorris
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 204
Book Description
Ofay Watcher
Author: Frank Cucci
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 56
Book Description
The Merriam-Webster New Book of Word Histories
Author: Merriam-Webster, Inc
Publisher: Merriam-Webster
ISBN: 9780877796039
Category : Language Arts & Disciplines
Languages : en
Pages : 552
Book Description
A gold mine of word histories for reference or browsing. Covers the origins of 1,500 words. Over 600 engagingly written articles. Explore the stories behind our vocabulary.
Publisher: Merriam-Webster
ISBN: 9780877796039
Category : Language Arts & Disciplines
Languages : en
Pages : 552
Book Description
A gold mine of word histories for reference or browsing. Covers the origins of 1,500 words. Over 600 engagingly written articles. Explore the stories behind our vocabulary.
The New Partridge Dictionary of Slang and Unconventional English: J-Z
Author: Eric Partridge
Publisher: Taylor & Francis
ISBN: 9780415259385
Category : Americanisms
Languages : en
Pages : 1150
Book Description
Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).
Publisher: Taylor & Francis
ISBN: 9780415259385
Category : Americanisms
Languages : en
Pages : 1150
Book Description
Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).
The Comedown
Author: Rafael Frumkin
Publisher: Macmillan + ORM
ISBN: 125012753X
Category : Fiction
Languages : en
Pages : 331
Book Description
“So good, so fully realized. . . . A book about how easily our lives are wrecked, but also how powerfully we’re able to survive and rebuild.” —Nathan Hill, The New York Times Book Review A blistering dark comedy, Rafael Frumkin’s The Comedown is a romp across America, from the Kent State shootings to protest marches in Chicago to the Florida Everglades, that explores delineating lines of race, class, religion, and time. Scrappy, street smart drug dealer Reggie Marshall has never liked the simpering addict Leland Bloom-Mittwoch, which doesn’t stop Leland from looking up to Reggie with puppy-esque devotion. But when a drug deal goes dramatically, tragically wrong and a suitcase (which may or may not contain a quarter of a million dollars) disappears, the two men and their families become hopelessly entangled. It’s a mistake that sets in motion a series of events that are odd, captivating, suspenseful, and ultimately inevitable. Both incendiary and earnest, The Comedown steadfastly catalogs the tangled messes the characters make of their lives, never losing sight of the beauty and power of each family member’s capacity for love, be it for money, drugs, or each other. “A resounding success.” —The L.A. Review of Books “Ambitious, exhilarating . . . so compelling that, even when the novel concludes, the reader is left wondering where their lives took them.” —The Columbus Dispatch “An engrossing read. . . . Frumkin is whip-smart and funny.” —The Millions “Frumkin’s debut may find itself sharing shelf space with Franzen and Chabon.” —Full Stop “Frumkin has talent to burn.” —Kirkus Reviews, starred review “Vivid and compassionately drawn characters.” —Library Journal (starred) “Funny, heartbreaking. . . . Frumkin’s intelligence and empathy radiates off every page.” —Carmen Maria Machado, author of Her Body and Other Parties
Publisher: Macmillan + ORM
ISBN: 125012753X
Category : Fiction
Languages : en
Pages : 331
Book Description
“So good, so fully realized. . . . A book about how easily our lives are wrecked, but also how powerfully we’re able to survive and rebuild.” —Nathan Hill, The New York Times Book Review A blistering dark comedy, Rafael Frumkin’s The Comedown is a romp across America, from the Kent State shootings to protest marches in Chicago to the Florida Everglades, that explores delineating lines of race, class, religion, and time. Scrappy, street smart drug dealer Reggie Marshall has never liked the simpering addict Leland Bloom-Mittwoch, which doesn’t stop Leland from looking up to Reggie with puppy-esque devotion. But when a drug deal goes dramatically, tragically wrong and a suitcase (which may or may not contain a quarter of a million dollars) disappears, the two men and their families become hopelessly entangled. It’s a mistake that sets in motion a series of events that are odd, captivating, suspenseful, and ultimately inevitable. Both incendiary and earnest, The Comedown steadfastly catalogs the tangled messes the characters make of their lives, never losing sight of the beauty and power of each family member’s capacity for love, be it for money, drugs, or each other. “A resounding success.” —The L.A. Review of Books “Ambitious, exhilarating . . . so compelling that, even when the novel concludes, the reader is left wondering where their lives took them.” —The Columbus Dispatch “An engrossing read. . . . Frumkin is whip-smart and funny.” —The Millions “Frumkin’s debut may find itself sharing shelf space with Franzen and Chabon.” —Full Stop “Frumkin has talent to burn.” —Kirkus Reviews, starred review “Vivid and compassionately drawn characters.” —Library Journal (starred) “Funny, heartbreaking. . . . Frumkin’s intelligence and empathy radiates off every page.” —Carmen Maria Machado, author of Her Body and Other Parties
Sankofa
Author: Wyatt Bryson
Publisher: Wyatt Bryson
ISBN: 1477622837
Category : Fiction
Languages : en
Pages : 302
Book Description
Last night Charlie went on a bender. Today he woke up with a tattoo of the mythical African sankofa bird on his right shoulder blade. The solid black tribal tattoo was probably too dark for his pale white skin, but he hadn't actually chosen the tattoo himself. The sankofa bird looked back over its shoulder as it flew forward justifying its meaning - one can not move intelligently into the future without paying attention to the past. Contrasting again with the too dark tattoo and the too light skin was the pretty brown face of the little girl peaking over her father's shoulder as he cradled her. What on earth was he going to do with this little life? Two days ago he didn't even know she existed. Yesterday he woke up with this strange tattoo. Today he decided to go to the hospital and take responsibility for his daughter. He didn't even know what the tattoo was and why those men had taken it upon themselves to have it given to him. Today it was just some dumb bird that he was contemplating having removed. It would be quite a while before he would find out why he had gotten it and what the significance of it really was. He repositioned her into his arms and tenderly kissed little Sankofa on the forehead. "We can do this."
Publisher: Wyatt Bryson
ISBN: 1477622837
Category : Fiction
Languages : en
Pages : 302
Book Description
Last night Charlie went on a bender. Today he woke up with a tattoo of the mythical African sankofa bird on his right shoulder blade. The solid black tribal tattoo was probably too dark for his pale white skin, but he hadn't actually chosen the tattoo himself. The sankofa bird looked back over its shoulder as it flew forward justifying its meaning - one can not move intelligently into the future without paying attention to the past. Contrasting again with the too dark tattoo and the too light skin was the pretty brown face of the little girl peaking over her father's shoulder as he cradled her. What on earth was he going to do with this little life? Two days ago he didn't even know she existed. Yesterday he woke up with this strange tattoo. Today he decided to go to the hospital and take responsibility for his daughter. He didn't even know what the tattoo was and why those men had taken it upon themselves to have it given to him. Today it was just some dumb bird that he was contemplating having removed. It would be quite a while before he would find out why he had gotten it and what the significance of it really was. He repositioned her into his arms and tenderly kissed little Sankofa on the forehead. "We can do this."
Suppose a Sentence
Author: Brian Dillon
Publisher: New York Review of Books
ISBN: 1681375257
Category : Literary Collections
Languages : en
Pages : 193
Book Description
A captivating meditation on the power of the sentence by the author of Essayism, a 2018 New Yorker book of the year. In Suppose a Sentence, Brian Dillon, whom John Banville has called “a literary flâneur in the tradition of Baudelaire and Walter Benjamin,” has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence—from Shakespeare to James Baldwin, John Ruskin to Joan Didion—this new book explores style, voice, and language, along with the subjectivity of reading. Both an exercise in practical criticism and a set of experiments or challenges, Suppose a Sentence is a polemical and personal reflection on the art of the sentence in literature.
Publisher: New York Review of Books
ISBN: 1681375257
Category : Literary Collections
Languages : en
Pages : 193
Book Description
A captivating meditation on the power of the sentence by the author of Essayism, a 2018 New Yorker book of the year. In Suppose a Sentence, Brian Dillon, whom John Banville has called “a literary flâneur in the tradition of Baudelaire and Walter Benjamin,” has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence—from Shakespeare to James Baldwin, John Ruskin to Joan Didion—this new book explores style, voice, and language, along with the subjectivity of reading. Both an exercise in practical criticism and a set of experiments or challenges, Suppose a Sentence is a polemical and personal reflection on the art of the sentence in literature.
The Harlem Reader
Author: Herb Boyd
Publisher: Crown
ISBN: 0307422089
Category : Fiction
Languages : en
Pages : 338
Book Description
There is no neighborhood in America as famous, infamous, and inspiring as Harlem. From its humble beginnings as a farming district and country retreat for the rich, Harlem grew to international prominence as the mecca of black art and culture, then fell from grace, despised as a crime-ridden slum and symbol of urban decay. But during all of these phases there was writing in Harlem—great writing that sprang from one of the richest and most unique communities in the world. From Harlem’s most revered icons (like Langston Hughes, Duke Ellington, Ann Petry, and Malcolm X) to voices of a new generation (including Willie Perdomo, Mase, Grace Edwards, and Piri Thomas), The Harlem Reader gathers a wealth of vital impressions, stories, and narratives and blends them with original accounts offered by living storytellers, famous and not so famous. Fresh and vivid, this volume perfectly captures the dramatic moments and personalities at the core of Harlem’s ever-evolving story.
Publisher: Crown
ISBN: 0307422089
Category : Fiction
Languages : en
Pages : 338
Book Description
There is no neighborhood in America as famous, infamous, and inspiring as Harlem. From its humble beginnings as a farming district and country retreat for the rich, Harlem grew to international prominence as the mecca of black art and culture, then fell from grace, despised as a crime-ridden slum and symbol of urban decay. But during all of these phases there was writing in Harlem—great writing that sprang from one of the richest and most unique communities in the world. From Harlem’s most revered icons (like Langston Hughes, Duke Ellington, Ann Petry, and Malcolm X) to voices of a new generation (including Willie Perdomo, Mase, Grace Edwards, and Piri Thomas), The Harlem Reader gathers a wealth of vital impressions, stories, and narratives and blends them with original accounts offered by living storytellers, famous and not so famous. Fresh and vivid, this volume perfectly captures the dramatic moments and personalities at the core of Harlem’s ever-evolving story.
The New Partridge Dictionary of Slang and Unconventional English
Author: Tom Dalzell
Publisher: Routledge
ISBN: 1317372522
Category : Foreign Language Study
Languages : en
Pages : 864
Book Description
Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.
Publisher: Routledge
ISBN: 1317372522
Category : Foreign Language Study
Languages : en
Pages : 864
Book Description
Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.