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Author: Daniel Nester
Publisher: SCB Distributors
ISBN: 1938912373
Category : Poetry
Languages : en
Pages : 338
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Book Description
More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.
Author: Daniel Nester
Publisher: SCB Distributors
ISBN: 1938912373
Category : Poetry
Languages : en
Pages : 338
Get Book Here
Book Description
More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.
Author: Margot Singer
Publisher: Bloomsbury Publishing USA
ISBN: 1441117253
Category : Language Arts & Disciplines
Languages : en
Pages : 335
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Book Description
Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today's leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
Author: Zoë Bossiere
Publisher: Wayne State University Press
ISBN: 0814349617
Category : Literary Collections
Languages : en
Pages : 224
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Book Description
Their work demonstrates the power of the lyric essay to bring about change, both on the page and in our communities.
Author: Jenny Boully
Publisher: Coffee House Press
ISBN: 1566895189
Category : Language Arts & Disciplines
Languages : en
Pages : 89
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Book Description
“Jenny is the future of nonfiction in America. What an absurdly arrogant statement to make. I make it anyway. Watch.” —John D’Agata “Yes, Aristotle, there can be pleasure without ‘complete and unified action with a beginning, middle, and end.’ Jenny Boully has done it.” —Mary Jo Bang “Jenny Boully is a deeply weird writer—in the best way.” —Ander Monson Jenny Boully’s essays are ripe with romance and sensual pleasures, drawing connections between the digression, reflection, imagination, and experience that characterizes falling in love as well as the life of a writer. Literary theory, philosophy, and linguistics rub up against memory, dreamscapes, and fancy, making the practice of writing a metaphor for the illusory nature of experience. Betwixt and Between is, in many ways, simply a book about how to live. Jenny Boully is the author of The Body: An Essay, The Book of Beginnings and Endings: Essays, not merely because of the unknown that was stalking toward them, and other books. Born in Thailand, she grew up in Texas and holds a PhD in English from the Graduate Center of the City University of New York. She teaches creative writing and literature at Columbia College Chicago.
Author: Kara Wittman
Publisher: Cambridge University Press
ISBN: 1009021826
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
The Cambridge Companion to the Essay considers the history, theory, and aesthetics of the essay from the moment it's named in the late sixteenth century to the present. What is an essay? What can the essay do or think or reveal or know that other literary forms cannot? What makes a piece of writing essayistic? How can essays bring about change? Over the course of seventeen chapters by a diverse group of scholars, The Companion reads the essay in relation to poetry, fiction, natural science, philosophy, critical theory, postcolonial and decolonial thinking, studies in race and gender, queer theory, and the history of literary criticism. This book studies the essay in its written, photographic, cinematic, and digital forms, with a special emphasis on how the essay is being reshaped and reimagined in the twenty-first century, making it a crucial resource for scholars, students, and essayists.
Author: Randon Billings Noble
Publisher: U of Nebraska Press
ISBN: 1496229215
Category : Literary Collections
Languages : en
Pages : 310
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Book Description
2021 Foreword Indies Honorable Mention for Essays What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities—to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds up to more than the sum of its parts. In A Harp in the Stars, Randon Billings Noble has collected lyric essays written in four different forms—flash, segmented, braided, and hermit crab—from a range of diverse writers. The collection also includes a section of craft essays—lyric essays about lyric essays. And because lyric essays can be so difficult to pin down, each contributor has supplemented their work with a short meditation on this boundary-breaking form.
Author: Dinty W. Moore
Publisher: Rose Metal Press
ISBN: 0984616667
Category : Literary Collections
Languages : en
Pages : 290
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Book Description
FEATURING ESSAYS FROM: Barrie Jean Borich • Jenny Boully • Norma Elia Cantú • Rigoberto González • Philip Graham • Carol Guess • Jeff Gundy • Robin Hemley • Barbara Hurd • Judith Kitchen •Eric LeMay • Dinah Lenney • Bret Lott • Patrick Madden• Lee Martin • Maggie McKnight • Brenda Miller •Kyle Minor • Aimee Nezhukumatathil • Anne Panning • Lia Purpura • Peggy Shumaker • Sue William Silverman • Jennifer Sinor • Ira Sukrungruang • Nicole Walker Unmatched in its focus on a concise and popular emerging genre, The Rose Metal Press Field Guide to Writing Flash Nonfiction features 26 eminent writers, editors, and teachers offering expert analysis, focused exercises, and helpful examples of what make the brief essay form such a perfect medium for experimentation, insight, and illumination. With a comprehensive introduction to the genre and book by editor Dinty W. Moore, this guide is perfect for both the classroom and the individual writer’s desk—an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you.
Author: Jenny Boully
Publisher:
ISBN: 9781938055058
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poetry. I've never come across a book with the conceit of Boully's latest, which explicitly presents 'poetic failures, '--'embarrassments, short-comings, and all'--written over the course of many years, mostly in thrall to the existential condition she aptly terms 'pining.' Her conclusion, which comes after waves of diverse poetic experiments have crashed and receded, is that 'nothing written will bring love.' It is a wise and unusual finding in a book filled with delicacy and resilience.--Maggie Nelson The speaker in these poems has been listening to our thoughts for years and transforming them into this book, which chronicles failures and their manifestations--the shiny things, the ephemera of what could have been. Jenny Boully is one of my favorite writers because of how much care she takes with language and with truth. This stunning collection highlights her incredible range as a poet. It is a breathtaking addition to her body of work.--Carmen Giménez Smith The imagery of Jenny Boully's OF THE MISMATCHED TEACUPS, OF THE SINGLE-SERVING SPOON lurks somewhere in the filmic senses among Buñuel and Brakhage, mashing the natural and the metaphysical and the dreamed-of and the remembered-without-why. 'Night is urgent, ' she writes amidst a text packed tight with bodies waiting among messed up road maps, waiting to be found, touched, loved. Later: 'I like to blame all of this on the time of year.' When the nausea meds and mushrooms and beers are not enough, these poems are nice and bright like knives, some shells to fit over your face and breathe with.--Blake Butler
Author: Jacqueline Newman
Publisher: Bloomsbury Publishing USA
ISBN: 0313085722
Category : Social Science
Languages : en
Pages : 252
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Book Description
The cuisine of China is widely considered to be one of the best because it meets the requirements of geographic variety, inclusion of all types of foods, and a long-established and well-developed culinary tradition. The Chinese culture can be labeled a food culture for the interest and honor given to food and its rituals. Food Culture in China is loaded with information on the cuisine's prominent role in Chinese culture. Students and other readers will learn about Chinese food history through the dynasties and Silk Road migrations up until today, ingredients, cooking implements and techniques, regional differences, table etiquette, cultural emphasis on food, specialty dishes for celebrations, and the role of diet and traditional Chinese medicine, among other topics. Each chapter contains a number of recipes for a meal based on the specific topic. Americans typically are familiar with a narrow range of Americanized Chinese restaurants. This one-stop resource helps readers to see this ever-popular ethnic cuisine in a broader context. It is the most in-depth reference of its kind on the market. A timeline, glossary, tables, and illustrations complement the narrative.
Author: Michael North
Publisher: Routledge
ISBN: 1351919156
Category : History
Languages : en
Pages : 318
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Book Description
Eighteenth-century Europe witnessed a commercialization of culture as it became less courtly and more urban. The marketing of culture became separate from the production of culture. New cultural entrepreneurs entered the stage: the impresario, the publisher, the book seller, the art dealer, the auction house, and the reading society served as middlemen between producers and consumers of culture, and constituted at the same time the beginning of a cultural service sector. Cultural consumption also played a substantial role in creating social identity. One could demonstrate social status by attending an auction, watching a play, or listening to a concert. Moreover, and eventually more significant, one could demonstrate connoisseurship and taste, which became important indicators of social standing. The centres of cultural exchange and consumption were initially the great cities of Europe. In the course of the eighteenth century, however, cultural consumption penetrated much deeper, for example into the numerous residential and university towns in Germany, where a growing number of functional elites and burghers met in coffee houses and reading societies, attended the theatre and opera, and performed orchestral and chamber music together. Journals, novels and letters were also crucial in forming consumer culture in provincial Germany: as the German states were remote from the cultural life of England and France, the material reality of London and Paris often passed as a literary construction to Germany. It is against this background, and stimulated by the research of John Brewer on England, that the book systematically explores this field for the first time in regard to the Continent, and especially to eighteenth-century Germany. Michael North focuses, chapter by chapter, on the new forms of entertainment (concerts, theatre, opera, reading societies, travelling) on the one hand and on the new material culture (fashion, gardens, country houses, furniture) on the other. At the centre of the discussion is the reception of English culture on the Continent, and the competition between English and French fashions in the homes of German elites and burghers attracts special attention. The book closes with an investigation of the role of cultural consumption for identity formation, demonstrating the integration of Germany into a European cultural identity during the eighteenth century.
