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Author: Frances Hubbard Flaherty
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 72
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Book Description
Author: Frances Hubbard Flaherty
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Frances Hubbard Flaherty
Publisher:
ISBN: 9780939660148
Category :
Languages : en
Pages : 80
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Book Description
Author: Stephanie Schwam
Publisher: Modern Library
ISBN: 0307757609
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.
Author: Michael Benson
Publisher: Simon & Schuster
ISBN: 1501163949
Category : Performing Arts
Languages : en
Pages : 512
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Book Description
The definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, and of director Stanley Kubrick and writer Arthur C. Clarke—“a tremendous explication of a tremendous film….Breathtaking” (The Washington Post). Fifty years ago a strikingly original film had its premiere. Still acclaimed as one of the most remarkable and important motion pictures ever made, 2001: A Space Odyssey depicted the first contacts between humanity and extraterrestrial intelligence. The movie was the product of a singular collaboration between Stanley Kubrick and science fiction visionary Arthur C. Clarke. Fresh off the success of his cold war satire Dr. Strangelove, Kubrick wanted to make the first truly first-rate science fiction film. Drawing from Clarke’s ideas and with one of the author’s short stories as the initial inspiration, their bold vision benefited from pioneering special effects that still look extraordinary today, even in an age of computer-generated images. In Space Odyssey, author, artist, and award-winning filmmaker Michael Benson “delivers expert inside stuff” (San Francisco Chronicle) from his extensive research of Kubrick’s and Clarke’s archives. He has had the cooperation of Kubrick’s widow, Christiane, and interviewed most of the key people still alive who worked on the film. Drawing also from other previously unpublished interviews, Space Odyssey provides a 360-degree view of the film from its genesis to its legacy, including many previously untold stories. And it features dozens of photos from the making of the film, most never previously published. “At last! The dense, intense, detailed, and authoritative saga of the making of the greatest motion picture I’ve ever seen…Michael Benson has done the Cosmos a great service” (Academy Award-winning actor Tom Hanks).
Author: Piers Bizony
Publisher:
ISBN: 9783836584371
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
2001: A Space Odyssey combines meticulous science, limitless imagination, and pure visual majesty. This compendium, previously available as a Collector's Edition, contains photographs, pre-production paintings, and conceptual designs that explore the genius behind the sci-fi classic that remains the benchmark for all cinema space epics.
Author: Helen Durant
Publisher: The Museum of Modern Art
ISBN: 9780870700811
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
This book details the production of Robert Flaherty's most beautiful and most ambitious film, Louisiana Story. At its core are the production diaries of Helen van Dongen, associate producer and editor for the project and a pioneer among women filmmakers. Her informative notes, which have never before been published, illuminate the problems and challenges of shooting and cutting the film on location in the bayou country of Louisiana. The essays describe the creative partnership that van Dongen developed with Flaherty. They also provide insight into New York's documentary film scene during the 1930s and '40s. The illustrations include film stills, working documents, and archival photographs; there are also biographies and filmographies.
Author: Scott MacDonald
Publisher: Columbia University Press
ISBN: 0231553196
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics. This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.
Author: Mark Cousins
Publisher: Da Capo Press
ISBN: 9781560259336
Category : Performing Arts
Languages : en
Pages : 512
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Book Description
The Story of Film presents the history of the movies in a way never told before. Weaving personalities, technology, and production with engaging descriptions of groundbreaking scenes, Mark Cousins uses his experience as film historian, producer, and director to capture the shifting trends of movie history without recourse to jargon. We learn how filmmakers influenced each other; how contemporary events influenced them; how they challenged established techniques and developed new technologies to enhance their medium. Striking images reinforce the reader's understanding of cinematic innovation both stylistic and technical. Presenting three epochs — Silent (1885–1928); Sound (1928–1990) and Digital (1990–Present) — The Story of Film spans the birth of the moving image; the establishment of Hollywood; the European avant-garde movements; personal filmmaking; world cinema and recent phenomena such as Computer Generated Imagery and the ever-more "real" realizations of the wildest of imaginations. Here are mainstream entertainment films and maverick talents, breathtaking moments and technical revolutions, blockbuster movies and art-house gems, icons of the screen and the hard workers behind the scenes. It is a powerful story of the world's most popular artistic medium.
Author: Stephen Kessler
Publisher:
ISBN: 9781737160304
Category :
Languages : en
Pages : 169
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Book Description
Prolific poet, award-winning translator, esteemed critic--"certainly the best poetry critic in sight," according to Lawrence Ferlinghetti--essayist and journalist, editor and novelist, Stephen Kessler has been a constant creative force in the American literary counterculture for more than fifty years. In Last Call Kessler records with grief and wit, documentary realism and ranging imagination, poignancy , irony, and reflection a journey through the gains and losses of a lifetime. His emotional honesty, conversational lyricism and wry melancholy are down to earth, heart-opening and consciousness-wrenching, retro-romantic and totally contemporary. Open this book to any page and find the unmistakably authentic voice of Stephen Kessler.
Author: Michel Chion
Publisher: Bloomsbury Publishing
ISBN: 1838716653
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Author wrote bestselling bfi Publishing title David Lynch 'a joy to the reader of film criticism' Choice; 2001: A Space Odyssey to be re-released in cinemas in The Spring and highly likely to be the focus of much media attention in the new year; Stanley Kubrick's 2001: A Space Odyssey (1968), based on Arthur C Clarke's novel, is one of the most ambitious films ever made, an epic of space exploration that takes in the whole history of humanity (as well as speculation about its future). A technical triumph that stands up today 2001 is topical also because of its meditation on the relationship between man, animal and machine. Haunting and enigmatic, it's a film that contains myriad images that seem to defy any explanation. In this multilayered study, acclaimed critic and theorist of film sound Michel Chion offers some keys to understanding 2001. Setting the film first in its historical and cultural contexts (the Space Race, the Cold War, 1960s psychedelia), Chion goes on to locate it within Kubrick's career. He then conducts a meticulous and subtle analysis of its structure and style, arguing that 2001 is an 'absolute film', a unique assemblage of cinema's elements, through which pulses a vision of human existence. 'Animals who know they will die, beings lost on earth, forever caught between two species, not animal enough, not cerebral enough.' In a supplementary chapter Chion argues that Kubrick's last film, Eyes Wide Shut (1999), is a return to 2001, a final statement of its concerns. And in a series of appendices Chion provides production details, an analytic synopsis, credits and a consideration of the legacy of 2001.
