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Author: Raymond Queneau
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 140
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Book Description
"Even though I can't remember my childhood, my memory being as if ravaged by some disaster, there nevertheless remains a series of images from the time before my birth . . . of my first twenty years, only ruins are left in a memory devastated by unhappiness." These opening lines from Queneau's novel, first published in France in 1937, are a brilliant, moving introduction to a story about the devastating psychological effects of war, about falling in love, about politics subverting human relationships, about life in Paris during the early 1930s amid intellectuals and artists whose activities range from writing for radical magazines to conjuring the ghost of Lenin in séances. Most of all, it's about Roland Travy's agonizing search for happiness after having been conditioned to live unhappily but safely for so long, about his growing self-awareness and need for another human being, about his willingness to shed his fears and accept his humanity.
Author: Raymond Queneau
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 140
Get Book Here
Book Description
"Even though I can't remember my childhood, my memory being as if ravaged by some disaster, there nevertheless remains a series of images from the time before my birth . . . of my first twenty years, only ruins are left in a memory devastated by unhappiness." These opening lines from Queneau's novel, first published in France in 1937, are a brilliant, moving introduction to a story about the devastating psychological effects of war, about falling in love, about politics subverting human relationships, about life in Paris during the early 1930s amid intellectuals and artists whose activities range from writing for radical magazines to conjuring the ghost of Lenin in séances. Most of all, it's about Roland Travy's agonizing search for happiness after having been conditioned to live unhappily but safely for so long, about his growing self-awareness and need for another human being, about his willingness to shed his fears and accept his humanity.
Author: Odile Ayral-Clause
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)
Author: Amanda V. Shane
Publisher: Enchanted Lands Romance
ISBN: 9781790357253
Category : Fiction
Languages : en
Pages : 266
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Book Description
Pale, cold mistress of the serpent's lair, blood red lips and coal black hair... Enter the world of the Black Swan, a dark and seductive tale where things are not always as they seem. Odile is the reviled villainess of Aarroughac, a castle inhabited by the evil wizard, Count Rothebart. After a sinister magic sweeps through the land and results in death, Odile is accused of the crime. Von Rothebart vanishes, leaving her to face the wrath of an entire kingdom alone until a mysterious stranger with powers of his own comes along. With vengeance as his guide, Lord Azarus di Caspari hunts an ancient curse. When he crosses paths with the Black Swan of legend, he immediately makes up his mind to use the temptress's magic for his own devices. But when Azarus learns that the story of the sorceress might not be true, disappointment gives way to desire. Spells are cast and secrets are revealed, but can love exist in the shadow of two dark hearts such as theirs?Are the tales of the Black Swan true? Is she a murderess and an evil sorceress to be feared or is she the only thing standing between true evil and the fall of a kingdom? Only time will tell as the magical story of the Black Swan unfolds. Odile, Legend of the Black Swan is a fantasy, fairy tale romance inspired by the legendary ballet, Swan Lake. An Enchanted Lands Romance.18 and up. This story involves some intimate scenes and adult situations. If such material offends you, please don't buy this book.
Author: Mark Richard
Publisher: Cambridge University Press
ISBN: 9780521388191
Category : Philosophy
Languages : en
Pages : 290
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Book Description
Beginning with a spirited defense of the view that propositions are structured and that propositional structure is "psychologically real," the author develops a subtle view of propositions and attitude ascription.
Author: Nagle Jackson
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822208617
Category :
Languages : en
Pages : 68
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Book Description
THE STORY: The place is the Opera Comique, in Paris, in 1875, at the first performance of Bizet's new opera, Carmen . All the best people are there but, as the cynical, worldly-wise usher, Odile, points out, they have not come to hear the m
Author: André Maurois
Publisher: London : James Barrie
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Cadra Peterson McDaniel
Publisher: Lexington Books
ISBN: 0739199315
Category : History
Languages : en
Pages : 295
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Book Description
American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballet’s planned 1959 American tour to awe audiences with Soviet choreographers’ great accomplishments and Soviet performers’ superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballet’s 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets’ competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshoi’s repertoire and the Soviet leadership’s objectives and interpretation of the tour’s success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshoi’s success provides insight into how each side conceptualized the role of the arts in society and in political transformation. American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere demonstrates the ballet’s role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics.
Author: Joseph Coelho
Publisher:
ISBN: 0711263922
Category : Juvenile Nonfiction
Languages : en
Pages : 42
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Book Description
A wittily illustrated anthology of poems, written to be read aloud. 20 poems arm children with techniques for lifting poetry off the page and performing with confidence.
Author: Herbert David Croly
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 492
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Book Description
Author: Mavis Gallant
Publisher: Everyman's Library
ISBN: 1101907649
Category : Fiction
Languages : en
Pages : 651
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Book Description
This generous collection of fifty-two stories, selected from across her prolific career by the author, includes a preface in which she discusses the sources of her art. A widely admired master of the short story, Mavis Gallant was a Canadian-born writer who lived in France and died in 2014 at the age of ninety-one. Her more than one hundred stories, most published in The New Yorker over five decades beginning in 1951, have influenced generations of writers and earned her comparisons to Anton Chekhov, Henry James, and George Eliot. She has been hailed by Michael Ondaatje as “one of the great story writers of our time.” With irony and an unfailing eye for the telling detail, Gallant weaves stories of spare complexity, often pushing the boundaries of the form in boldly unconventional directions. The settings in The Collected Stories range from Paris to Berlin to Switzerland, from the Italian Riviera to the Côte d’Azur, and her characters are almost all exiles of one sort or another, as she herself was for most of her expatriate life. The wit and precision of her prose, combined with her expansive view of humanity, provide a rare and deep reading pleasure. With breathtaking control and compression, Gallant delivers a whole life, a whole world, in each story.
