Oceanic Art: Provenance and History PDF Download
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Author: Michael Hamson
Publisher:
ISBN: 9781792374500
Category :
Languages : en
Pages :
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Book Description
Author: Michael Hamson
Publisher:
ISBN: 9781792374500
Category :
Languages : en
Pages :
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Book Description
Author: Heritage Auction Galleries (Dallas, Tex.)
Publisher: Heritage Capital Corporation
ISBN: 9781599671529
Category : Art
Languages : en
Pages : 266
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Book Description
Author: Lucie Carreau
Publisher:
ISBN: 9789088905919
Category : ART
Languages : en
Pages :
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Book Description
Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their disp.
Author: George R. Ellis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Publication accompanying an exhibition held at the San Diego Museum of Art, San Diego, Jan. 31, 2009-Jan. 3, 2010.
Author: William R. Dickinson
Publisher: Geological Society of America
ISBN: 0813724066
Category : Science
Languages : en
Pages : 176
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Book Description
"Oceanian ceramic cultures making earthenware pottery spread during the past 3500 years through a dozen major island groups spanning 6000 km of the tropical Pacific Ocean from western Micronesia to western Polynesia. Island potters mixed sand as temper into clay bodies during ceramic manufacture. The nature of island sands is governed by the geotectonics of hotspot chains, island arcs, subduction zones, backarc basins, and remnant arcs as well as by sedimentology. Because small islands with bedrock exposures of restricted character are virtual point sources of sand, many tempers are diagnostic of specific islands. Petrographic study of temper sands in thin section allows distinction between indigenous pottery and exotic pottery transported from elsewhere. Study of 2223 prehistoric Oceanian potsherds from 130 islands and island clusters indicates the nature of Oceanian temper types and documents 105 cases of interisland transport of ceramics over distances typically
Author: François Mairesse
Publisher: Taylor & Francis
ISBN: 1000812480
Category : Art
Languages : en
Pages : 703
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Book Description
The internationally focused Dictionary of Museology reflects the diversity of cultural and disciplinary approaches to theory and practice in the museum field today. The museum world is changing rapidly, and the characteristics and social roles of the world’s approximately 100,000 existing museums are constantly evolving. In addition to their traditional functions of preservation, research and communication, museums are increasingly addressing issues related to social inclusion, human rights, sustainable development and finances, all of which are explored in this dictionary. Drawing on the support of an international editorial committee, including influential figures from the US, Canada, Brazil, Japan, Spain, Germany, France and the UK, this collaborative work produced by over 100 researchers from around the world provides an overview of this unique field by defining over 1,000 terms relating to museology. The Dictionary of Museology is intended for a broad spectrum of museum professionals, academics, researchers and students. The book will be especially useful to those working with international partners, since a common lexicon that conveys the complex reality of current social and cultural values is particularly vital for those working across borders.
Author: Michael Gunn
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
From New Guinea to New Zealand, Easter Island to Hawaii, the Pacific region known as Oceania has long excited the Western imagination, but its traditional sculptures, pots and paintings have only recently been studied and appreciated as fine art. While much about these works and the cultures that produced them remains mysterious, we do know that most items were created for use in daily life rather than as products for the art market. Nonetheless, their beauty and craftsmanship elevate the best of them to objects of contemplation and wonder. This catalogue presents some 80 Oceanic works of art, each illustrated with its form and function described. Michael Gunn's introduction places the works in context; Christraud Geary discusses provenance; and contextual photographs throughout show many of the objects in situ, aiding in a growing understanding of these intriguing but still elusive works, and adding to the scholarship on, and interest in, Oceania.
Author: Peter Brunt
Publisher:
ISBN: 9781910350492
Category : ART
Languages : en
Pages : 328
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Book Description
"Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - artists, poets and photographers - who explore the legacy of the past and the future of a world and way of life threatened by a changing climate. Featuring over 300 colour illustrations, and text from Peter Brunt, Senior Lecturer at Victoria University of Wellington; Nicholas Thomas, Director of the Museum of Archaeology and Anthropology, University of Cambridge; Noelle M.K.Y. Kahanu, Emmanuel Kasarhérou, Deputy Director of the Department of the Department of Heritage and Collections at Musée du quai Branly-Jacques Chirac, Paris; Sean Mallon, Senior Curator of Pacific Cultures at the Museum of New Zealand/Te Papa Tongarewa, Wellington; Michael Mel, Manager for Pacific and International Collections at the Australian Museum, Sydney; and Dame Anne Salmond DBE, Professor of Maori Studies at the University of Auckland."--Royal Academy of Arts website (accessed 26/10/2018).
Author: Frances Lennard
Publisher:
ISBN: 9789088909719
Category :
Languages : en
Pages : 330
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Book Description
Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. Material Approaches to Polynesian Barkcloth takes a new approach to the study of the history of this region through its barkcloth heritage, focusing on the plants themselves and surviving objects in historic collections. This object-focused approach has filled gaps in our understanding of the production and use of this material through an investigation of this unique fabric's physical properties, transformation during manufacture and the regional history of its development in the 18th and 19th centuries.The book is the outcome of a research project which focused on three important collections of barkcloth at The Hunterian, University of Glasgow; Royal Botanic Gardens, Kew and the National Museum of Natural History, Smithsonian Institution. It also looks more widely at the value of barkcloth artefacts in museum collections for enhancing both contemporary practice and a wider appreciation of this remarkable fabric. The contributors include academics, curators, conservators and makers of barkcloth from Oceania and beyond, in an interdisciplinary study which draws together insights from object-based and textual reseach, fieldwork and tapa making, and information on the plants used to make fibres and colourants.This book will be of interest to tapa makers, museum professionals including curators and conservators; academics and students in the fields of anthropology, museum studies and conservation; museum visitors and anyone interested in finding out more about barkcloth.
Author: Virginia-Lee Webb
Publisher: 5Continents
ISBN: 9788874397051
Category : Art
Languages : en
Pages : 272
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Book Description
In Papua New Guinea, "spirit boards," also known as gope, were carved from wood by important men of an extended family or clan. Made from discarded canoes and usually decorated with carved and painted designs on one side, these boards vary greatly in style. At the turn of the 20th century, when most of the boards featured here were collected, men lived apart from women and uninitiated boys; their houses had designated areas or shrines created to display items, such as spirit boards, that indicated personal status and clan identity. Embodied Spirits is the first book devoted exclusively to spirit boards. Full-page photographs illustrate the boards of each region, and historical photographs show them in situ. The book also includes original essays by two noted scholars of Papuan Gulf art.
