Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776

Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776 PDF Author: William Gilpin
Publisher:
ISBN:
Category : England
Languages : en
Pages : 304

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Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776

Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776 PDF Author: William Gilpin
Publisher:
ISBN:
Category : England
Languages : en
Pages : 304

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Book Description


The Imprint of the Picturesque on Nineteenth-Century British Fiction

The Imprint of the Picturesque on Nineteenth-Century British Fiction PDF Author: Alexander M. Ross
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889206260
Category : Literary Criticism
Languages : en
Pages : 220

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"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.

Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape

Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape PDF Author: William Gilpin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 236

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Wordsworth's Reading 1770-1799

Wordsworth's Reading 1770-1799 PDF Author: Duncan Wu
Publisher: Cambridge University Press
ISBN: 0521416000
Category : Literary Criticism
Languages : en
Pages : 244

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Book Description
A directory of authors and books read by Wordsworth before the age of thirty.

Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776,

Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776, PDF Author:
Publisher:
ISBN: 9780461702446
Category : History
Languages : en
Pages : 270

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Three essays: on picturesque beauty; on picturesque travel; and on sketching landscape: to which is added a poem, on landscape painting. To these are now added two essays

Three essays: on picturesque beauty; on picturesque travel; and on sketching landscape: to which is added a poem, on landscape painting. To these are now added two essays PDF Author: William Gilpin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 238

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The Bibliographer's Manual of English Literature

The Bibliographer's Manual of English Literature PDF Author: William Thomas Lowndes
Publisher:
ISBN:
Category : Book rarities
Languages : en
Pages : 594

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The Song of the Earth

The Song of the Earth PDF Author: Jonathan Bate
Publisher: Harvard University Press
ISBN: 9780674001688
Category : Literary Criticism
Languages : en
Pages : 370

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Book Description
In the first ecological reading of English literature, Jonathan Bate traces the distinctions among "nature," "culture," and "environment" and shows how their meanings have changed since their appearance in the literature of the eighteenth century.

George Heriot

George Heriot PDF Author: Gerald Finley
Publisher: University of Toronto Press
ISBN: 1487596936
Category : Biography & Autobiography
Languages : en
Pages : 327

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Book Description
George Heriot (1759-1839), a Scot, is best known as a skilled landscape watercolourist and as the contentious deputy postmaster general of British North America from 1800 to 1816. He was also a travel writer (his Travels through the Canadas was published in 1807) and a poet. In this volume, a combination of biography and art history, Gerald Finley presents, for the first time, a rounded picture of Heriot, revealing his motives and ideals while also illuminating the texture of life in Canada during the early years of settlement. In describing Heriot's several roles as artist, administrator, patriot, spy, Finley presents a portrait of an eighteenth-century gentleman whose superficial desires were for an active public life but whose deeper yearnings were for a life of contemplation. As a member of the gentry it was natural that Heriot found his way into public service, for which he was suited both by education and by upbringing. Nevertheless, his public career did not always run smoothly and it ended in frustration and sadness. However, through his writing and especially his art Heriot found welcome relief from the tensions of his public duties. Indeed, Heriot's chief importance lies in his art. Trained as a topographical artist, he was an important exponent of the picturesque landscape. As a mode of vision the Picturesque furnished him with a special way of looking at recording the Canadian scene – to him Canada possessed the qualities of Arcadia. This viewpoint served both as aesthetic consolation and as stimulus to inspiration. This volume serves to recognize Heriot's artistic achievement and to accord him the place he deserves in the history of Canadian art and of the country itself.

Spatial Imaginings in the Age of Colonial Cartographic Reason

Spatial Imaginings in the Age of Colonial Cartographic Reason PDF Author: Nilanjana Mukherjee
Publisher: Taylor & Francis
ISBN: 1000193292
Category : Social Science
Languages : en
Pages : 272

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Book Description
This volume explores how India as a geographical space was constructed by the British colonial regime in visual and material terms. It demonstrates the instrumentalisation of cultural artefacts such as landscape paintings, travel literature and cartography, as spatial practices overtly carrying scientific truth claims, to materially produce artificial spaces that reinforced power relations. It sheds light on the primary dominance of cartographic reason in the age of European Enlightenment which framed aesthetic and scientific modes of representation and imagination. The author cross-examines this imperial gaze as a visual perspective which bore the material inscriptions of a will to assert, possess and control. The distinguishing theme in this study is the production of India as a new geography sourced from Britain's own interaction with its rural outskirts and domination in its fringes. This book: Addresses the concept of "production of space" to study the formulation of a colonial geography which resulted in the birth of a new place, later a nation; Investigates a generative period in the formation of British India c. 1750–1850 as a colonial territory vis-à-vis its representation and reiteration in British maps, landscape paintings and travel writings; Brings Great Britain and British India together on one plane not only in terms of the physical geo-spaces but also in the excavation of critical domains by alluding to critics from both spaces; Seeks to understand the pictorial grammar that legitimised the expansive British imperial cartographic gaze as the dominant narrative which marginalised all other existing local ideas of space and inhabitation. Rethinking colonial constructions of modern India, this volume will be of immense interest to scholars and researchers of modern history, cultural geography, colonial studies, English literature, cultural studies, art, visual studies and area studies.