Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56
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Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Author: Jocelyn Wogan-Browne
Publisher: Boydell & Brewer Ltd
ISBN: 1903153476
Category : Foreign Language Study
Languages : en
Pages : 562
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Book Description
The essays in this volume form a new cultural history focused round, but not confined to, the presence and interactions of francophone speakers, writers, readers, texts and documents in England from the 11th to the later 15th century.
Author: Herbert Schendl
Publisher: Walter de Gruyter
ISBN: 3110253364
Category : Language Arts & Disciplines
Languages : en
Pages : 349
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Book Description
The complex linguistic situation of earlier multilingual Britain has led to numerous contact-induced changes in the history of English. However, bi- and multilingual texts, which are attested in a large variety of text types, are still an underresearched aspect of earlier linguistic contact. Such texts, which switch between Latin, English and French, have increasingly been recognized as instances of written code-switching and as highly relevant evidence for the linguistic strategies which medieval and early modern multilingual speakers used for different purposes. The contributions in this volume approach this phenomenon of mixed-language texts from the point of view of code-switching, an important mechanism of linguistic change. Based on a variety of text types and genres from the medieval and Early Modern English periods, the individual papers present detailed linguistic analyses of a large number of texts, addressing a variety of issues, including methodological questions as well as functional, pragmatic, syntactic and lexical aspects of language mixing. The very specific nature of language mixing in some text types also raises important theoretical questions such as the distinction between borrowing and switching, the existence of discrete linguistic codes in earlier multilingual Britain and, more generally, the possible limits of the code-switching paradigm for the analysis of these mixed texts from the early history of English. Thus the volume is of particular interest not only for historical linguists, medievalists and students of the history of English, but also for sociolinguists, psycholinguists, language theorists and typologists.
Author: Rosalind E. Krauss
Publisher: Farrar Straus & Giroux
ISBN: 9780374232092
Category : Art
Languages : en
Pages : 272
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Book Description
Examines the issue of whether Picasso brought new life to the works of Old Masters through his use of pastiche, or whether his art is a counterfeit that copies the styles and themes of others
Author: J. Faivre
Publisher:
ISBN:
Category : Egypt
Languages : en
Pages : 110
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Book Description
Author: Egypt Exploration Society
Publisher:
ISBN:
Category : Egypt
Languages : en
Pages : 76
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Book Description
Author: M. E. Chevreul
Publisher:
ISBN: 9780988280816
Category :
Languages : en
Pages :
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Book Description
Asked by royalty to analyze why certain very expensive fabrics didn't meet expectations, a French chemist found that the dyes could not be blamed. M.E. Chevreul named the real culprit in a single paragraph-which he then expanded into a unified theory about every design discipline and, in 1839, the most ambitious and influential book ever written about color usage. Half a century later, On the Law of Simultaneous Contrast of Colors had become "the scientific foundation of Impressionist and Neo-Impressionist painting," according to Johannes Itten. "It is my Bible," said Winslow Homer. Vincent van Gogh called it "a luminous theory of colors," allowing "effects so violent that the human eye can scarcely stand to look at them." Chevreul explained how and why this occurred, but he then went on to discuss how it affects and can be exploited in any artistic context. Although this book is mostly noted for its impact on painting (and by extension, photography) it culminates with a chapter labeled Ten Principles for All Forms of Visual Art. He meant it, too: he prescribes design principles for tapestries, carpets, furniture, mosaics, churches, museums, apartments, formal gardens, theaters, maps, typography, framing, stained glass, and even military uniforms. Chevreul's basic ideas were clear but his explanations of how to implement them were convoluted even in the original French. The standard English edition, the only one available in print until now, has been condemned as plodding and misleading ever since it appeared in 1854. Today, this brilliant work reappears in a lucid form that goes far beyond a "translation." Color expert Dan Margulis has rewritten obscure parts, corrected errors, updated references, commented separately when needed, and added six chapters of his own. Technology stymied Chevreul's desire for extensive color graphics. Margulis has added them: photographs, line art, and reproductions of the works of those who swore by his ideas. And, he has used his digital expertise to explain what few critics have understood about how the painters were choosing their colors.
Author: Egypt. Maṣlaḥat al-Misāḥah
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 158
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Sheila R. Canby
Publisher: Harvard University Press
ISBN: 9780674023901
Category : Art
Languages : en
Pages : 152
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Book Description
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
