The National Union Catalog, Pre-1956 Imprints PDF Download
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 624
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 624
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Book Description
Author: Catherine Eleanor Clark
Publisher: Oxford University Press
ISBN: 0190681640
Category : Art
Languages : en
Pages : 329
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Book Description
Paris and the Cliché of History traces the changing historical meanings of photographs of this city during a century marked by urban renovation, war, occupation, liberation, and visual documentation. Challenging the idea that photographs merely document the past, it calls for new methods of reading photos as material objects with histories of their own and sheds insight on the capital's reduction to an image in the twentieth century.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 606
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Book Description
Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700
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Book Description
Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
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Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 806
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 80
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 784
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Book Description
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 878
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Book Description
Author: Andrea M. Gáldy
Publisher: Cambridge Scholars Publishing
ISBN: 1443852597
Category : Art
Languages : en
Pages : 250
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Book Description
If collecting the rare and valuable is an entirely normal trait of human behaviour, amassing objects from far-away places has also long played a role in the history of collecting. “East” and “West”, or “North” and “South”, for that matter, are of course entirely relative to one’s particular geographical position. Therefore, it is interesting that collecting exotic objects is an endeavour that unites humanity over millennia and round the globe. The ancient Assyrians did so as assiduously as eighteenth-century collectors in Paris or London; Chinese emperors collected Western art and artefacts at a time when Western collectors started to gather ceramics, lacquered furniture, or South-East Asian prints. Key factors were, of course, increasingly frequent contact and an ever growing knowledge about the “other” and about the other’s artistic production. Of particular interest to the mission of this working group is the fact that the building of collections was only part of the endeavour but that, in many cases, the objects imported at huge cost and logistic effort were meant to be displayed in surroundings reminiscent of their original habitat, even though their exact original context may have been open to debate and their final exhibition surroundings may have been unrecognisable to anyone from their former home. Western collectors built Chinese cabinets for their exotic treasures, often complemented by depictions of Oriental tea parties. Less familiar is perhaps the fact that, from the seventeenth century onwards, Chinese emperors displayed their European collectibles in palaces built for them for this purpose in Western architectural style. The essays in the present volume, therefore, attempt to connect the collections of exotic objects with the forms of display adopted by collectors and institutions and thus chart the levels of increasingly informed and intimate encounters between East and West, scholars and collectors, art lovers and institutions from the early first millennium BC to the early twentieth century and from South-East Asia to North-Western Europe.
