Objets D'art Et de Curiosité PDF Download
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Author: Hôtel Drouot
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Hôtel Drouot
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Category :
Languages : en
Pages :
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Author: Partridge Fine Arts, Ltd
Publisher:
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Category : Antiques
Languages : en
Pages :
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Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 556
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![Catalogue Des Objets D'art, de Haute Curiosité Et D'ameublement Composant L'importante Collection de M. Ch. Stein, Et Dont la Vente Aura Lieu ... 10 ... 14 Mai 1886, Etc. [Edited, with a Preface, by Charles Mannheim, and with an Introduction by Charles Yriarte. With Numerous Illustrations.]. PDF](https://books.google.com/books/content/images/frontcover/kWr0MgEACAAJ?fife=w80-h100)
Author: Charles Stein
Publisher:
ISBN:
Category :
Languages : en
Pages : 102
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Author: National Library of Ireland. Council of Trustees
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
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Author: Karl W. Hiersemann (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 776
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Author: Janell Watson
Publisher: Cambridge University Press
ISBN: 113942663X
Category : Literary Criticism
Languages : en
Pages : 242
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This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.
Author: Bénédicte Savoy
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311054508X
Category : Art
Languages : en
Pages : 324
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As more parts of the world outside Europe became accessible =– and in the wake of social and technological developments in the 18th century – a growing number of exotic artefacts entered European markets. The markets for such objects thrived, while a collecting culture and museums emerged. This book provides insights into the methods and places of exchange, networks, prices, expertise, and valuation concepts, as well as the transfer and transport of these artefacts over 300 years and across four continents. The contributions are from international experts, including Ting Chang, Nélia Dias, Noëmie Etienne, Jonathan Fine, Philip Jones, Sylvester Okwunodu Ogbechie, Léa Saint-Raymond, and Masako Yamamoto.
Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
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Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Author: Karl W. Hiersemann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 776
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