Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 770
Book Description
Catalogue
Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 770
Book Description
Art and Auctions
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Paris and the Cliché of History
Author: Catherine E. Clark
Publisher: Oxford University Press
ISBN: 0190681667
Category : History
Languages : en
Pages : 329
Book Description
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.
Publisher: Oxford University Press
ISBN: 0190681667
Category : History
Languages : en
Pages : 329
Book Description
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Auction Catalogue
Author: American Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 1078
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1078
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 624
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 624
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
The Ultimate Netsuke Bibliography
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420
Book Description
The Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420
Book Description
The Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.