Author: A. Joan Saab
Publisher: Penn State Press
ISBN: 0271088702
Category : History
Languages : en
Pages : 167
Book Description
Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.
Objects of Vision
Author: A. Joan Saab
Publisher: Penn State Press
ISBN: 0271088702
Category : History
Languages : en
Pages : 167
Book Description
Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.
Publisher: Penn State Press
ISBN: 0271088702
Category : History
Languages : en
Pages : 167
Book Description
Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.
Empires of Vision
Author: Martin Jay
Publisher: Duke University Press
ISBN: 0822378973
Category : Art
Languages : en
Pages : 686
Book Description
Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson
Publisher: Duke University Press
ISBN: 0822378973
Category : Art
Languages : en
Pages : 686
Book Description
Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson
Eye Movements and Vision
Author: A. L. Yarbus
Publisher: Springer
ISBN: 1489953795
Category : Medical
Languages : en
Pages : 234
Book Description
Publisher: Springer
ISBN: 1489953795
Category : Medical
Languages : en
Pages : 234
Book Description
Computer Vision
Author: Christopher W. Tyler
Publisher: CRC Press
ISBN: 1439817138
Category : Computers
Languages : en
Pages : 268
Book Description
Computer Vision is the first book to take a full approach to the challenging issue of veridical 3D object representation. It introduces mathematical and conceptual advances that offer an unprecedented framework for analyzing the complex scene structure of the world. Leading theorists cover full 3D scene reconstruction, instead of the simplistic 2D planar algorithms employed in the past. They explore cutting-edge research on computational algorithms for scene analysis and present an integrated, complementary treatment of neural, behavioral, mathematical, and computational approaches. The text includes numerous graphics of complex processes, with many in color.
Publisher: CRC Press
ISBN: 1439817138
Category : Computers
Languages : en
Pages : 268
Book Description
Computer Vision is the first book to take a full approach to the challenging issue of veridical 3D object representation. It introduces mathematical and conceptual advances that offer an unprecedented framework for analyzing the complex scene structure of the world. Leading theorists cover full 3D scene reconstruction, instead of the simplistic 2D planar algorithms employed in the past. They explore cutting-edge research on computational algorithms for scene analysis and present an integrated, complementary treatment of neural, behavioral, mathematical, and computational approaches. The text includes numerous graphics of complex processes, with many in color.
Vision and Mind
Author: Alva Noë
Publisher: MIT Press
ISBN: 9780262640473
Category : Psychology
Languages : en
Pages : 644
Book Description
The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems—What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world?—are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception. The central problem for visual science has been to explain how the brain bridges the gap between what is given to the visual system and what is actually experienced by the perceiver. The orthodox view of perception is that it is a process whereby the brain, or a dedicated subsystem of the brain, builds up representations of relevant figures of the environment on the basis of information encoded by the sensory receptors. Most adherents of the orthodox view also believe that for every conscious perceptual state of the subject, there is a particular set of neurons whose activities are sufficient for the occurrence of that state. Some of the essays in this book defend the orthodoxy; most criticize it; and some propose alternatives to it. Many of the essays are classics. Contributors G.E.M. Anscombe, Dana Ballard, Daniel Dennett, Fred Dretske, Jerry Fodor, H.P. Grice, David Marr, Maurice Merleau-Ponty, Zenon Pylyshyn, Paul Snowdon, and P.F. Strawson
Publisher: MIT Press
ISBN: 9780262640473
Category : Psychology
Languages : en
Pages : 644
Book Description
The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems—What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world?—are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception. The central problem for visual science has been to explain how the brain bridges the gap between what is given to the visual system and what is actually experienced by the perceiver. The orthodox view of perception is that it is a process whereby the brain, or a dedicated subsystem of the brain, builds up representations of relevant figures of the environment on the basis of information encoded by the sensory receptors. Most adherents of the orthodox view also believe that for every conscious perceptual state of the subject, there is a particular set of neurons whose activities are sufficient for the occurrence of that state. Some of the essays in this book defend the orthodoxy; most criticize it; and some propose alternatives to it. Many of the essays are classics. Contributors G.E.M. Anscombe, Dana Ballard, Daniel Dennett, Fred Dretske, Jerry Fodor, H.P. Grice, David Marr, Maurice Merleau-Ponty, Zenon Pylyshyn, Paul Snowdon, and P.F. Strawson
Visual Agnosia
Author: Martha J. Farah
Publisher: MIT Press (MA)
ISBN: 9780262560825
Category : Visual agnosia
Languages : en
Pages : 190
Book Description
Brain damage can lead to selective problems with visual perception, including visual agnosia-the inability to recognize objects even though elementary visual functions remain unimpaired. Visual Agnosia reviews all the recent records of this disorder, places these 100 or so case studies in the general context of current neuroscience, and draws relevant conclusions about the organization of normal visual processing.
Publisher: MIT Press (MA)
ISBN: 9780262560825
Category : Visual agnosia
Languages : en
Pages : 190
Book Description
Brain damage can lead to selective problems with visual perception, including visual agnosia-the inability to recognize objects even though elementary visual functions remain unimpaired. Visual Agnosia reviews all the recent records of this disorder, places these 100 or so case studies in the general context of current neuroscience, and draws relevant conclusions about the organization of normal visual processing.
Vision and Art (Updated and Expanded Edition)
Author: Margaret S. Livingstone
Publisher: Harry N. Abrams
ISBN: 9781419706929
Category : Art
Languages : en
Pages : 240
Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
Publisher: Harry N. Abrams
ISBN: 9781419706929
Category : Art
Languages : en
Pages : 240
Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
Vision and Its Instruments
Author: Alina Alexandra Payne
Publisher: Penn State University Press
ISBN: 9780271063898
Category : Art
Languages : en
Pages : 0
Book Description
A collection of essays investigating the early modern debates on the nature of sight and its epistemic value.
Publisher: Penn State University Press
ISBN: 9780271063898
Category : Art
Languages : en
Pages : 0
Book Description
A collection of essays investigating the early modern debates on the nature of sight and its epistemic value.
COM and DCOM
Author: Roger Sessions
Publisher:
ISBN:
Category : Computers
Languages : en
Pages : 518
Book Description
This book teaches software developers the pros and cons of Component Object Model (COM) and Distributed Component Object Model (DCOM). It explains how to use COM and DCOM with their existing systems, how they fit into two and three-tier client/server architectures, and new technologies from Microsoft such as Transaction Server and Falcon.
Publisher:
ISBN:
Category : Computers
Languages : en
Pages : 518
Book Description
This book teaches software developers the pros and cons of Component Object Model (COM) and Distributed Component Object Model (DCOM). It explains how to use COM and DCOM with their existing systems, how they fit into two and three-tier client/server architectures, and new technologies from Microsoft such as Transaction Server and Falcon.
300 Astronomical Objects
Author: Jamie Wilkins
Publisher: Buffalo, N.Y. ; Richmond Hill, Ont. : Firefly Books
ISBN:
Category : Nature
Languages : en
Pages : 536
Book Description
A handy and comprehensive reference to the 300 most interesting celestial objects. This book provides a tour through the galaxy, from its solar core to its outer limits, with all the highlights and the very latest data about the universe. Convenient data sidebars with each entry provide facts and figures on every object- including mass, magnitude, density, radius, rotation period, and surface and core temperatures. An annotated cross-section of the object enhances this information, and a full-page photograph brings the object to life. Additional spreads bring together and explain related objects or phenomena. For example, the corresponding pages for the sun include solar power, sunspots and solar flares. Others examples include: *Mercury: Mercury's surface *The asteroid belt: Eros 433 *Jupiter's moons: 10, Europa, Callista *Outer belts and comets: Halley's comet; Deep Impact *Space telescopes: International Space Station. 300 Astronomical Objects is a handy reference for the amateur astronomer. AUTHOR: Jamie Wilkins has a degree in astrophysics from Cambridge University. Robert Dunn has a degree in natural sciences, specializing in physics, from Cambridge University, where he is a researcher at the Institute of Astronomy. 300 + colour illustrations
Publisher: Buffalo, N.Y. ; Richmond Hill, Ont. : Firefly Books
ISBN:
Category : Nature
Languages : en
Pages : 536
Book Description
A handy and comprehensive reference to the 300 most interesting celestial objects. This book provides a tour through the galaxy, from its solar core to its outer limits, with all the highlights and the very latest data about the universe. Convenient data sidebars with each entry provide facts and figures on every object- including mass, magnitude, density, radius, rotation period, and surface and core temperatures. An annotated cross-section of the object enhances this information, and a full-page photograph brings the object to life. Additional spreads bring together and explain related objects or phenomena. For example, the corresponding pages for the sun include solar power, sunspots and solar flares. Others examples include: *Mercury: Mercury's surface *The asteroid belt: Eros 433 *Jupiter's moons: 10, Europa, Callista *Outer belts and comets: Halley's comet; Deep Impact *Space telescopes: International Space Station. 300 Astronomical Objects is a handy reference for the amateur astronomer. AUTHOR: Jamie Wilkins has a degree in astrophysics from Cambridge University. Robert Dunn has a degree in natural sciences, specializing in physics, from Cambridge University, where he is a researcher at the Institute of Astronomy. 300 + colour illustrations