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Author: Robert Aldrich
Publisher: Routledge
ISBN: 1000158888
Category : History
Languages : en
Pages : 611
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Book Description
Who's Who in Gay and Lesbian History: From Antiquity to the Mid-Twentieth Century is a comprehensive and fascinating survey of the key figures in gay and lesbian history from classical times to the mid-twentieth century. Among those included are: * Classical heroes - Achilles; Aeneas; Ganymede * Literary giants - Sappho; Christopher Marlowe; Arthur Rimbaud; Oscar Wilde * Royalty and politicians - Edward II; King James I; Horace Walpole; Michel de Montaigne. Over the course of some 500 entries, expert contributors provide a complete and vivid picture of gay and lesbian life in the Western world throughout the ages.
Author: Robert Aldrich
Publisher: Routledge
ISBN: 1000158888
Category : History
Languages : en
Pages : 611
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Book Description
Who's Who in Gay and Lesbian History: From Antiquity to the Mid-Twentieth Century is a comprehensive and fascinating survey of the key figures in gay and lesbian history from classical times to the mid-twentieth century. Among those included are: * Classical heroes - Achilles; Aeneas; Ganymede * Literary giants - Sappho; Christopher Marlowe; Arthur Rimbaud; Oscar Wilde * Royalty and politicians - Edward II; King James I; Horace Walpole; Michel de Montaigne. Over the course of some 500 entries, expert contributors provide a complete and vivid picture of gay and lesbian life in the Western world throughout the ages.
Author: James D. Henderson
Publisher: Rowman & Littlefield
ISBN: 1538153017
Category : History
Languages : en
Pages : 263
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Book Description
In the seventeenth century, Catalina de Erauso, at age sixteen a renegade Basque nun, escaped from her convent and traveled to the New World, eventually reaching Peru. She became an outlaw and a crossdresser with a price on her head. Yet she ended her days absolved by both the King of Spain and the Pope, the latter of whom granted her permission to dress as a man for the remainder of her life. The Nun Ensign passed her final years guarding silver shipments on the Mexico City-Veracruz highway. The life of the Nun Ensign highlights not just her extraordinary life but also the opportunities seized by women in colonial Latin America. This book profiles the Nun Ensign and nine other women of colonial Latin America, offering an alternate method for understanding the region and its history. The ten figures span different ethnic, geographic, occupational, and class backgrounds. Through their stories, the reader comes away with an enriched understanding of colonial Latin American history.
Author: Sonja Tiernan
Publisher: Cambridge Scholars Publishing
ISBN: 1443807885
Category : Social Science
Languages : en
Pages : 350
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Book Description
The annual Lesbian Lives conference has been held in University College Dublin since 1993. The success of the conference held in 2006 entitled ‘Historicising the Lesbian’ inspired this collection of essays. From the dozens of papers delivered, the chapters chosen for inclusion in this volume cover a wide period in history from the medieval to the very modern, a huge range of subject areas and diverse historical interests. The many subjects areas dealt with will allow a widening of our knowledge of lesbian history and encourage more in-depth investigation into the many issues raised within.
Author: W. Paul Anderson
Publisher: Vintage Canada
ISBN: 0307368319
Category : Fiction
Languages : en
Pages : 1886
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Book Description
An epic novel of genius and obsession — apocalyptic, lyrical and erotically charged. Spanning three centuries and two cultures, Hunger’s Brides brings to vivid life the greatest Spanish poet of her time, Sor Juana Inés de la Cruz, and plumbs a mystery that has intrigued writers as diverse as Robert Graves, Diane Ackerman, Eduardo Galeano and Nobel laureate Octavio Paz. Why did a writer of such gifts silence herself? At the time of her death in 1695, Juana Inés de la Cruz was arguably the greatest writer working in any European tongue, yet she had never set foot in Europe. Instead she was born among the descendants of the Aztec empire, in the shadow of the mountain pass Cortés and his troops descended on their advance to Montezuma’s capital. A child prodigy from a barbarous wilderness, her beauty and wit provoked a sensation at the viceregal court in Mexico City. But at the age of nineteen, still a favourite of the court, Juana entered a convent, and from that point her life unfolded between the mystery of her sudden flight from palace to cloister, and the enigma of her final vow of silence, signed in blood. After a quarter-century of graceful, often sensuous poetry, plays and theological argument, Sor Juana chose silence, which she maintained until she died of plague at the age of forty-five. Drawing on chronicles of the conquest and histories of the Inquisition, myth cycles and archeological studies, ancient poetry and early Spanish accounts of blood sacrifice, Hunger’s Brides is a mammoth work of inspired historical fiction framed in a contemporary mystery. In the dead of a Calgary winter night, a man escapes from an apartment in which a young woman lies bleeding — in his arms he clutches a box he has found on her table addressed to him. He is Donald Gregory, a once-respected, now-disgraced, academic. She is Beulah Limosneros, one of his students, and for a brief time his lover. Brilliant, erratic, voracious, she had disappeared two years earlier in Mexico, following the thread of her growing obsession with Sor Juana. Over the ensuing days and weeks, as a police investigation closes in around him, Gregory pieces together the contents of the box she has left him: a poetic journal of her travel in Mexico, diaries, research notes, unposted letters, and a strange manuscript — part biography, part novel — on Sor Juana. Hunger’s Brides is a dramatic unveiling of three intimate journeys: a man’s forced march to self-knowledge, a great poet’s withdrawal from the world, and a profane mystic’s pilgrimage into modern Mexico, in which the bones of the past constantly poke through a present built on the ruins of the vanquished. Excerpt from Hunger’s Brides “From the moment I was first illuminated by the light of reason, my inclination toward letters has been so vehement that not even the admonitions of others . . . nor my own meditations have been sufficient to cause me to forswear this natural impulse that God placed in me . . . that inclination exploded in me like gunpowder. . . .” —Sor Juana, in a letter of self-defence written to a bishop in 1691, just before she took a vow of silence
Author: George William MacArthur Reynolds
Publisher:
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Category : Penny dreadfuls
Languages : en
Pages : 854
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Category : California
Languages : en
Pages : 604
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Author:
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Category : Books
Languages : en
Pages : 536
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Category :
Languages : en
Pages : 646
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The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
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Category : Military art and science
Languages : en
Pages : 852
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Book Description
Author: Valerie Estelle Frankel
Publisher: McFarland
ISBN: 1476615543
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Game of Thrones, one of the hottest series on television, leaves hundreds of critics divided on how "feminist" the show really is. Certainly the female characters, strong and weak, embody a variety of archetypes--widow queens, warrior women, damsels in distress, career women, priestesses, crones, mothers and maidens. However, the problem is that most of them play a single role without nuance--even the "strong women" have little to do besides strut about as one-note characters. This book analyzes the women and their portrayals one by one, along with their historical inspirations. Accompanying issues in television studies also appear, from the male gaze to depiction of race. How these characters are treated in the series and how they treat themselves becomes central, as many strip for the pleasure of men or are sacrificed as pawns. Some nude scenes or moments of male violence are fetishized and filmed to tantalize, while others show the women's trauma and attempt to identify with the scene's female perspective. The key is whether the characters break out of their traditional roles and become multidimensional.
