Cooper's Novels: Mile Wallingford PDF Download
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Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
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Book Description
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Get Book Here
Book Description
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
Get Book Here
Book Description
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
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Book Description
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
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Book Description
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
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Book Description
Author: James Fenimore Cooper
Publisher: BoD – Books on Demand
ISBN: 3734026369
Category : Fiction
Languages : en
Pages : 458
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Book Description
Reproduction of the original: Miles Wallingford by James Fenimore Cooper
Author: James Fenimore Cooper
Publisher: Pinnacle Press
ISBN: 9781374898646
Category : Fiction
Languages : en
Pages : 462
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James Fenimore Cooper
Publisher: Createspace Independent Publishing Platform
ISBN: 9781976572418
Category :
Languages : en
Pages : 288
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Book Description
James Fenimore Cooper (September 15, 1789 - September 14, 1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. He lived most of his life in Cooperstown, New York, which was founded by his father William on property that he owned. Cooper was a lifelong member of the Episcopal Church and, in his later years, contributed generously to it. He attended Yale University for three years, where he was a member of the Linonian Society, but was expelled for misbehavior.
Author: Claudia Stokes
Publisher: University of Pennsylvania Press
ISBN: 0812298160
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement, they were not features particularly prized by earlier American audiences, Claudia Stokes contends. On the contrary, readers were taught to value familiarity, traditionalism, and regularity. Literary originality was often seen as a mark of vulgar sensationalism and poor quality. In Old Style Stokes offers the first dedicated study of a forgotten nineteenth-century aesthetic, explicating the forms, practices, conventions, and uses of unoriginality. She focuses in particular on the second quarter of the century, when improvements in printing and distribution caused literary markets to become flooded with new material, and longstanding reading practices came under threat. As readers began to prefer novelty to traditional forms, advocates openly extolled unoriginality in an effort to preserve the old literary ways. Old Style examines this era of significant literary change, during which a once-dominant aesthetic started to give way to modern preferences. If writing in the old style came to be associated with elite conservatism—a linkage that contributed to its decline in the twentieth century—it also, paradoxically provided marginalized writers—people of color, white women, and members of the working class—the literary credentials they needed to enter print. Writing in the old style could affirm an aspiring author's training, command of convention, and respectability. In dismissing unoriginality as the literary purview of the untalented or unambitious, Stokes cautions, we risk overlooking something of vital importance to generations of American writers and readers.
