Nouvelles conversations Parisiennes, being specimens of Causeries des Salons, etc. Second edition PDF Download
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Author: Louis Philippe R. FENWICK DE PORQUET
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Louis Philippe R. FENWICK DE PORQUET
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Louis Philippe R.F. de Porquet
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 842
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
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Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1150
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1152
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Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1312
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Book Description
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: Richard Thomson
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146
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Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
