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Author: John J. Winkler
Publisher: Princeton University Press
ISBN: 9780691015255
Category : History
Languages : en
Pages : 438
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Book Description
'The more we learn about the original production of tragedies and comedies in Athens the more it seems wrong even to call them plays in the modern sense of the word, ' write the editors in this collection of critically diverse innovative essays aimed at restoring the social context of ancient Greek drama.
Author: John J. Winkler
Publisher: Princeton University Press
ISBN: 9780691015255
Category : History
Languages : en
Pages : 438
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Book Description
'The more we learn about the original production of tragedies and comedies in Athens the more it seems wrong even to call them plays in the modern sense of the word, ' write the editors in this collection of critically diverse innovative essays aimed at restoring the social context of ancient Greek drama.
Author: John J. Winkler
Publisher: Princeton University Press
ISBN: 0691215898
Category : History
Languages : en
Pages : 434
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Book Description
These critically diverse and innovative essays are aimed at restoring the social context of ancient Greek drama. Theatrical productions, which included music and dancing, were civic events in honor of the god Dionysos and were attended by a politically stratified community, whose delegates handled all details from the seating arrangements to the qualifications of choral competitors. The growing complexity of these performances may have provoked the Athenian saying "nothing to do with Dionysos" implying that theater had lost its exclusive focus on its patron. This collection considers how individual plays and groups of dramas pertained to the concerns of the body politic and how these issues were presented in the convention of the stage and as centerpieces of civic ceremonies. The contributors, in addition to the editors, include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel, James Redfield, Niall W. Slater, Barry Strauss, and Jesper Svenbro.
Author: William Storm
Publisher: Cornell University Press
ISBN: 1501744879
Category : Philosophy
Languages : en
Pages : 207
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Book Description
William Storm reinterprets the concept of the tragic as both a fundamental human condition and an aesthetic process in dramatic art. He proposes an original theoretical relation between a generative and consistent tragic ground and complex characterization patterns. For Storm, it is the dismemberment of character, not the death, that is the signature mark of tragic drama. Basing his theory in the sparagmos, the dismembering rite associated with Dionysus, Storm identifies a rending tendency that transcends the ancient Greek setting and can be recognized transhistorically. The dramatic character in any era who suffers the tragic fate must do so in the manner of the ancient god of theater: the depicted self is torn apart, figuratively if not literally, psychologically if not physically. Storm argues that a newly objectified concept of the tragic can prove more useful critically and diagnostically than the traditional and more subjective tragic "vision." Further, he develops a theory of the tragic field, a model for the connective and cumulative activity that brings about the distinctive Dionysian effect upon character. His theory is supported with case studies from Agamemnon and Iphigenia in Aulis, King Lear, and The Seagull. Storm's examination of the dramatic form of tragedy and the existential questions it raises is sensitive to both their universal relevance and their historical particularity.
Author: Andrew D. Weiner
Publisher: Univ of Wisconsin Press
ISBN: 9780299178949
Category : Law
Languages : en
Pages : 296
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Book Description
This title looks at past post-structuralist theory to re-examine methods of textual interpretation developed in past millennia to understand sacred, philosophical, cultural, legal, literary and artistic texts.
Author: Alberto Bernabé
Publisher: Walter de Gruyter
ISBN: 3110301326
Category : History
Languages : en
Pages : 700
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Book Description
This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity. The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.
Author: Richard Ned Lebow
Publisher: Cambridge University Press
ISBN: 9780521534857
Category : History
Languages : en
Pages : 428
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Book Description
Is it possible to preserve national security through ethical policies? Richard Ned Lebow seeks to show that ethics are actually essential to the national interest. Recapturing the wisdom of classical realism through a close reading of the texts of Thucydides, Clausewitz and Hans Morgenthau, Lebow argues that, unlike many modern realists, classic realists saw close links between domestic and international politics, and between interests and ethics. Lebow uses this analysis to offer a powerful critique of post-Cold War American foreign policy. He also develops an ontological foundation for ethics and makes the case for an alternate ontology for social science based on Greek tragedy s understanding of life and politics. This is a topical and accessible book, written by a leading scholar in the field.
Author: Justin Jeffcoat Schedtler
Publisher: Mohr Siebeck
ISBN: 9783161531262
Category : Religion
Languages : en
Pages : 412
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Book Description
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
Author: Claude Calame
Publisher: Cambridge University Press
ISBN: 1316516253
Category : Drama
Languages : en
Pages : 245
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Book Description
Explores how Greek tragedy was fundamentally choral and deeply connected to the cultic and ritual contexts of its performance.
Author: Loren J. Samons
Publisher: Univ of California Press
ISBN: 0520251687
Category : History
Languages : en
Pages : 328
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Book Description
"This is unlike any recent work I know of. It offers a challenging, often refreshing, and what will certainly be a controversial assessment of classical Athenian democracy and its significance to modern America. Samons is willing to tread where few other classicists are willing to go in print. He reminds readers that the Athenian democracy offers just as many negative lessons as positive ones, and topics like the popular vote, the dangers of state payments to individual citizens, the naturally acquisitive foreign policy of democratic governments, and the place of religion in democracy all come up for discussion and criticism. Samons has written an original and very provocative book."—James Sickinger, author of Public Records and Archives in Classical Athens "Professor Samons' lively and challenging account of ancient Athens raises important questions about democracy, ancient and modern. It will surely arouse keen interest and debate."—Donald Kagan, author of The Peloponnesian War "In this elegantly written, carefully researched, and perceptive book, Samons presents a penetrating analysis of ancient Athenian democracy's dark sides. His book is as much about the errors and weaknesses of our own political system as it is about those of ancient Athens. Whether or not we agree with his critique and conclusions, this book is not merely thought-provoking: it is annoyingly discomforting, forcing us to re-examine firm beliefs and to discard easy solutions."—Kurt A. Raaflaub, author of Discovery of Freedom in Ancient Greece "In this marvelously unfashionable book, Samons debunks much of what passes in the current-day academy as scholarship on classical Athens, demonstrating that it is an ideologically-driven apology for a radically defective form of government. In the process, he casts light on the perspicacity of America's founding fathers and on the unthinking populism that threatens in our own day to ruin their legacy."—Paul A. Rahe, author of Republics Ancient and Modern: Classical Republicanism and the American Revolution "We are in the greatest age of democracy since antiquity and in the most need of guidance about the wisdom of government by majority vote. Precisely for that reason Professor Samons offers a bold and unbridled look at the nature and history of democracies, ancient and modern. He reminds us that we are capable of doing as much evil as good when constitutional protections and republican oversight are not there to moderate the instant desires of the majority. This is an engaging, provocative, and timely study of ancient Athens and modern America that should serve as a cautionary reminder to both romantic scholars and zealous diplomats."—Victor Davis Hanson, author of The Other Greeks
Author: Ian C. Storey
Publisher: John Wiley & Sons
ISBN: 1118455126
Category : Drama
Languages : en
Pages : 352
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Book Description
This newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. Covers all three genres of ancient Greek drama – tragedy, comedy, and satyr-drama Surveys the extant work of Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and includes entries on ‘lost’ playwrights Examines contextual issues such as the origins of dramatic art forms; the conventions of the festivals and the theater; drama’s relationship with the worship of Dionysos; political dimensions of drama; and how to read and watch Greek drama Includes single-page synopses of every surviving ancient Greek play
