Author: Fuzhi Wang
Publisher: Chinese University Press
ISBN: 9789622014022
Category : Education
Languages : en
Pages : 226
Book Description
Notes on Poetry from the Ginger Studio
Author: Fuzhi Wang
Publisher: Chinese University Press
ISBN: 9789622014022
Category : Education
Languages : en
Pages : 226
Book Description
Publisher: Chinese University Press
ISBN: 9789622014022
Category : Education
Languages : en
Pages : 226
Book Description
Pearl from the Dragon’s Mouth
Author: Cecile Sun
Publisher: University of Michigan Press
ISBN: 0472901354
Category : Language Arts & Disciplines
Languages : en
Pages : 267
Book Description
The interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry, and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.
Publisher: University of Michigan Press
ISBN: 0472901354
Category : Language Arts & Disciplines
Languages : en
Pages : 267
Book Description
The interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry, and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.
The Southern Garden Poetry Society
Author: David B Honey
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964678
Category : Poetry
Languages : en
Pages : 200
Book Description
What has traditionally been the main matter explored by Cantonese literati? From the earliest poets—oceanic elements and riparian scenes contrasted with stunning rock formations; a love for the exotic, especially local plants, products, and lore; Daoist transcendentalism; and, finally, a concern for pointing up local loyalty to the distant throne and a fierce pride in being culturally authentically Chinese. The Southern Garden Poetry Society in Guangzhou was the only major literary club in Chinese history to be periodically reconvened over the Ming, Qing, and Republican eras. Beginning with an examination of its five founding members during the Yuan / Ming transition period, in particular Sun Fen (1335–1393), David Honey traces the various elements of this Southern Muse that became embodied in later Cantonese poetry, and pursues the issue of social memory by focusing on later reconvenings of the society.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964678
Category : Poetry
Languages : en
Pages : 200
Book Description
What has traditionally been the main matter explored by Cantonese literati? From the earliest poets—oceanic elements and riparian scenes contrasted with stunning rock formations; a love for the exotic, especially local plants, products, and lore; Daoist transcendentalism; and, finally, a concern for pointing up local loyalty to the distant throne and a fierce pride in being culturally authentically Chinese. The Southern Garden Poetry Society in Guangzhou was the only major literary club in Chinese history to be periodically reconvened over the Ming, Qing, and Republican eras. Beginning with an examination of its five founding members during the Yuan / Ming transition period, in particular Sun Fen (1335–1393), David Honey traces the various elements of this Southern Muse that became embodied in later Cantonese poetry, and pursues the issue of social memory by focusing on later reconvenings of the society.
A Guide to Chinese Literature
Author: Wilt Idema
Publisher: University of Michigan Press
ISBN: 0892641231
Category : Social Science
Languages : en
Pages : 393
Book Description
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
Publisher: University of Michigan Press
ISBN: 0892641231
Category : Social Science
Languages : en
Pages : 393
Book Description
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
Classical Chinese Literature: From antiquity to the Tang dynasty
Author: John Minford
Publisher: Columbia University Press
ISBN: 9780231096775
Category : Education
Languages : en
Pages : 1252
Book Description
Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.
Publisher: Columbia University Press
ISBN: 9780231096775
Category : Education
Languages : en
Pages : 1252
Book Description
Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.
Ecocriticism and Chinese Literature
Author: Riccardo Moratto
Publisher: Routledge
ISBN: 1000553426
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Focusing on ecocritical aspects throughout Chinese literature, particularly modern and contemporary Chinese literature, the contributors to this book examine the environmental and ecological dimensions of notions such as qing (情) and jing (境). Chinese modern and contemporary environmental writing offers a unique aesthetic perspective toward the natural world. Such a perspective is mainly ecological and allows human subjects to take a benign and nonutilitarian attitude toward nature. The contributors to this book demonstrate how Chinese literary ecology tends toward an ecological-systemic holism from which all human behaviors should be closely examined. They do so by examining a range of writers and genres, including Liu Cixin’s science fiction, Wu Ming-yi’s environmental fiction, and Zhang Chengzhi’s historical narratives. This book provides valuable insights for scholars and students looking to understand how Chinese literature conceptualizes the relationship between humanity and nature, as well as our role and position within the natural realm.
Publisher: Routledge
ISBN: 1000553426
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Focusing on ecocritical aspects throughout Chinese literature, particularly modern and contemporary Chinese literature, the contributors to this book examine the environmental and ecological dimensions of notions such as qing (情) and jing (境). Chinese modern and contemporary environmental writing offers a unique aesthetic perspective toward the natural world. Such a perspective is mainly ecological and allows human subjects to take a benign and nonutilitarian attitude toward nature. The contributors to this book demonstrate how Chinese literary ecology tends toward an ecological-systemic holism from which all human behaviors should be closely examined. They do so by examining a range of writers and genres, including Liu Cixin’s science fiction, Wu Ming-yi’s environmental fiction, and Zhang Chengzhi’s historical narratives. This book provides valuable insights for scholars and students looking to understand how Chinese literature conceptualizes the relationship between humanity and nature, as well as our role and position within the natural realm.
Neo-Confucian Ecological Humanism
Author: Nicholas S. Brasovan
Publisher: SUNY Press
ISBN: 1438464533
Category : Nature
Languages : en
Pages : 218
Book Description
Addresses Ming Dynasty philosopher Wang Fuzhis neo-Confucianism from the perspective of contemporary ecological humanism. In this novel engagement with Ming Dynasty philosopher Wang Fuzhi (16191692), Nicholas S. Brasovan presents Wangs neo-Confucianism as an important theoretical resource for engaging with contemporary ecological humanism. Brasovan coins the term person-in-the-world to capture ecological humanisms fundamental premise that humans and nature are inextricably bound together, and argues that Wangs cosmology of energy (qi) gives us a rich conceptual vocabulary for understanding the continuity that exists between persons and the natural world. The book makes a significant contribution to English-language scholarship on Wang Fuzhi and to Chinese intellectual history, with new English translations of classical Chinese, Mandarin, and French texts in Chinese philosophy and culture. This innovative work of comparative philosophy not only presents a systematic and comprehensive interpretation of Wangs thought but also shows its relevance to contemporary discussions in the philosophy of ecology. This is a fine study of Wang Fuzhis complex and fascinating neo-Confucian cosmology. I learned an immense amount about one of Chinas last great Confucian intellectuals. John Berthrong, author of Expanding Process: Exploring Philosophical and Theological Transformations in China and the West
Publisher: SUNY Press
ISBN: 1438464533
Category : Nature
Languages : en
Pages : 218
Book Description
Addresses Ming Dynasty philosopher Wang Fuzhis neo-Confucianism from the perspective of contemporary ecological humanism. In this novel engagement with Ming Dynasty philosopher Wang Fuzhi (16191692), Nicholas S. Brasovan presents Wangs neo-Confucianism as an important theoretical resource for engaging with contemporary ecological humanism. Brasovan coins the term person-in-the-world to capture ecological humanisms fundamental premise that humans and nature are inextricably bound together, and argues that Wangs cosmology of energy (qi) gives us a rich conceptual vocabulary for understanding the continuity that exists between persons and the natural world. The book makes a significant contribution to English-language scholarship on Wang Fuzhi and to Chinese intellectual history, with new English translations of classical Chinese, Mandarin, and French texts in Chinese philosophy and culture. This innovative work of comparative philosophy not only presents a systematic and comprehensive interpretation of Wangs thought but also shows its relevance to contemporary discussions in the philosophy of ecology. This is a fine study of Wang Fuzhis complex and fascinating neo-Confucian cosmology. I learned an immense amount about one of Chinas last great Confucian intellectuals. John Berthrong, author of Expanding Process: Exploring Philosophical and Theological Transformations in China and the West
Imitations of the Self: Jiang Yan and Chinese Poetics
Author: Nicholas Morrow Williams
Publisher: BRILL
ISBN: 9004282459
Category : Poetry
Languages : en
Pages : 312
Book Description
Imitations of the Self reevaluates the poetry of Jiang Yan (444–505), long underappreciated because of its pervasive reliance on allusion, by emphasizing the self-conscious artistry of imitation. In context of “imitation poetry,” the popular genre of the Six Dynasties era, Jiang’s work can be seen as the culmination of central trends in Six Dynasties poetry. His own life experiences are encoded in his poetry through an array of literary impersonations, reframed in traditional literary forms that imbue them with renewed significance. A close reading of Jiang Yan’s poetry demonstrates the need to apply models of interpretation to Chinese poetry that do justice to the multiplicity of authorial self-representation.
Publisher: BRILL
ISBN: 9004282459
Category : Poetry
Languages : en
Pages : 312
Book Description
Imitations of the Self reevaluates the poetry of Jiang Yan (444–505), long underappreciated because of its pervasive reliance on allusion, by emphasizing the self-conscious artistry of imitation. In context of “imitation poetry,” the popular genre of the Six Dynasties era, Jiang’s work can be seen as the culmination of central trends in Six Dynasties poetry. His own life experiences are encoded in his poetry through an array of literary impersonations, reframed in traditional literary forms that imbue them with renewed significance. A close reading of Jiang Yan’s poetry demonstrates the need to apply models of interpretation to Chinese poetry that do justice to the multiplicity of authorial self-representation.
The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries
Author: Adrian Hsia
Publisher: Chinese University Press
ISBN: 9789622016088
Category : Education
Languages : en
Pages : 420
Book Description
The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).
Publisher: Chinese University Press
ISBN: 9789622016088
Category : Education
Languages : en
Pages : 420
Book Description
The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).
The Indiana Companion to Traditional Chinese Literature
Author: William H. Nienhauser
Publisher: Indiana University Press
ISBN: 9780253334565
Category : Literary Criticism
Languages : en
Pages : 604
Book Description
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
Publisher: Indiana University Press
ISBN: 9780253334565
Category : Literary Criticism
Languages : en
Pages : 604
Book Description
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.