Notes on Fugue for Beginners PDF Download
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Author: E. J. Dent
Publisher: Cambridge University Press
ISBN: 1107629543
Category : Music
Languages : en
Pages : 47
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Book Description
Originally published in 1958, this book presents a concise guide to the structural elements of the fugue aimed at the beginner.
Author: E. J. Dent
Publisher: Cambridge University Press
ISBN: 1107629543
Category : Music
Languages : en
Pages : 47
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Book Description
Originally published in 1958, this book presents a concise guide to the structural elements of the fugue aimed at the beginner.
Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
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Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Author: Paul Badura-Skoda
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 596
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Book Description
The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 0520962591
Category : Music
Languages : en
Pages : 193
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Author: Christoph Neidhofer
Publisher: State University of New York Press
ISBN: 143849324X
Category : Music
Languages : en
Pages : 624
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Book Description
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
Author: Widor Charles-Marie
Publisher: G Schirmer, Incorporated
ISBN: 9780793552634
Category : Music
Languages : en
Pages : 0
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Book Description
A group of resourceful kids start solution-seekers.com, a website where cybervisitors can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of S words that reveal a spectacular story! With creative characters, humorous dialogue and great music, The S Files is a children's Christmas musical your kids will love performing.
Author: David Ledbetter
Publisher: Yale University Press
ISBN: 0300128983
Category : Music
Languages : en
Pages : 430
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Book Description
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
Author: Peter Schickele
Publisher: Random House
ISBN: 0307769623
Category : Humor
Languages : en
Pages : 265
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Book Description
What little-known son of a famous genius has been called: "A musical blight" "A one-man plague" "History's most justifiably neglected composer" "The worst musician ever to trod organ pedals" "A pimple on the face of music" In this long-awaited hoax, possibly the most unimportant piece of scholarship in over two thousand years, Professor Peter Schickele has finally succeeded in ripping the veil of obscurity from the most unusual -- to put it kindly -- composer in the history of music: P.D.Q. Bach, the last and unquestionably the least of the great Johann Sebastian Bach's many children.
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ludwig Van Beethoven
Publisher: Performer's Edition
ISBN: 1450518656
Category : Music
Languages : en
Pages : 58
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Book Description
Originally written as the finale of Beethoven's 13th Quartet (Op. 130), the Grosse Fuge was later published as a separate work following the poor reception of that quartet by the public. In its current form, the Grosse Fuge (Op. 134), has become much loved among Beethoven afficianados and is seen as one of his most "contemporary" works.
