Author: Isabelle Gadoin
Publisher: Routledge
ISBN: 1000437000
Category : Art
Languages : en
Pages : 232
Book Description
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
Private Collectors of Islamic Art in Late Nineteenth-Century London
Author: Isabelle Gadoin
Publisher: Routledge
ISBN: 1000437000
Category : Art
Languages : en
Pages : 232
Book Description
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
Publisher: Routledge
ISBN: 1000437000
Category : Art
Languages : en
Pages : 232
Book Description
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
A History of Art: Early Christian and neo-Oriental art
Author: Giulio Carotti
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
Book Description
CATALOGUE OF WORKS ON THE FINE ARTS
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1004
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1004
Book Description
A Catalogue of ... [books] ...
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
Book Description
A Bibliography of Clays and the Ceramic Arts
Author: John Casper Branner
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 468
Book Description
Catalogue of Works on the Fine Arts
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
Catalogues of Works on the Fine Arts... by Bernard Quaritch
Author: Bernard Quaritch
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Book Description
H, Natural science. H*, Medicine and surgery. I, Arts and trades. 1926
Author: William Swan Sonnenschein
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 848
Book Description
Bibliography of Clays and the Ceramic Arts
Author: John Casper Branner
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 126
Book Description
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 126
Book Description