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Author: Louis Moreau Gottschalk
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
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Book Description
Author: Louis Moreau Gottschalk
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
Get Book Here
Book Description
Author: Boris Berman
Publisher: Yale University Press
ISBN: 0300221525
Category : Music
Languages : en
Pages : 252
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Book Description
Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this volume provides a master class for the performer, instructor, and student alike.
Author: Charles Rosen
Publisher: Simon and Schuster
ISBN: 1439135223
Category : Music
Languages : en
Pages : 262
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Book Description
Charles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?
Author: Dmitri_ Paperno
Publisher: Hal Leonard Corporation
ISBN: 9781574670349
Category : Biography & Autobiography
Languages : en
Pages : 250
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Book Description
(Amadeus). The rich musical life of Moscow is displayed in these memoirs where formidable Russian pianists take the world by storm, revealing by their virtuosity and musicianship the continuation of a great pianistic tradition. Dmitry Paperno was a witness to a golden age of the piano, when the celebrated schools of Moscow produced a stream of great pianists Gilels, Richter, Ashkenazy and he tells his, and their, stories here. HARDCOVER.
Author: Deborah Rambo Sinn
Publisher: Oxford University Press, USA
ISBN: 0199859507
Category : Music
Languages : en
Pages : 160
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Book Description
This book demystifies the complex topic of musical interpretation by boiling it down to basic principles in an accessible writing style. The book targets pianists, piano teachers, and piano pedagogy students and incorporates over 200 musical examples from the intermediate and advanced piano repertoire.
Author: Joseph Banowetz
Publisher: Indiana University Press
ISBN: 0253066751
Category : Music
Languages : en
Pages : 321
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Book Description
" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253047358
Category : Music
Languages : en
Pages : 252
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Book Description
From A to Z to middle C: An “essential reference” for piano students, teachers, players, and music lovers, with hundreds of definitions (E.L. Lancaster, Alfred Music). The Pianist’s Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors’ succinct entries make The Pianist’s Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument. “This new edition is a go-to source for piano scholars and students for quick information on musical terms, pianists, major works in the piano repertoire, piano manufacturers, and more . . . comprehensive, easy to use.” —Jane Magrath, University of Oklahoma
Author: Joseph Banowetz
Publisher: Indiana University Press
ISBN: 0253053145
Category : Music
Languages : en
Pages : 244
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Book Description
The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.
Author: Ernst Bacon
Publisher: Courier Corporation
ISBN: 048631085X
Category : Music
Languages : en
Pages : 178
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Book Description
This easy, entertaining read by a distinguished musician and teacher is suitable for players at all levels. Topics include "The Performer," "The Learner," "The Player and Writer," "The Observer," and "Technically Speaking."
Author: Richard P. Anderson
Publisher: Scarecrow Press
ISBN: 0810882051
Category : Music
Languages : en
Pages : 305
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Book Description
No pianist can experience the full flowering of her art without eventually grappling with those great musical minds who composed specifically for piano. In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 19 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. This collection ranges in subject matter from Inge Rosar's meditation on playing Bach on the modern keyboard to Gary Amato's assessment of Haydn's sonatas, from Christie Skousen's review of tone production in Chopin to GwenolynMok's foray into recreating Ravel's works on an Erard piano, the same used by Ravel himself. Readers will find essays as well on Mozart's piano compositions, Beethoven's sonatas, the influence of Schubert's lieder on his piano works, and works by Schumann, Liszt, Brahms, Debussy, Rachmaninoff, Scriabin, Prokofiev, Shostakovich, Bart k, Gershwin, and Crumb. The contributors--all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians--write thoughtfully about the composers whose work they have studied and played for years. Each author addresses issues unique to the individual composer they have chosen to explore, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. Valuable insight is provided into teaching, performing, and preparing these great works. In The Pianist's Craft these great artists and teachers answer questions for readers that are otherwise only addressed in conferences, master classes, and private lessons. In this collection of essays, key points of information and instruction are offered with over 200 musical examples included as illustration. The Pianist's Craft is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music generally.
