Author: Samuel Taylor ColeridgePublisher:
ISBN:
Category : Literature
Languages : en
Pages : 400
Book Description
Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge
Author: Samuel Taylor ColeridgePublisher:
ISBN:
Category : Literature
Languages : en
Pages : 400
Book Description
Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists
Author: Samuel Taylor ColeridgePublisher:
ISBN:
Category : English drama
Languages : en
Pages : 398
Book Description
Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge
Author: Samuel Taylor ColeridgePublisher:
ISBN:
Category : Literature
Languages : en
Pages : 398
Book Description
Notes and Lectures Upon Shakespeare
Author: ColeridgePublisher:
ISBN:
Category :
Languages : en
Pages : 390
Book Description
cataloque of works relating to william shakespeare and his writings in the barton collection boston public library
Author: James mascarene hubbardPublisher:
ISBN:
Category :
Languages : en
Pages : 178
Book Description
The Collected Works of Samuel Taylor Coleridge, Volume 9
Author: Samuel Taylor ColeridgePublisher: Princeton University Press
ISBN: 1400887208
Category : Literary Criticism
Languages : en
Pages : 839
Book Description
Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Speaking Pictures
Author: Virginia Mason VaughanPublisher: Fairleigh Dickinson Univ Press
ISBN: 0838641822
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Speaking Pictures explores the complex negotiations between seeing and hearing essential to the audiences' experience in any dramatic performance. Ranging chronologically from the Middle Ages to the present, the essays consider a variety of methods that help us recuperate the visual impact of theatrical spectacle before the age of video archives. The anthology takes its discussion of performance beyond the physical space of the theater to examine texts that were meant to be spoken but not literally performed, such as medieval pageantry and closet dramas of the nineteenth century. Many essays focus on the Early Modern English stage, particularly the challenges of recapturing the totality of the original audience's experience in London's open air theaters by the examination of stage directions, text, and archival evidence. The collection concludes with a discussion of the contemporary actor's challenge in physicalizing the language of Early Modern plays, especially Shakespeare's
Literary Couplings
Author: Marjorie StonePublisher: Univ of Wisconsin Press
ISBN: 9780299217648
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships—from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes—and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, Literary Couplings goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.
The History, Topography, and Antiquities of Highgate, in the County of Middlesex
Author: John H. Lloyd (of Highgate.)Publisher:
ISBN:
Category : Highgate (London, England)
Languages : en
Pages : 552
Book Description
Paper Pellets
Author: Richard CroninPublisher: OUP Oxford
ISBN: 0191573914
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
This study of the literary culture in Britain in the years after Waterloo begins with an account of two fatal duels, the famous duel of 16 February 1821, in which John Scott, editor of the London Magazine, fell, and the less well known duel of 26 March 1822, in which Alexander Boswell, son of Johnson's biographer, was killed. These duels, Richard Cronin suggests, bring into sharp focus the distinctive features of literary culture in the years after Waterloo. The book ranges widely but at its centre are the three literary phenomena that best define the period: Walter Scott's novels, Byron's Don Juan, and the new literary magazines. It was a culture constituted not by the doctrine of sympathy that its leading writers held in common but by the antagonisms that divided them, a culture in which England vied with Scotland, literary and political principles converged, and there was a volatile relationship between the public and the private. These were the years in which publishing became an industry serving a mass readership, and literature came to be decisively identified with print rather than with manuscript. Its most prized cultural products were miscellaneous. Superficial, even heartless, responses to the world were valued. Male writers responded aggressively to the threat that literature might be a kind of writing largely consumed by women and increasingly produced by them. This was the culture that writers such as Wordsworth repudiated, but the relationship between the culture that Wordsworth represented and the culture that he opposed, like the relationship between duellists, was at once violently aggressive and mutually supportive: each, as many writers of the period recognized, was dependent on the other.
