Author: James Morgan Thurmond
Publisher: Meredith Music Publications
ISBN: 9780942782004
Category : Music
Languages : en
Pages : 0
Book Description
(Meredith Music Resource). Fully explains through musical example, the concept of expressive musicianship as taught by Anton Horner, William Kincaid and Marcel Tabuteau. This book clearly illustrates how to teach students to play or sing with expression, musicianship and style and will help to make your performances "come alive".
Note Grouping
Author: James Morgan Thurmond
Publisher: Meredith Music Publications
ISBN: 9780942782004
Category : Music
Languages : en
Pages : 0
Book Description
(Meredith Music Resource). Fully explains through musical example, the concept of expressive musicianship as taught by Anton Horner, William Kincaid and Marcel Tabuteau. This book clearly illustrates how to teach students to play or sing with expression, musicianship and style and will help to make your performances "come alive".
Publisher: Meredith Music Publications
ISBN: 9780942782004
Category : Music
Languages : en
Pages : 0
Book Description
(Meredith Music Resource). Fully explains through musical example, the concept of expressive musicianship as taught by Anton Horner, William Kincaid and Marcel Tabuteau. This book clearly illustrates how to teach students to play or sing with expression, musicianship and style and will help to make your performances "come alive".
Everything in its Right Place
Author: Brad Osborn Ph.D.
Publisher: Oxford University Press
ISBN: 019062924X
Category : Music
Languages : en
Pages : 249
Book Description
More than any rock artist since The Beatles, Radiohead's music inhabits the sweet spot between two extremes: on the one hand, music that is wholly conventional and conforms to all expectations of established rock styles, and, on the other hand, music so radically experimental that it thwarts any learned notions. While averting mainstream trends but still achieving a significant level of success in both US and UK charts, Radiohead's music includes many surprises and subverted expectations, yet remains accessible within a framework of music traditions. In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of standard 4/4 backbeats, the digital manipulation of familiar rock 'n' roll instrumentation, and the expected resolutions of traditional cadence structures. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead's recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead's own compositional idiolect. Radiohead's violations of these subjective expectation-realization chains prompt the listener to search more deeply for meaning within corresponding lyrics, biographical details of the band, or intertextual relationships with music, literature, or film. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead's distinctive juxtapositional style.
Publisher: Oxford University Press
ISBN: 019062924X
Category : Music
Languages : en
Pages : 249
Book Description
More than any rock artist since The Beatles, Radiohead's music inhabits the sweet spot between two extremes: on the one hand, music that is wholly conventional and conforms to all expectations of established rock styles, and, on the other hand, music so radically experimental that it thwarts any learned notions. While averting mainstream trends but still achieving a significant level of success in both US and UK charts, Radiohead's music includes many surprises and subverted expectations, yet remains accessible within a framework of music traditions. In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of standard 4/4 backbeats, the digital manipulation of familiar rock 'n' roll instrumentation, and the expected resolutions of traditional cadence structures. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead's recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead's own compositional idiolect. Radiohead's violations of these subjective expectation-realization chains prompt the listener to search more deeply for meaning within corresponding lyrics, biographical details of the band, or intertextual relationships with music, literature, or film. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead's distinctive juxtapositional style.
Graduated Soloing
Author: Mimi Fox
Publisher: Mel Bay Publications
ISBN: 1610654048
Category : Music
Languages : en
Pages : 65
Book Description
This method book by renowned jazz artist Mimi Fox utilizes a unique approach to helping guitarists develop strong solos. Scales, arpeggios, patterns, and syncopated rhythms are introduced in a logical clear fashion. All of this is then applied to the graduated studies that follow.Starting with simple melodies, and then progressively adding more complex figures based on arpeggios, scales, passing tones, and syncopated rhythms the graduated solos will teach students how to develop their own great solos by using the techniques contained herein. Graduated Soloing is stuffed full of great ideas/patterns/licks drawn from Mimi's many years of playing with the top musicians in Jazz/Pop music.The book concludes with an explosive solo of Mimi's over a 12 bar blues and includes tab as well as musical notation with a detailed analysis by the author. CD contains all examples and solos.
Publisher: Mel Bay Publications
ISBN: 1610654048
Category : Music
Languages : en
Pages : 65
Book Description
This method book by renowned jazz artist Mimi Fox utilizes a unique approach to helping guitarists develop strong solos. Scales, arpeggios, patterns, and syncopated rhythms are introduced in a logical clear fashion. All of this is then applied to the graduated studies that follow.Starting with simple melodies, and then progressively adding more complex figures based on arpeggios, scales, passing tones, and syncopated rhythms the graduated solos will teach students how to develop their own great solos by using the techniques contained herein. Graduated Soloing is stuffed full of great ideas/patterns/licks drawn from Mimi's many years of playing with the top musicians in Jazz/Pop music.The book concludes with an explosive solo of Mimi's over a 12 bar blues and includes tab as well as musical notation with a detailed analysis by the author. CD contains all examples and solos.
Jazz Piano Fundamentals (Book 2)
Author: Jeremy Siskind
Publisher: Jeremy Siskind Music Publishing
ISBN:
Category : Music
Languages : en
Pages : 265
Book Description
Jazz Piano Fundamentals (Book 2) is master-teacher Jeremy Siskind’s welcoming, clear, and detailed guide to intermediate jazz piano study. Jazz Piano Fundamentals (Book 2) guides intermediate jazz students through six months (or more) of jazz piano instruction by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questionsand exclusive video content to ensure that all subjects are presented clearly and with sufficient depth. Subjects include scale patterns, improvising with non-chord tones, improvising in minor keys, motivic development, advanced comping styles, closed-position and drop two voicings, shout-chorus voicings, rhythm changes, playing intros and endings, shell voicings, ballad playing, walking basslines, upper structures, and much more. In the five guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Hank Mobley, Illinois Jacquet, Horace Silver, and Bud Powell. Then, they are shown how to assimilate elements of these masters’ styles into their own improvisations. This book is designed to be used in conjunction with The Real Book, Volume 6. Praise for Jazz Piano Fundamentals, Book 1 “I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!” - Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami "Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets " - Mark Shilansky, pianist/composer, professor, Berklee College of Music “Jeremy’s book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity.” - Aimee Nolte, jazz pianist/vocalist and YouTube Star “Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!” - Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA
Publisher: Jeremy Siskind Music Publishing
ISBN:
Category : Music
Languages : en
Pages : 265
Book Description
Jazz Piano Fundamentals (Book 2) is master-teacher Jeremy Siskind’s welcoming, clear, and detailed guide to intermediate jazz piano study. Jazz Piano Fundamentals (Book 2) guides intermediate jazz students through six months (or more) of jazz piano instruction by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questionsand exclusive video content to ensure that all subjects are presented clearly and with sufficient depth. Subjects include scale patterns, improvising with non-chord tones, improvising in minor keys, motivic development, advanced comping styles, closed-position and drop two voicings, shout-chorus voicings, rhythm changes, playing intros and endings, shell voicings, ballad playing, walking basslines, upper structures, and much more. In the five guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Hank Mobley, Illinois Jacquet, Horace Silver, and Bud Powell. Then, they are shown how to assimilate elements of these masters’ styles into their own improvisations. This book is designed to be used in conjunction with The Real Book, Volume 6. Praise for Jazz Piano Fundamentals, Book 1 “I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!” - Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami "Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets " - Mark Shilansky, pianist/composer, professor, Berklee College of Music “Jeremy’s book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity.” - Aimee Nolte, jazz pianist/vocalist and YouTube Star “Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!” - Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA
Famous DRUM FILLS, Licks & Solos!
Author: Robert Litten
Publisher: www.DrumsTheWord.com
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 446
Book Description
Learn how to play 238 of the worlds Most Famous & Popular Drum Fills, Breaks, Licks and Solos, performed by the biggest names in drumming. Never before has there been a LARGER collection of Famous Drum Fills taught anywhere else before. This unique and extensive 258 PAGE book is an Easy to Follow, Step-by-Step Guide revealing how to play 100's of the worlds COOLEST fills from over 180 Songs! Just think of all the legendary drum licks available at YOUR finger tips! A powerful resource that drummers like yourself can use to vastly expand your drumming vocabulary, dip in and out of when you want to learn your favourite licks, or just simply want something new and FUN to practice. This book will give you YEARS of drumming ideas and inspiration! BOOK STRUCTURE * 238 Famous & Popular Drum Fills! * 188 Classic Songs! * 96 Drumming Legends! * 258 Pages of Lessons! Each individual drum fill features its own specific Drum Lesson teaching you not only WHAT to play, but HOW to play it too. Each lesson also includes extra notation, suggestions and practice tips where required. Check out just SOME of the songs found in this book below... 1. Achilles Last Stand 2. Africa 3. Aja 4. All Right Now 5. All The Small Things 6. Always 7. Angels Of Death 8. Apocalypse Please 9. Assassin 10. Avon 11. Baba O'Riley 12. Back In The USSR 13. Bargain 14. Basket Case 15. Behind Blue Eyes 16. Black Dog 17. Black Night 18. Blaze Of Glory 19. Blinded in Chains 20. Blood On The Ground 21. Blue Monday 22. Born To Be Wild 23. Brick House 24. Bullet In Your Head Rage 25. Bullet The Blue Sky 26. Cars 27. Chameleon 28. China Girl 29. Chuck E's In Love 30. Come Together 31. Dani California 32. Dark Eternal Night, The 33. Davidian 34. Day In The Life, A 35. Dazed And Confused 36. Diamonds and Pearls 37. Digital Bath 38. Digital Man 39. Don't Ask Me Why 40. Don't Look Back In Anger 41. Don't Speak 42. Don't You Forget About Me 43. Drive In Drive Out 44. Drop Dead Legs 45. Drum Also Waltzes, The 46. Duality 47. Dyer Mak'er 48. Every Breath You Take 49. Every Little Thing She Does Is Magic 50. Exit Music For A Film 51. Fat Bottom Girls 52. Fear Of A Broken Planet 53. Final Countdown 54. Fire 55. Fireball 56. First Date 57. Firth Of Fifth 58. Fool In The Rain 59. For Whom The Bell Tolls 60. Forgotten 61. Get Off My Cloud 62. Gimme All Your Lovin' 63. Give It Away 64. Good Old Music 65. Good Times Bad Times 66. Goodbye 67. Grudge, The 68. Head Over Heels 69. Heart Of The Sunrise 70. Heir Apparent 71. Helicopter 72. Hella Good 73. Hey Joe 74. Hey Jude 75. Highway Star 76. Hocus Pocus 77. Hold The Line 78. Honky Tonk Woman 79. Honour Thy Father 80. In Bloom 81. In The Air Tonight 82. Instant Karma 83. Invisible Man, The 84. Iron Man 85. It's The End Of The World 86. It's The Same Old Song 87. Jack & Diane 88. Jamie's Cryin' 89. Jammin' 90. Josie 91. Judith 92. Just Like Starting Over 93. Kashmir 94. La Grange 95. La Villa Strangiato 96. Learn To Fly 97. The Lemon Song 98. Little Lies 99. Little Wing 100. Living On A Prayer 101. London Calling 102. Lounge Fly 103. Love 104. Man In A Suitcase 105. Manic Depression 106. Metalingus 107. Minerva 108. Misty Mountain Hop 109. Misunderstood 110. Moby Dick 111. Money For Nothing 112. Murder By Numbers 113. My Generation 114. My Own Summer 115. Neon Moonlight 116. Never Enough 117. Next Year 118. Nightmare 119. No One Knows 120. No Quarter 121. Of Wolf And Man 122. One More Red Nightmare 123. Open Secrets 124. Painkiller 125. Paint It Black 126. Parabola 127. Passenger 128. Peaches En Regalia 129. People Of The Sun 130. Pretty Noose 131. Pretty Visitors 132. Pure and Easy 133. Quiet 134. Rain 135. Rat Salad 136. Revealing Science Of God, The 137. Rock With You 138. Root Down 139. Rosanna 140. Ruin
Publisher: www.DrumsTheWord.com
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 446
Book Description
Learn how to play 238 of the worlds Most Famous & Popular Drum Fills, Breaks, Licks and Solos, performed by the biggest names in drumming. Never before has there been a LARGER collection of Famous Drum Fills taught anywhere else before. This unique and extensive 258 PAGE book is an Easy to Follow, Step-by-Step Guide revealing how to play 100's of the worlds COOLEST fills from over 180 Songs! Just think of all the legendary drum licks available at YOUR finger tips! A powerful resource that drummers like yourself can use to vastly expand your drumming vocabulary, dip in and out of when you want to learn your favourite licks, or just simply want something new and FUN to practice. This book will give you YEARS of drumming ideas and inspiration! BOOK STRUCTURE * 238 Famous & Popular Drum Fills! * 188 Classic Songs! * 96 Drumming Legends! * 258 Pages of Lessons! Each individual drum fill features its own specific Drum Lesson teaching you not only WHAT to play, but HOW to play it too. Each lesson also includes extra notation, suggestions and practice tips where required. Check out just SOME of the songs found in this book below... 1. Achilles Last Stand 2. Africa 3. Aja 4. All Right Now 5. All The Small Things 6. Always 7. Angels Of Death 8. Apocalypse Please 9. Assassin 10. Avon 11. Baba O'Riley 12. Back In The USSR 13. Bargain 14. Basket Case 15. Behind Blue Eyes 16. Black Dog 17. Black Night 18. Blaze Of Glory 19. Blinded in Chains 20. Blood On The Ground 21. Blue Monday 22. Born To Be Wild 23. Brick House 24. Bullet In Your Head Rage 25. Bullet The Blue Sky 26. Cars 27. Chameleon 28. China Girl 29. Chuck E's In Love 30. Come Together 31. Dani California 32. Dark Eternal Night, The 33. Davidian 34. Day In The Life, A 35. Dazed And Confused 36. Diamonds and Pearls 37. Digital Bath 38. Digital Man 39. Don't Ask Me Why 40. Don't Look Back In Anger 41. Don't Speak 42. Don't You Forget About Me 43. Drive In Drive Out 44. Drop Dead Legs 45. Drum Also Waltzes, The 46. Duality 47. Dyer Mak'er 48. Every Breath You Take 49. Every Little Thing She Does Is Magic 50. Exit Music For A Film 51. Fat Bottom Girls 52. Fear Of A Broken Planet 53. Final Countdown 54. Fire 55. Fireball 56. First Date 57. Firth Of Fifth 58. Fool In The Rain 59. For Whom The Bell Tolls 60. Forgotten 61. Get Off My Cloud 62. Gimme All Your Lovin' 63. Give It Away 64. Good Old Music 65. Good Times Bad Times 66. Goodbye 67. Grudge, The 68. Head Over Heels 69. Heart Of The Sunrise 70. Heir Apparent 71. Helicopter 72. Hella Good 73. Hey Joe 74. Hey Jude 75. Highway Star 76. Hocus Pocus 77. Hold The Line 78. Honky Tonk Woman 79. Honour Thy Father 80. In Bloom 81. In The Air Tonight 82. Instant Karma 83. Invisible Man, The 84. Iron Man 85. It's The End Of The World 86. It's The Same Old Song 87. Jack & Diane 88. Jamie's Cryin' 89. Jammin' 90. Josie 91. Judith 92. Just Like Starting Over 93. Kashmir 94. La Grange 95. La Villa Strangiato 96. Learn To Fly 97. The Lemon Song 98. Little Lies 99. Little Wing 100. Living On A Prayer 101. London Calling 102. Lounge Fly 103. Love 104. Man In A Suitcase 105. Manic Depression 106. Metalingus 107. Minerva 108. Misty Mountain Hop 109. Misunderstood 110. Moby Dick 111. Money For Nothing 112. Murder By Numbers 113. My Generation 114. My Own Summer 115. Neon Moonlight 116. Never Enough 117. Next Year 118. Nightmare 119. No One Knows 120. No Quarter 121. Of Wolf And Man 122. One More Red Nightmare 123. Open Secrets 124. Painkiller 125. Paint It Black 126. Parabola 127. Passenger 128. Peaches En Regalia 129. People Of The Sun 130. Pretty Noose 131. Pretty Visitors 132. Pure and Easy 133. Quiet 134. Rain 135. Rat Salad 136. Revealing Science Of God, The 137. Rock With You 138. Root Down 139. Rosanna 140. Ruin
Modeling Musical Analysis
Author: Assistant Professor of Music Theory Kim Loeffert
Publisher: Oxford University Press
ISBN: 0197678475
Category : Music
Languages : en
Pages : 361
Book Description
Intended for use in college-level music classes, Modeling Musical Analysis is a volume of essays by minoritized scholars that model analytical essay writing for undergraduate students. The collection marks an important step in making the field of music theory, the classroom, and the study of music in general more inclusive by amplifying the representation of, and substantive contributions made by, scholars of color. The essays represent current music analytical trends in a substantial breadth of genres, including ballet, chamber music, film music, jazz, musical theater, opera, oratorio, orchestral music, popular music, video game music, and vocal music.
Publisher: Oxford University Press
ISBN: 0197678475
Category : Music
Languages : en
Pages : 361
Book Description
Intended for use in college-level music classes, Modeling Musical Analysis is a volume of essays by minoritized scholars that model analytical essay writing for undergraduate students. The collection marks an important step in making the field of music theory, the classroom, and the study of music in general more inclusive by amplifying the representation of, and substantive contributions made by, scholars of color. The essays represent current music analytical trends in a substantial breadth of genres, including ballet, chamber music, film music, jazz, musical theater, opera, oratorio, orchestral music, popular music, video game music, and vocal music.
Rhythmic perspectives
Author: Gavin Harrison
Publisher: Alfred Music Publishing
ISBN: 9780769291468
Category : Music
Languages : en
Pages : 80
Book Description
Covers cutting-edge drum concepts and offers mind-expanding exercises to further develop the study of rhythmic illusions and multi-dimensional rhythm. These concepts are mind rudiments" for a unique way of thinking about rhythmic structure, rhythmic composition, and higher rhythmic awareness."
Publisher: Alfred Music Publishing
ISBN: 9780769291468
Category : Music
Languages : en
Pages : 80
Book Description
Covers cutting-edge drum concepts and offers mind-expanding exercises to further develop the study of rhythmic illusions and multi-dimensional rhythm. These concepts are mind rudiments" for a unique way of thinking about rhythmic structure, rhythmic composition, and higher rhythmic awareness."
Rethinking Britten
Author: Philip Rupprecht
Publisher: Oxford University Press
ISBN: 0199794804
Category : History
Languages : en
Pages : 345
Book Description
This book offers a new account of the composer's enduring popularity. 12 essays by a group of leading senior and emerging scholars offer fresh historical and interpretive contexts for all phases of Britten's career.
Publisher: Oxford University Press
ISBN: 0199794804
Category : History
Languages : en
Pages : 345
Book Description
This book offers a new account of the composer's enduring popularity. 12 essays by a group of leading senior and emerging scholars offer fresh historical and interpretive contexts for all phases of Britten's career.
Chromaticism in Jazz: Applying Techniques and Concepts
Author: Masaya Yamaguchi
Publisher: Masaya Music
ISBN: 0967635357
Category : Music
Languages : en
Pages : 82
Book Description
he purpose of this book is to share my thoughts with all melodic instrumentalists, to suggest an avenue into chromatic jazz improvisation. The title Chromaticism in Jazz implies the coloristic, intervallic, non-diatonic, paratonal, and superimposition styles of jazz improvisation that may be represented by the mid-60 s Miles Davis Quintet and the 60 s John Coltrane Quartet (and later Coltrane groups). It must also be noted that the application of chromatic lines in improvisation should not overshadow the natural flow of ideas, but should be explored thoughtfully to create contrast and more lyrical, melodic playing. As the subject of dissonance versus consonance has shifted and evolved throughout the course of jazz history, chromaticism has been developed by later generations to stretch the boundaries of jazz improvisation. The use of superimposed lines against harmonic structures can often create an interesting deflection, in conjunction with more standard jazz language. This work will lay the structural guidelines of chromaticism and give some examples of how chromatic lines can be used in a jazz context. After learning the evolution of chromaticism in recorded jazz, you will then gain the knowledge and skill to explore further possibilities. I hope this book will offer a new treatment for the chromatic deficiency in American musical society at large.
Publisher: Masaya Music
ISBN: 0967635357
Category : Music
Languages : en
Pages : 82
Book Description
he purpose of this book is to share my thoughts with all melodic instrumentalists, to suggest an avenue into chromatic jazz improvisation. The title Chromaticism in Jazz implies the coloristic, intervallic, non-diatonic, paratonal, and superimposition styles of jazz improvisation that may be represented by the mid-60 s Miles Davis Quintet and the 60 s John Coltrane Quartet (and later Coltrane groups). It must also be noted that the application of chromatic lines in improvisation should not overshadow the natural flow of ideas, but should be explored thoughtfully to create contrast and more lyrical, melodic playing. As the subject of dissonance versus consonance has shifted and evolved throughout the course of jazz history, chromaticism has been developed by later generations to stretch the boundaries of jazz improvisation. The use of superimposed lines against harmonic structures can often create an interesting deflection, in conjunction with more standard jazz language. This work will lay the structural guidelines of chromaticism and give some examples of how chromatic lines can be used in a jazz context. After learning the evolution of chromaticism in recorded jazz, you will then gain the knowledge and skill to explore further possibilities. I hope this book will offer a new treatment for the chromatic deficiency in American musical society at large.
Handbook of Defence Politics
Author: Isaiah "Ike" Wilson III
Publisher: Taylor & Francis
ISBN: 1136639489
Category : Political Science
Languages : en
Pages : 486
Book Description
Issues of defence politics and policy have long been at the forefront of political agendas and defining of international affairs. However, the dramatic changes to the global system that have taken place since the end of the Cold War and parrticularly since the terror attacks on the USA on 11 September 2001 have amplified the world's attention toward political and policy issues of national, regional and global security. The focus of this volume is on examining the fundamental causes of, and defence policy responses to this new 'post-9/11' security environment. Edited by Isaiah (Ike) Wilson III and James J. F. Forest of the US Military Academy, West Point, USA, this volume is international in scope, with pieces written by experts in the field, offering a collection of up-to-date and balanced insights on key contemporary issues of concern to defence policymakers. The book will be an invaluable reference tool for academics and students, researchers in international relations, policymakers, media professionals and government officials.
Publisher: Taylor & Francis
ISBN: 1136639489
Category : Political Science
Languages : en
Pages : 486
Book Description
Issues of defence politics and policy have long been at the forefront of political agendas and defining of international affairs. However, the dramatic changes to the global system that have taken place since the end of the Cold War and parrticularly since the terror attacks on the USA on 11 September 2001 have amplified the world's attention toward political and policy issues of national, regional and global security. The focus of this volume is on examining the fundamental causes of, and defence policy responses to this new 'post-9/11' security environment. Edited by Isaiah (Ike) Wilson III and James J. F. Forest of the US Military Academy, West Point, USA, this volume is international in scope, with pieces written by experts in the field, offering a collection of up-to-date and balanced insights on key contemporary issues of concern to defence policymakers. The book will be an invaluable reference tool for academics and students, researchers in international relations, policymakers, media professionals and government officials.