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Author: Art Institute of Chicago
Publisher: University of Illinois Press
ISBN: 9780865592094
Category : Architecture
Languages : en
Pages : 106
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Book Description
The culmination of a two-part project, this volume takes an extended look at recent, important acquisitions by the Art Institute of Chicago's departments of American Arts, Architecture, Asian Art, European Painting, and Prints and Drawings. Bringing the museum's collecting activities into wide public view, it showcases over forty notable works handpicked by Art Institute curators and the museum's director and president, James N. Wood. Together with its companion issue, which was published in Fall 2003, this publication explores art works acquired between 1992 and 2003, years that have brought significant additions to every area of the Art Institute's holdings. This volume surveys an impressive array of objects, including a glittering Empire card table from early nineteenth-century New York; a fragment of Frank Lloyd Wright's Imperial Hotel, Tokyo (1923); and important paintings and works on paper by artists as diverse as Lee Krasner, Edvard Munch, Ni Zan, and Rembrandt van Rijn. Illuminated by striking, full-colour reproductions and a lively, accessible text, this is an indispensable guide to the newest and finest the Art Institute has to offer.
Author: Art Institute of Chicago
Publisher: University of Illinois Press
ISBN: 9780865592094
Category : Architecture
Languages : en
Pages : 106
Get Book Here
Book Description
The culmination of a two-part project, this volume takes an extended look at recent, important acquisitions by the Art Institute of Chicago's departments of American Arts, Architecture, Asian Art, European Painting, and Prints and Drawings. Bringing the museum's collecting activities into wide public view, it showcases over forty notable works handpicked by Art Institute curators and the museum's director and president, James N. Wood. Together with its companion issue, which was published in Fall 2003, this publication explores art works acquired between 1992 and 2003, years that have brought significant additions to every area of the Art Institute's holdings. This volume surveys an impressive array of objects, including a glittering Empire card table from early nineteenth-century New York; a fragment of Frank Lloyd Wright's Imperial Hotel, Tokyo (1923); and important paintings and works on paper by artists as diverse as Lee Krasner, Edvard Munch, Ni Zan, and Rembrandt van Rijn. Illuminated by striking, full-colour reproductions and a lively, accessible text, this is an indispensable guide to the newest and finest the Art Institute has to offer.
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Author: Gloria Lynn Groom
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Presents a collection of more than one hundred French impressionist paintings found in the Art Institute of Chicago.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994387
Category : Art
Languages : en
Pages : 72
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Book Description
Author: Arthur Jerome Eddy
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 388
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Book Description
Author: Karen Manchester
Publisher:
ISBN: 9780300191912
Category : Art
Languages : en
Pages : 0
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Book Description
"Presenting Antiquities at the Art Institute of Chicago was published in conjunction with the opening of Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art at the Art Institute of Chicago, November 11, 2012."
Author: James Cuno
Publisher: Princeton University Press
ISBN: 1400839246
Category : Art
Languages : en
Pages : 285
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Book Description
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.
Author: Art Institute of Chicago
Publisher: Yale University Press
ISBN: 0300218737
Category : Art
Languages : en
Pages : 133
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Book Description
Marking an important moment in the Art Institute of Chicago's 136-year history, this book documents an exceptional gift to the museum: the Edlis/Neeson Collection, consisting of 44 stellar works of contemporary art. Among the highlights are major paintings by some of the 20th century's best-known artists, including Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Gerhard Richter, Cy Twombly, and Andy Warhol. Also included in the gift are paintings, photographs, and sculptures by icons of contemporary art such as Damien Hirst, Jeff Koons, and Cindy Sherman. This catalogue places the Edlis/Neeson Collection in direct dialogue with works already in the Art Institute's holdings. An essay by James Rondeau situates the gift in the context of the museum's history and uses it to illustrate the growth and development of Pop Art. Most importantly, this book celebrates a transformative gift that allows the Art Institute to claim the most important collection of modern and contemporary art in any encyclopedic institution in the world.
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Author: James N. Wood
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 168
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Book Description
