Nota del ayudante de Jardinero Mayor a A. S. de Arias en la que informa sobre un incidente delante de la puerta del Real Jardín Botánico PDF Download
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Author: Hamish Fulton
Publisher: Polygon
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 220
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Hamish Fulton is one of the pioneers of the new landscape art which rose to the fore in the 1970s. This book is a combination of poetry and photographs by the artist, which were inspired by fourteen seven-day walks in the Cairngorms, 1985-1999.
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Publisher: BRILL
ISBN: 9042030879
Category : History
Languages : en
Pages : 232
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This volume sheds twenty-first-century light on the charged interactions between memory, mourning and landscape. A century after Freud, our understanding of how memory and mourning function continues to be challenged, revised and refined. Increasingly, scholarly attention is paid to the role of situation in memorialising, whether in commemorations of individuals or in marking the mass deaths of late modern warfare and disasters. Memory, Mourning, Landscape offers the nuanced insights provided by interdisciplinarity in nine essays by leading and up-and-coming academics from the fields of history, museum studies, literature, anthropology, architecture, law, geography, theology and archaeology. The vital visual element is reinforced with an illustrated coda by a practising artist. The result is a unique symbiotic dialogue which will speak to scholars from a range of disciplines.
Author: Jaroslav Folda
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 184
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This work tells the story of Crusader art, focusing on the full range of Crusader painting (manuscript illumination, frescos, mosaics and icon painting) as providing the most significant continuous surviving evidence for the development of Crusader art.
Author: Adrian Forty
Publisher: Berg Publishers
ISBN: 9781859732915
Category : History
Languages : en
Pages : 232
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In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory.In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory.Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from high art to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.
Author: Antonio Gutiérrez
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Languages : es
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Author: Francisco Gil Rodríguez
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Category :
Languages : es
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Author: Antonio Sandalio de Arias y Costa
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Category :
Languages : es
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Author: Antonio Sandalio de Arias y Costa
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Category :
Languages : es
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