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Author: Kate C. Duncan
Publisher: Seattle : University of Washington Press
ISBN: 9780295965697
Category : Art
Languages : en
Pages : 224
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Book Description
Author: Kate C. Duncan
Publisher: Seattle : University of Washington Press
ISBN: 9780295965697
Category : Art
Languages : en
Pages : 224
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Book Description
Author: Judy Thompson
Publisher: McGill Queens Univ
ISBN: 9780773541597
Category : Art
Languages : en
Pages : 307
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Book Description
A richly illustrated study of the dress and adornment traditions of the Indigenous peoples of North America's western subarctic.
Author: Annette McFadyen Clark
Publisher: University of Ottawa Press
ISBN: 177282190X
Category : Social Science
Languages : en
Pages : 459
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Book Description
The seventeen papers on Northern Athapaskan research in ethnology, linguistics, and archaeology published in these two volumes were presented at the National Museum of Man Northern Athapaskan Conference in March 1971. The papers are prefaced by a short introduction that outlines the rationale and accomplishments of the Conference.
Author: Josephine Paterek
Publisher: W. W. Norton & Company
ISBN: 9780393313826
Category : Health & Fitness
Languages : en
Pages : 540
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Book Description
A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR
Author: Cecile Michelle Clayton-Gouthro
Publisher: University of Ottawa Press
ISBN: 1772822914
Category : Social Science
Languages : en
Pages : 80
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Book Description
This study looks at the present-day design, production, and ornamentation of moccasins by the women on the Janvier Reserve at Chard, northern Alberta. The author compares those made today with moccasins produced before the Second World War.
Author: Annette McFadyen Clark
Publisher: University of Ottawa Press
ISBN: 1772821896
Category : Social Science
Languages : en
Pages : 361
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Book Description
The seventeen papers on Northern Athapaskan research in ethnology, linguistics, and archaeology published in these two volumes were presented at the National Museum of Man Northern Athapaskan Conference in March 1971. The papers are prefaced by a short introduction that outlines the rationale and accomplishments of the Conference.
Author: Fenimore Art Museum (Cooperstown, N.Y.)
Publisher: Cooperstown, N.Y. : Fenimore Art Museum
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
This text is a comprehensive examination of Native American art, containing introductions for each of the eight culture areas as well as 34 regional sections. The majority of works covered in the book are from the historic period - some as early as 500 BC - but contemporary pieces are also covered.
Author: Susan W. Fair
Publisher: University of Alaska Press
ISBN: 1889963798
Category : Art
Languages : en
Pages : 304
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Book Description
The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.
Author: Kate C. Duncan
Publisher: Seattle : University of Washington Press
ISBN: 9780295980102
Category : Art
Languages : en
Pages : 273
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Book Description
For more than one hundred years, tourists and residents alike have flocked to Ye Olde Curiosity Shop, located on Seattle's waterfront. Here a mummy nicknamed Sylvester, a collection of shrunken heads from Ecuador, a two-headed calf, and a mermaid preside over walls and cases crammed with an incredible jumble of souvenirs and trinkets, intermixed with authentic Northwest Coast and Alaskan Eskimo carvings, baskets, blankets, and other artworks. The guestbook records visits by Theodore Roosevelt, Will Rogers, Jack Dempsey, Charlie Chaplin, J. Edgar Hoover, Katherine Hepburn, John Wayne, Sylvester Stallone, and Queen Marie of Rumania, among many others. Ye Olde Curiosity Shop was founded in 1899 by Joseph E. "Daddy" Standley, an Ohio-born curio collector who came to Seattle in the late 1890s during the Yukon gold rush. Although Native American material vied for space with exotica from all corners of the globe, it soon grew to be the mainstay of the shop, which became identified with the whalebones displayed outside and the "piles of old Eskimo relics" within. Also to be found were baskets, moccasins, ivory carving from Alaska, Tlingit spruce root baskets, Haida "jadeite" totem poles, masks, paddles, and other curiosities from the Northwest Coast. Indians from the Olympic Peninsula brought baskets, coming up to the back door of the shop in their canoes. Others, originally from British Columbia but now living on the flats not far from the shop, carved miniature totem poles by the hundreds and full-size poles on commission. Trading companies supplied Indian curios from the Plains, Southwest, and California. An art historian trained in the classic arts of the Northwest Coast, Kate Duncan became interested in the history of the shop when she learned that it had not only been an active participant in Seattle's 1909 Alaska-Yukon-Pacific Exposition but had also been a major source of important Northwest Coast collections in many museums, including, among others, the Royal Ontario Museum, the George G. Heye Collection (now in the Smithsonian's Museum of the American Indian), the Washington State Museum, the Newark Museum, the Portland Art Museum, and the American Museum of Natural History. Granted full access by the present owners - grandson and great-grandson of "Daddy" Standley - to the remarkably complete archives maintained from the time the shop opened, Duncan has provided a fascinating chapter in the history of Seattle, especially in its early years, as well as a significant contribution to the literature on tourist arts and collecting. Kate Duncan, professor of art at Arizona State University, is also the author of Northern Athapaskan Art: A Beadwork Tradition, and coauthor of A Special Gift: The Kutchin Beadwork Tradition and Out of the North: The Subarctic Collection of the Haffenreffer Museum of Anthropology.
Author: Kathryn Bunn-Marcuse
Publisher: University of Washington Press
ISBN: 0295747145
Category : Art
Languages : en
Pages : 344
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Book Description
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
