Author: Karl Theodore Parker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128

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Book Description

Author: Charles M. Rosenberg
Publisher: Hall Reference Books
ISBN:
Category : Art
Languages : en
Pages : 264

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Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 248

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Author: James McKean
Publisher: Anchor
ISBN: 1400075912
Category : Fiction
Languages : en
Pages : 320

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Book Description
Matt O’Brien, an assistant curator and art restorer at the Metropolitan Museum of Art, has always been passionate about the Italian Renaissance. But when he discovers a long-neglected portrait of a beautiful woman among the museum’s miles of storage bins, he becomes obsessed--and not only because he suspects that the painting is by Leonardo da Vinci. Something about the mysterious woman’s exquisite face stirs his memory, and when Matt finds himself spun across the centuries into Quattrocento Italy, where he arrives perfectly attired in 15th century clothing, he appears to be free to pursue her. A magically woven, richly detailed debut, Quattrocento tells an unforgettable tale of art, and love, and the unexpected places places where they meet.

Author: Karl Theodore Parker
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 474

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Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300079814
Category : Art
Languages : en
Pages : 14

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Book Description
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.

Author: Anna Forlani Tempesti
Publisher: Metropolitan Museum of Art
ISBN: 0870996061
Category : Art
Languages : en
Pages : 401

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Book Description
Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.

Author: Giancarla Periti
Publisher: Routledge
ISBN: 1351569236
Category : Art
Languages : en
Pages : 252

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Book Description
Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.

Author: Karl Theodore Parker
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 36

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Author: Frederick Hartt
Publisher: Pearson College Division
ISBN: 9780130620118
Category : Art
Languages : en
Pages : 768

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Book Description
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.