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Author: Anne-Louise Willoughby
Publisher: Fremantle Press
ISBN: 1925815218
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
Hahndorf artist Nora Heysen was the first woman to win the Archibald Prize, and Australia's first female painter to be appointed as an official war artist. A portraitist and a flower painter, Nora Heysen's life was defined by an all-consuming drive to draw and paint. In 1989, aged 78, Nora re-emerged on the Australian art scene when the nation's major art institutions restored her position after years of artistic obscurity. Extensively researched, and containing artworks and photographs from the painter's life, this is the first biography of the artist, and it has been enthusiastically embraced by the Heysen family. This authorized biography coincides with a major retrospective of the works of Nora and her father, landscape painter Hans Heysen, to be held at the National Gallery of Victoria in March 2019.
Author: Anne-Louise Willoughby
Publisher: Fremantle Press
ISBN: 1925815218
Category : Biography & Autobiography
Languages : en
Pages : 384
Get Book Here
Book Description
Hahndorf artist Nora Heysen was the first woman to win the Archibald Prize, and Australia's first female painter to be appointed as an official war artist. A portraitist and a flower painter, Nora Heysen's life was defined by an all-consuming drive to draw and paint. In 1989, aged 78, Nora re-emerged on the Australian art scene when the nation's major art institutions restored her position after years of artistic obscurity. Extensively researched, and containing artworks and photographs from the painter's life, this is the first biography of the artist, and it has been enthusiastically embraced by the Heysen family. This authorized biography coincides with a major retrospective of the works of Nora and her father, landscape painter Hans Heysen, to be held at the National Gallery of Victoria in March 2019.
Author: Jennifer Higgie
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 336
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Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: Ann Elias
Publisher: Cambridge Scholars Publishing
ISBN: 144388457X
Category : Art
Languages : en
Pages : 332
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Book Description
The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whether modern or conservative, the artists in this study shared an intellectual and emotional passion for flora. This was true for men as well as women, despite blossoms being a more traditionally feminine subject. Through spectacular reproductions of historical and contemporary artworks drawn from collections in Australia, the United States, Britain and New Zealand, Useless Beauty explores how flowers influenced the psyche, governed rituals, defined identity and brought a psychological dimension to the everyday. The peak years for flower-centricity in Australian art were between 1920 and 1940 when flowers were known as the apotheosis of useless beauty.
Author: Nicola Francis
Publisher: ANU Press
ISBN: 1760466565
Category : Art
Languages : en
Pages : 410
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Book Description
Widely regarded as a major Australian artist, Rosalie Gascoigne first exhibited in 1974 at the age of fifty-seven. She rapidly achieved critical acclaim for her assemblages which were her response to the Monaro landscape surrounding Canberra. The great blonde paddocks, vast skies and big raucous birds contrasted with the familiar lush green harbour city of Auckland she had left behind. Her medium: weathered discards from the landscape. By her death in 1999, her work had been purchased for major public art collections in Australia, Aotearoa New Zealand and New York, and had been exhibited across Europe and Asia. Gascoigne’s story is often cast in simple terms—an inspirational tale of an older woman ‘finding herself’ later in life and gaining artistic acclaim. But the reality is much more complex and contingent. This biography explores Gascoigne’s achievement of her ‘own sort of heaven’ through the frame of the narrative she told once she had gained fame, using a series of interviews she gave from 1980 to 1998. It revolves around her frequently stated sense of feeling an outsider, her belief that artists are born not made, and other factors central to the development and impact of her work. Migrating to Australia from New Zealand in 1943, Gascoigne experienced the dramatic social changes of the 1960s and 1970s and benefited from the growth of cultural life in Canberra, a developing Australian art industry, and changing conceptions of aesthetic beauty.
Author: Jane Hylton
Publisher: Wakefield Press
ISBN: 9781862548404
Category : Art
Languages : en
Pages : 108
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Book Description
Nora Heysen grew up at The Cedars near the Adelaide Hills town of Hahndorf, and was deeply influenced by her father, Hans Heysen. Nora Heysen: Light and life explores a notable career spanning seven decades, during which the artist painted some of Australia's most outstanding self-portraits, became the country's first female war artist, and was the first woman to win the prestigious Archibald Prize. Curator and author Jane Hylton has written extensively on Australian art and has curated numerous exhibitions. In 2000 she left the position of Curator of Australian Art at the Art Gallery of South Australia to become a freelance consultant.
Author: Jane Singleton
Publisher: Jane Singleton
ISBN: 0648656314
Category : History
Languages : en
Pages : 138
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Book Description
Katie Langloh Parker was a white woman who notated the Aboriginal language Euahlayi and collected the legends from the Noongahburrahs in the latter decades of the nineteenth century. But her publication of the legends is controversial. There have been both critical and supportive critiques of her work, but little on the woman herself who accomplished something extraordinary as a nineteenth century squatter's wife in the outback.
Author: Andrew Sayers
Publisher: Oxford University Press, USA
ISBN: 9780192842145
Category : Art
Languages : en
Pages : 268
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Book Description
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Author: Penelope Jackson
Publisher: Springer Nature
ISBN: 3030889157
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples—from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy’s role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork.
Author: Jeanette Hoorn
Publisher: Fremantle Press
ISBN: 9781920731540
Category : Art
Languages : en
Pages : 308
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Book Description
Australian Pastoral is a radical history of the pastoral landscape in Australian painting. As a primary means through which white settlement was described and legitimised, the pastoral was transcendent in European Australian art from the late eighteenth to the middle of the twentieth century. This book shows how pastoralism displaced all in its path, and how the pastoral landscape became a special art form in Australia and the primary means through which 'whiteness' and the taming of Australia was celebrated in painting. The book traces the history of pastoral painting through to the emergence in recent times of a black 'pastoral' landscape painting.
Author: Catherine Speck
Publisher: Reaktion Books
ISBN: 1780233841
Category : Art
Languages : en
Pages : 281
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Book Description
World Wars I and II changed the globe on a scale never seen before or since, and from these terrible conflicts came an abundance of photographs, drawings, and other artworks attempting to make sense of the turbulent era. In this generously illustrated book, Catherine Speck provides a fascinating account of women artists during wartime in America, Britain, Canada, Australia, and New Zealand, and their visual responses to war, both at the front lines and on the home front. In addition to following high-profile artists such as American photographer Lee Miller, Speck recounts the experiences of nurses, voluntary aides, and ambulance drivers who found the time to create astonishing artworks in the midst of war zones. She also describes the feelings of disempowerment revealed in the work done by women distant from the conflict. As Speck shows, women artists created highly charged emotional responses to the threats, sufferings, and horrors of war—the constant fear of attack, the sorrow of innocent lives destroyed, the mass murders of people in concentration camps, and the unimaginable aftermath of the atomic bombs. The first book to explore female creativity during these periods, Beyond the Battlefield delivers an insightful and meditative examination of this art that will appeal to readers of art history, war history, and cultural studies.
