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Author: Pawel Aleksandrowicz
Publisher: Cambridge Scholars Publishing
ISBN: 1443810061
Category : Language Arts & Disciplines
Languages : en
Pages : 217
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Book Description
Roger Corman is an ambiguous artistic figure. On the one hand, he is notorious for shooting and producing his films quickly, cheaply and with blatant disregard for safety measures, which, together with his ability to issue a dozen new films every year and his impressive filmography, have earned him the titles of “shlockmeister” and “the King of the B’s” among film journalists. On the other hand, he became the youngest American director to be given a film retrospective at the prestigious Cinématèque Française in Paris, one of his directorial efforts – House of Usher – was selected for preservation in the National Film Registry by the Library of Congress, and the Academy of Motion Picture Arts and Sciences awarded him with an Academy Honorary Award “for his rich engendering of films and filmmakers.” This book investigates this duality and explores whether Corman is indeed a shlockmeister or an artist whose works are worthy of the highest cinema awards. The scope of analysis is limited to his directorial efforts “only” – still encompassing 50 features – excluding the 400 films he produced. The methodology adopted here is based on the auteur theory in its structuralist version by Geoffrey Nowell-Smith and Peter Wollen, and focuses on three areas of interest: work ethic – personal elements in the films, personal control over and commitment to the production process outside direction; themes – topics and concerns common for many of the films regardless of the genre; and style – recurring stylistic motifs and elements in the camerawork, editing, and framing.
Author: Pawel Aleksandrowicz
Publisher: Cambridge Scholars Publishing
ISBN: 1443810061
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Get Book Here
Book Description
Roger Corman is an ambiguous artistic figure. On the one hand, he is notorious for shooting and producing his films quickly, cheaply and with blatant disregard for safety measures, which, together with his ability to issue a dozen new films every year and his impressive filmography, have earned him the titles of “shlockmeister” and “the King of the B’s” among film journalists. On the other hand, he became the youngest American director to be given a film retrospective at the prestigious Cinématèque Française in Paris, one of his directorial efforts – House of Usher – was selected for preservation in the National Film Registry by the Library of Congress, and the Academy of Motion Picture Arts and Sciences awarded him with an Academy Honorary Award “for his rich engendering of films and filmmakers.” This book investigates this duality and explores whether Corman is indeed a shlockmeister or an artist whose works are worthy of the highest cinema awards. The scope of analysis is limited to his directorial efforts “only” – still encompassing 50 features – excluding the 400 films he produced. The methodology adopted here is based on the auteur theory in its structuralist version by Geoffrey Nowell-Smith and Peter Wollen, and focuses on three areas of interest: work ethic – personal elements in the films, personal control over and commitment to the production process outside direction; themes – topics and concerns common for many of the films regardless of the genre; and style – recurring stylistic motifs and elements in the camerawork, editing, and framing.
Author: Elisabetta Tarantino with the collaboration of Carlo Caruso
Publisher: Cambridge Scholars Publishing
ISBN: 1527557200
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
This book deals with a topic that is gaining increasing critical attention, the literature of nonsense and absurdity. The volume gathers together twenty-one essays on various aspects of literary nonsense, according to criteria that are deliberately inclusive and eclectic. Its purpose is to offer a gallery of “nonsense practices” in literature across periods and countries, in the conviction that important critical insights can be gained from these juxtapositions. Most of the cases presented here deal with linguistic nonsense, but in a few instances the nonsense operates at the higher level of the interpretation of reality on the part of the subject—or of the impossibility thereof. The contributors to the volume are established and younger scholars from various countries. Chronologically, the chapters range widely from Dante to Václav Havel, and offer a large span of national literatures (Czech, English, Finnish, French, German, Italian, Japanese) and literary genres (poetry, prose, and drama), inviting the readers to trace their own pathway and draw their own lines of connection. One point that emerges with particular force is the notion that what distinguishes literary nonsense is its somehow “regulated” nature. Literary nonsense thus sounds like a deliberate, last-ditch attempt to snatch order from the jaws of chaos—the speech of the “Fool” as opposed to the tale told by an idiot. It is this kind of post-Derridean retrieval of choice as the defining element in semantic transactions which is perhaps the most significant insight bequeathed by the study of nonsense to the analysis of poetry and literature in general.
Author: Jules Goddard
Publisher: Profile Books
ISBN: 1847658210
Category : Business & Economics
Languages : en
Pages : 255
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Book Description
This is a book for managers who know that their organisations are stuck in a mindset that thrives on fashionable business theories that are no more than folk wisdom, and whose so-called strategies that are little more than banal wish lists. It puts forward the notion that the application of uncommon sense - thinking or acting differently from other organisations in a way that makes unusual sense - is the secret to competitive success. For those who want to succeed and stand out from the herd this book is a beacon of uncommon sense and a timely antidote to managerial humbug.
Author: Kevin N. Laland
Publisher: Oxford University Press, USA
ISBN: 0199586969
Category : Philosophy
Languages : en
Pages : 284
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Book Description
This book asks whether evolution can help us to understand human behaviour and explores diverse evolutionary methods and arguments. It provides a short, readable introduction to the science behind the works of Dawkins, Dennett, Wilson and Pinker. It is widely used in undergraduate courses around the world.
Author: John Grossman
Publisher: Workman Publishing Company
ISBN: 9781563053139
Category : Children's poetry, American.
Languages : en
Pages : 128
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Book Description
Over 100 poems from the Victorian era on the virtues of home and family, the seasons, proper behavior, animal friends, patriotism, and silliness.
Author: Richard Elliott
Publisher: Bloomsbury Publishing USA
ISBN: 1501324551
Category : Music
Languages : en
Pages : 153
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Book Description
In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.
Author: Alison Rieke
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 304
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Book Description
"Joyce, Stein, Stevens, and Zukofsky might easily be considered the most intractable and obscure of our Modernist writers; they are widely recognized (if not widely lauded) for their startling disruptions of grammar, syntax, semantic coherence - in short, all the conventional sense-making functions of language. In this absorbing, perceptive study Alison Rieke addresses the problem of defining and characterizing the experimental uses of language that emerge out of this shared tradition of literary nonsense and enigmatic writing." "Here the difficult linguistic ventures of the four are examined, compared, and contrasted, from Joyce's daring monument to comic nonsense, Finnegans Wake, and Stein's secretive autobiography, Stanzas in Meditation, to Stevens' enigmatic poems in quest of the "supreme fiction" and Zukofsky's radically experimental long poem, "A." Rieke shows how "nonsense" usefully accounts for the various disruptions upon which many of their most impenetrable writings depend and how each author's motives of disruption are bound up with motives of secrecy, how each hides sense in riddle and enigma, wordplay, and verbal sleight of hand. Throughout, Rieke offers detailed treatment of each individual author, making clear distinctions among them through close textual analysis." "Ultimately Rieke adroitly illustrates that these authors' experimental disruptions tend less toward denying the sensible than toward accepting and absorbing it as a tool advantageously manipulated, inverted, and twisted in the production of an enigmatic art. Students of Modernism, readers of Joyce, Stein, Stevens, and Zukofsky, and all those interested in wordplay and semantics will want to read this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Adam Ehrlich Sachs
Publisher: Farrar, Straus and Giroux
ISBN: 0374719969
Category : Fiction
Languages : en
Pages : 240
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Book Description
"This book is only for people who like joy, absurdity, passion, genius, dry wit, youthful folly, amusing historical arcana, or telescopes." —Rivka Galchen, author of Little Labors and American Innovations In 1666, an astronomer makes a prediction shared by no one else in the world: at the stroke of noon on June 30 of that year, a solar eclipse will cast all of Europe into total darkness for four seconds. This astronomer is rumored to be using the longest telescope ever built, but he is also known to be blind—and not only blind, but incapable of sight, both his eyes having been plucked out some time before under mysterious circumstances. Is he mad? Or does he, despite this impairment, have an insight denied the other scholars of his day? These questions intrigue the young Gottfried Leibniz—not yet the world-renowned polymath who would go on to discover calculus, but a nineteen-year-old whose faith in reason is shaky at best. Leibniz sets off to investigate the astronomer’s claim, and over the three hours remaining before the eclipse occurs—or fails to occur—the astronomer tells the scholar the haunting and hilarious story behind his strange prediction: a tale that ends up encompassing kings and princes, family squabbles, obsessive pursuits, insanity, philosophy, art, loss, and the horrors of war. Written with a tip of the hat to the works of Thomas Bernhard and Franz Kafka, The Organs of Sense stands as a towering comic fable: a story about the nature of perception, and the ways the heart of a loved one can prove as unfathomable as the stars.
Author: Mike Aquilina
Publisher: Our Sunday Visitor
ISBN: 1612781829
Category : Religion
Languages : en
Pages : 200
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Book Description
From the pious to the practical, the reflections of the Fathers of the Church cover virtually every aspect of the Christian life. Noted author Mike Aquilina has compiled their ancient axioms into a concise collection of comments designed for busy, modern readers. Pray with the poetry of St. Gregory Nazianzen. Find clear direction in the practical advice of St. Jerome. And, let your heart turn toward the heavenly Jerusalem, following the 1,000 timeless treasures in The Way of the Fathers. "A power-packed collection of the Fathers' concise, clear, and challenging statements on issues still relevant to Christians today. A helpful tool, for anyone seeking to live the authentic Gospel life as understood by the first Christians."
Author: Michael Heyman
Publisher:
ISBN: 9788184778434
Category : Fiction
Languages : en
Pages : 86
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Book Description
