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Author: William S. Allen
Publisher: Bloomsbury Publishing USA
ISBN: 1501358936
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
In dark or desperate times, the artwork is placed in a difficult position. Optimism seems naïve, while pessimism is no better. During some of the most demanding years of the 20th century two distinctive bodies of work sought to respond to this problem: the writings of Maurice Blanchot and American film noir. Both were seeking not only to respond to the times but also to critically reflect them, but both were often criticised for their own darkness. Understanding how this darkness became the means of responding to the darkness of the times is the focus of Noir and Blanchot, which examines key films from the period (including Double Indemnity and Vertigo) alongside Blanchot's writings (particularly his 1948 narrative Death Sentence). What emerges from this investigation is the complex manner in which these works disrupt the experience of time and the event and in doing so expose an entirely different mode of material expression.
Author: William S. Allen
Publisher: Bloomsbury Publishing USA
ISBN: 1501358936
Category : Literary Criticism
Languages : en
Pages : 195
Get Book Here
Book Description
In dark or desperate times, the artwork is placed in a difficult position. Optimism seems naïve, while pessimism is no better. During some of the most demanding years of the 20th century two distinctive bodies of work sought to respond to this problem: the writings of Maurice Blanchot and American film noir. Both were seeking not only to respond to the times but also to critically reflect them, but both were often criticised for their own darkness. Understanding how this darkness became the means of responding to the darkness of the times is the focus of Noir and Blanchot, which examines key films from the period (including Double Indemnity and Vertigo) alongside Blanchot's writings (particularly his 1948 narrative Death Sentence). What emerges from this investigation is the complex manner in which these works disrupt the experience of time and the event and in doing so expose an entirely different mode of material expression.
Author: Maurice Blanchot
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 104
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Book Description
Fiction. Translated from the French by Lydia Davis. This long awaited reprint of a book about which John Hollander wrote: "A masterful version of one of the most remarkable novels in any language since World War II," is the story of the narrator's relations with two women, one terminally ill, the other found motionless by him in a darkened room after a bomb explosion has separated them. "Through more than 40 years, the French writer Maurice Blanchot has produced an astonishing body of fiction and criticism," writes Gilbert Sorrentino in the New York Review of Books, and John Updike in The New Yorker: "Blanchot's prose gives an impression, like Henry James, of carrying meanings so fragile they might crumble in transit."
Author: Angela Laflen
Publisher: Cambridge Scholars Publishing
ISBN: 1443822930
Category : Medical
Languages : en
Pages : 480
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Book Description
Gender is an exciting area of current research in the medical humanities, and by combining the study of medical narratives with theories of gender and sexuality, the essays in Gender Scripts in Medicine and Narrative illustrate the power of gender stereotypes to shape the way medicine is practiced and perceived. The chapters of Gender Scripts in Medicine and Narrative investigate gendered perceptions and representations of healers and patients in fiction, memoir, popular literature, poetry, film, television, the history of science, new media, and visual art. The fourteen chapters of Gender Scripts in Medicine and Narrative are organized into four cohesive sections. These chapters investigate the impact of gender stereotypes on medical narratives from a variety of points of view, considering narratives from diverse languages, time periods, genres, and media. Each section addresses some of the most pressing and provocative issues in theories of gender and the medical humanities: I. Gendering the Medical Gaze and Pathology; II. Monitoring Race through Reproduction; III. Rescripting Trauma and Healing; and IV. Medical Masculinities. Along with these sections, Gender Scripts Medicine and Narrative features a preface by Rita Charon, MD, PhD, Director and Founder, The Program in Narrative Medicine, Columbia University, a foreword by Marcelline Block, and an introduction by Angela Laflen. This collection takes a truly interdisciplinary look at the topic of gender and medicine, and the impressive group of contributors to the anthology represent a wide range of academic fields of inquiry, including medical humanities, bioethics, English, modern languages, women’s studies, film theory, postcolonial theory, art history, the history of science and medicine, new media studies, theories of trauma, among others. This approach of crossing boundaries of genre and discipline makes the volume accessible to scholars who are concerned with narrative, gender, and/or medical ethics. Click here for a recent review of this title.
Author: Alec G. Hargreaves
Publisher: Lexington Books
ISBN: 9780739108215
Category : History
Languages : en
Pages : 268
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Book Description
Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.
Author:
Publisher: Pearson
ISBN: 9780536858429
Category : Performing Arts
Languages : en
Pages : 434
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Book Description
Author: L. C. Rookmaaker
Publisher: CRC Press
ISBN: 9061918677
Category : Nature
Languages : en
Pages : 406
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Book Description
The 18th century witnessed a new interest in African animals. Research was undertaken at the Cape of Good Hope by explorers whose books, manuscripts and drawings concerning mammals and birds are listed and discussed within this text.;This text gives details on four collections of 300 mammal and bird drawings connected with Levaillant's research. Many examples are illustrated. The zoological contents of the material left by these seven explorers are analyzed for all mammals and birds emphasizing the history, taxonomy, nomenclature and zoogeography.
Author: Peter Lurie
Publisher: Oxford University Press
ISBN: 0199797315
Category : Art
Languages : en
Pages : 233
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Book Description
American Obscurantism argues for a salutary indirection in US culture. Critiquing the impulse to see history in seminal works like Griffith's Birth of a Nation and the residual positivism of New Historicist methodology, the book challenges this shared visual epistemology . It traces meaningful exceptions to this pattern across canonical figures from US literature and film.
Author: Betty Rojtman
Publisher: Springer Nature
ISBN: 3030473228
Category : Philosophy
Languages : en
Pages : 148
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Book Description
This book analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah.
Author: Michael Fagenblat
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110668998
Category : Language Arts & Disciplines
Languages : en
Pages : 318
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Book Description
The posthumous publication of Emmanuel Levinas’s wartime diaries, postwar lectures, and drafts for two novels afford new approaches to understanding the relationship between literature, philosophy, and religion. This volume gathers an international list of experts to examine new questions raised by Levinas’s deep and creative experiment in thinking at the intersection of literature, philosophy, and religion. Chapters address the role and significance of poetry, narrative, and metaphor in accessing the ethical sense of ordinary life; Levinas's critical engagement with authors such as Leon Bloy, Paul Celan, Vassily Grossman, Marcel Proust, and Maurice Blanchot; analyses of Levinas’s draft novels Eros ou Triple opulence and La Dame de chez Wepler; and the application of Levinas's thought in reading contemporary authors such as Ian McEwen and Cormac McCarthy. Contributors include Danielle Cohen-Levinas, Kevin Hart, Eric Hoppenot, Vivian Liska, Jean-Luc Nancy and François-David Sebbah, among others.
Author: Spencer Golub
Publisher: Northwestern University Press
ISBN: 0810137836
Category : Performing Arts
Languages : en
Pages : 341
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Book Description
In The Baroque Night, authorial idiosyncrasy hybridizes the concepts of "baroque" and "noir" across the fields of film, theater, literature, and philosophy, arguing for mental function as form, as an impossible object, a container in which the container itself is the thing contained. The book is an experiment in thinking difference and thinking differently, an ethics of otherness and the abstract. Spencer Golub inverts the unreality of the real and the reality of fiction, exposing the tropes of memory, identity, and authenticity as a scenic route through life that ultimately blocks the view. The Baroque Night draws upon materials that have not previously been included in studies of either the baroque or film noir, while offering new perspectives on other, more familiar sources. Leibniz's concepts of the monad and compossibility provide organizing thought models, and death, fear, and mental illness cast their anamorphic images across surfaces that are deeper and closer than they at first appear. Key characters and situations in the book derive from the works of Alfred Hitchcock, Henri-Georges Clozot, Jean-Pierre Melville, Oscar Wilde, Georges Perec, Patricia Highsmith, William Shakespeare, Jean Racine, Pierre Corneille, and Arthur Conan Doyle, among many others. This is virtuality and reality for the phobic, making it a fascinating and viable document of and episteme for the anxious age in which we (always) find ourselves living, though not yet fully alive. This performance of suspect evidence speaks to and in the ways we are organically inauthentic, the cause of our own causality and our own worst eyewitnesses to all that appears and disappears in space and time.
