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Author: Martin Friedman
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 106
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Book Description
Noguchi's Imaginary Landscapes is an exhibition of 80 sculptures, 119 photo panels, and 33 charts installed in the Special Exhibitions Gallery.
Author: Martin Friedman
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 106
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Book Description
Noguchi's Imaginary Landscapes is an exhibition of 80 sculptures, 119 photo panels, and 33 charts installed in the Special Exhibitions Gallery.
Author: Dore Ashton
Publisher: Univ of California Press
ISBN: 9780520083400
Category : Art
Languages : en
Pages : 368
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Book Description
An art history professor and author or editor of 30 books on art and culture maps the life of Japanese-American sculptor and designer Isamu Noguchi (1904-1988) and his spiritual journey, both in the events of his life and in the milestones of his art--the sculptures, gardens, public spaces, and stage decors that gained force and significance from Noguchi's double heritage. Photographs.
Author: Hayden Herrera
Publisher: Macmillan
ISBN: 0374281165
Category : Art
Languages : en
Pages : 588
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Book Description
"From the author of Arshile Gorky, a major biography of the great American sculptor that redefines his legacy"--
Author: Masayo Duus
Publisher: Princeton University Press
ISBN: 0691127824
Category : Biography & Autobiography
Languages : en
Pages : 440
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Book Description
Isamu Noguchi, born in Los Angeles as the illegitimate son of an American mother and a Japanese poet father, was one of the most prolific yet enigmatic figures in the history of twentieth-century American art. Throughout his life, Noguchi (1904-1988) grappled with the ambiguity of his identity as an artist caught up in two cultures. His personal struggles--as well as his many personal triumphs--are vividly chronicled in The Life of Isamu Noguchi, the first full-length biography of this remarkable artist. Published in connection with the centennial of the artist's birth, the book draws on Noguchi's letters, his reminiscences, and interviews with his friends and colleagues to cast new light on his youth, his creativity, and his relationships. During his sixty-year career, there was hardly a genre that Noguchi failed to explore. He produced more than 2,500 works of sculpture, designed furniture, lamps, and stage sets, created dramatic public gardens all over the world, and pioneered the development of environmental art. After studying in Paris, where he befriended Alexander Calder and worked as an assistant to Constantin Brancusi, he became an ardent advocate for abstract sculpture. Noguchi's private life was no less passionate than his artistic career. The book describes his romances with many women, among them the dancer Ruth Page, the painter Frida Kahlo, and the writer Anaïs Nin. Despite his fame, Noguchi always felt himself an outsider. "With my double nationality and my double upbringing, where was my home?" he once wrote. "Where were my affections? Where my identity?" Never entirely comfortable in the New York art world, he inevitably returned to his father's homeland, where he had spent a troubled childhood. This prize-winning biography, first published in Japanese, traces Isamu Noguchi's lifelong journey across these artistic and cultural borders in search of his personal identity.
Author: Bert Winther-Tamaki
Publisher: University of Hawaii Press
ISBN: 9780824824006
Category : Art
Languages : en
Pages : 226
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Book Description
Art in the Encounter of Nations is the first book-length study of interactions between the Japanese and American art worlds in the early postwar years. It brings to light a rich exchange of opinions and debates regarding the relationship between the art of the two nations. The author begins with an examination of the Japanese margins of American Abstract Expressionism. Taking a contrapuntal approach, he investigates four abstract painters: two Japanese artists who moved to the United States (Okada Kenzo and Hasegawa Saburo) and two European Americans whose work is often associated with Japanese calligraphy (Mark Tobey and Franz Kline). He then looks at the work of two young scions of the calligraphy and pottery worlds of Japan -- Morita Shiryo and Yagi Kazuo -- and argues that their radical innovations in these ancient arts were, in part, provoked by their sense of a threat posed by Euro-American modernity. The final chapter is devoted to the career of Japanese American sculptor and designer Isamu Noguchi, whose feeling of affiliation was directed to both the U.S. and Japan in shifting ratios through a series of public and private places, each posing unique opportunities for exploring national distinctions.
Author: Hilton Kramer
Publisher: Simon and Schuster
ISBN: 1416576932
Category : Art
Languages : en
Pages : 468
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Book Description
Analyzes the works of a variety of modern artists including Edward Hopper, Louise Nevelson, Chuck Close, and Julian Schnabel.
Author: Kristine Stiles
Publisher: Univ of California Press
ISBN: 9780520202511
Category : Art
Languages : en
Pages : 1262
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Book Description
Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.
Author:
Publisher: Routledge
ISBN: 1136806202
Category : Music
Languages : en
Pages : 735
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Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Author:
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 76
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Book Description
Author: Paul Crowther
Publisher: Routledge
ISBN: 0415899931
Category : Art
Languages : en
Pages : 312
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Book Description
"This book explores the relation of abstract art to nature. Traditional picturing and sculpture are based on conventions of resemblance between the work and that which it is a representation "of". Abstract works, in contrast, adopt alternative modes of visual representation, or break down and reconfigure the mimetic conventions of pictorial art and sculpture. Obviously this means that abstract art takes many different forms. However, this diversity should not mask some key structural features; these center on two basic relations to nature (understanding nature in the broadest sense to comprise the world of recognisable objects, creatures, organisms, processes, and states of affairs). The first involves abstracting from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second involves abstract art as the affirmation of a relatively unconstrained natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.)The book contains three categories of essays: 1) those on classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction), 2) those on post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments), and 3) those of a broader art historical and philosophical scope"--Provided by publisher.
