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Author: Robert Fitterman
Publisher:
ISBN: 9781937027322
Category : Poetry, Modern
Languages : en
Pages : 0
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Book Description
Poetry. Cover illustration by Natalya Lobanova. Robert Fitterman's new book- length poem borrows its poetic form, loosely, from James Schuyler's The Morning of the Poem, to orchestrate hundreds of found articulations of sadness and loneliness from blogs and online posts. A collective subjectivity composed through the avatar of a singular speaker emerges. But the real protagonist of NO WAIT, YEP. DEFINITELY STILL HATE MYSELF. is subjectivity as a mediated construct the steady stream of personal articulations that we have access to are personal articulations themselves already mediated via song lyrics, advertising, or even broadcasters. NO, WAIT... blurs the boundary between collective articulation and personal speech, while underscoring the ways in which poetic form participates in the mediation of intimate expression."
Author: Robert Fitterman
Publisher:
ISBN: 9781937027322
Category : Poetry, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
Poetry. Cover illustration by Natalya Lobanova. Robert Fitterman's new book- length poem borrows its poetic form, loosely, from James Schuyler's The Morning of the Poem, to orchestrate hundreds of found articulations of sadness and loneliness from blogs and online posts. A collective subjectivity composed through the avatar of a singular speaker emerges. But the real protagonist of NO WAIT, YEP. DEFINITELY STILL HATE MYSELF. is subjectivity as a mediated construct the steady stream of personal articulations that we have access to are personal articulations themselves already mediated via song lyrics, advertising, or even broadcasters. NO, WAIT... blurs the boundary between collective articulation and personal speech, while underscoring the ways in which poetic form participates in the mediation of intimate expression."
Author: Andrew Epstein
Publisher: Oxford University Press
ISBN: 0190631724
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.
Author: David Kaufmann
Publisher: Springer
ISBN: 3319622927
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
This book examines Uncreative Writing—the catch-all term to describe Neo-Conceptualism, Flarf and related avant-garde movements in contemporary North American poetry—against a decade of controversy. David Kaufman analyzes texts by Kenneth Goldsmith, Vanessa Place, Robert Fitterman, Ara Shirinyan, Craig Dworkin, Dan Farrell and Katie Degentesh to demonstrate that Uncreative Writing is not a revolutionary break from lyric tradition as its proponents claim. Nor is it a racist, reactionary capitulation to neo-liberalism as its detractors argue. Rather, this monograph shows that Uncreative Writing’s real innovations and weaknesses become clearest when read in the context of the very lyric that it claims to have left behind.
Author: Katharina Motyl
Publisher: Campus Verlag
ISBN: 359350782X
Category : Family & Relationships
Languages : en
Pages : 400
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Book Description
The freedom of the individual to aim high is a deeply rooted part of the American ethos but we rarely acknowledge its flip side: failure. If people are responsible for their individual successes, is the same true of their failures? The Failed Individual brings together a variety of disciplinary approaches to explore how people fail in the United States and the West at large, whether economically, politically, socially, culturally, or physically. How do we understand individual failure, especially in the context of the zero-sum game of international capitalism? And what new spaces of resistance, or even pleasure, might failure open up for people and society?
Author: Kaja Marczewska
Publisher: Bloomsbury Publishing USA
ISBN: 150133784X
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture-a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed in literature and non-literary forms of writing at an unprecedented level, as experiments with text redefine the nature of creativity. Responding to these transformations, Marczewska argues that we must radically rethink our conceptions of artistic practice and proposes a move away from the familiar categories of copying and originality, creativity and plagiarism in favour of the notion of iteration. Developing the new concept of the Iterative Turn, This Is Not a Copy identifies and theorizes the turn toward ubiquitous iteration as a condition of text-based creative practices as they emerge in response to contemporary technologies. Conceiving of writing as iterative invites us to address a set of new, critical questions about contemporary culture. Combining discussion of literature, experimental and electronic writing, mainstream and independent publishing with debates in 20th- and 21st-century art, contemporary media culture, transforming technologies and copyright laws, This Is Not a Copy offers a timely and urgently needed argument, introducing a unique new perspective on practices that permeate our contemporary culture.
Author: James Schuyler
Publisher: Farrar, Straus and Giroux
ISBN: 9780374516222
Category : Poetry
Languages : en
Pages : 0
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Book Description
"The flowers, trees, birds, clouds, and effects of light that Schuyler describes with such élan, even if only glimpsed from the window of his apartment, could easily be transposed to the poetry written in Japan or Persia many centuries ago. Even more, his culture and learning, worn so lightly as almost to pass unnoticed, link his verse to other and larger traditions, as in this reflection on Baudelaire – clearly intended as an artistic credo of sorts ..." - Open Letters Monthly
Author: Vincent Katz
Publisher: Yale University Press
ISBN: 030023001X
Category : Poetry
Languages : en
Pages : 313
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Book Description
-Culled from Dia Art Foundation's -Readings in Contemporary Poetry- series, this anthology includes ninety-four poets who have participated in the reading series from 2010 to 2016. Edited by poet and author Vincent Katz, the book stresses the experimental aspects of contemporary poetic practice, highlighting commonalities among poets and placing their diverse voices in conversation with one another---
Author: Al Filreis
Publisher: University of Pennsylvania Press
ISBN: 081229971X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.
Author: Robert Fitterman
Publisher: Counterpath
ISBN: 1933996374
Category : Poetry
Languages : en
Pages : 139
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Book Description
Holocaust Museum reframes the captions of holocaust photographs from the United States Holocaust Memorial Museum in Washington, DC. These captions—without their photographic images—are arranged loosely in the order or narrative constructed by the museum. There are many purposes to this project but the genesis is in articulating a cultural shift from image to text. The subject, this particular holocaust, was chosen because the images are shared in our collective memory—by presenting only the text, the reader is, hopefully, consigned into a more complicit experience.
Author: Jérémie Bennequin
Publisher:
ISBN: 9781907468261
Category : Altered books
Languages : en
Pages : 0
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Book Description
This is the book published alongside a group exhibition exploring the potential of the act of reading as art.The works included in the exhibition find different means to foreground and to investigate the activity of reading: the forms it can take (silent reading, reading aloud, spontaneous reading, purposeful reading, and so on), the matter of reading (the book, the screen, the space of the page), the bodies that engage in it and the contexts in which it occurs.All of the works are concerned to make reading manifest in some way; in so doing, they each show - differently - how reading is its own form of making.Featuring the work of 13 international artists, including Martin Creed and Pavel B�chler.Published on the occasion of the exhibition Reading as Art at Bury Art Museum and Sculpture Centre, 27 August - 19 November 2016
