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Author: Isobel Armstrong
Publisher: Oxford University Press
ISBN: 9780198112907
Category : English poetry
Languages : en
Pages : 826
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Book Description
Beginning with Anna Laetitia Barbauld's petition to William Wilberforce and ending with the myth-making Irish writers of the Celtic revival, this major new anthology brings to light diverse female traditions that have, for years, remained in obscurity. While the editors showcase a host of female writers well-known in their day--Felicia Hemans, Elizabeth Barrett Browning, and Christina Rossetti--they widen the focus to less familiar works by working-class, colonial, and political writers. The anthology's chronological progression highlights the development of women's verse from the late Romantic period through the Victorian fin-de-siècle. The editors examine the political formations and cultural groupings to which the women belonged, along with the structures which made the development of their work possible: in particular, the numerous minority journals which allowed them a coherent voice. They consider common preoccupations with marriage, slavery, military conflict, national identity, and religious and sexual discourses, and reveal how styles and genres changed across the century. The anthology draws on first editions for texts wherever possible, retaining the spelling and punctuation of the originals for a faithful representation.
Author: Isobel Armstrong
Publisher: Oxford University Press
ISBN: 9780198112907
Category : English poetry
Languages : en
Pages : 826
Get Book Here
Book Description
Beginning with Anna Laetitia Barbauld's petition to William Wilberforce and ending with the myth-making Irish writers of the Celtic revival, this major new anthology brings to light diverse female traditions that have, for years, remained in obscurity. While the editors showcase a host of female writers well-known in their day--Felicia Hemans, Elizabeth Barrett Browning, and Christina Rossetti--they widen the focus to less familiar works by working-class, colonial, and political writers. The anthology's chronological progression highlights the development of women's verse from the late Romantic period through the Victorian fin-de-siècle. The editors examine the political formations and cultural groupings to which the women belonged, along with the structures which made the development of their work possible: in particular, the numerous minority journals which allowed them a coherent voice. They consider common preoccupations with marriage, slavery, military conflict, national identity, and religious and sexual discourses, and reveal how styles and genres changed across the century. The anthology draws on first editions for texts wherever possible, retaining the spelling and punctuation of the originals for a faithful representation.
Author: Cheryl Walker
Publisher: Rutgers University Press
ISBN: 9780813517919
Category : Poetry
Languages : en
Pages : 484
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Book Description
This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published. In addition to works by more than two dozen poets, the anthology includes ample headnotes about each author's life and a brief critical evaluation of her work. Walker's introduction to the volume provides valuable contextual material to help readers understand the cultural background, economic necessities, literary conventions, and personal dynamics that governed women's poetic production in the nineteenth century.
Author: Paula Bernat Bennett
Publisher: Wiley-Blackwell
ISBN: 9780631203995
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
Paula Bernat's anthology, based on seven years of pioneering archival research, establishes nineteenth-century American women's poetry as a major field in American literature and American women's history.
Author: Amy Christine Billone
Publisher: Ohio State University Press
ISBN: 0814210422
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Silence, gender, and the sonnet revival -- Breaking "the silent Sabbath of the grave" : romantic women's sonnets and the "mute arbitress" of grief -- "In silence like to death" : Elizabeth Barrett's sonnet turn -- Sing again : Christina Rossetti and the music of silence -- "Silence, 'tis more cruel than the grave!" : Isabella Southern and the turn to the twentieth century -- Women's renunciation of the sonnet form.
Author:
Publisher:
ISBN: 9781592640409
Category : American poetry
Languages : en
Pages : 0
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Book Description
This Toby anthology, compiled and presented by Professor Shira Wolosky, presents a substantial number of texts by a select group of poets, providing a gripping view of the creativity of nineteenth century American women that until recently was almost entirely lost to literary history. By focusing solely on the major voices of the time, and doing so in depth, the opportunity is given to engage deeply with the poetry; to see the range within each poet's writings and the relation between the poets. This poetry began the efforts at the redefinition of self, of America, and of womanhood, that continues to touch the lives and thoughts of so many today. An introductory essay to the book identifies central concerns, historical backgrounds, evolving patterns and poetic issues, while there is also a specific introduction for each poet. Book jacket.
Author: Jennifer Putzi
Publisher: Cambridge University Press
ISBN: 9781107083981
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches. Organized into three chronological sections, the essays examine multiple genres of poetry, consider poems circulated in various manuscript and print venues, and propose alternative ways of narrating literary history. From these essays, a rich story emerges about a diverse poetics that was once immensely popular but has since been forgotten. This History confirms that the field has advanced far beyond the recovery of select individual poets. It will be an invaluable resource for students, teachers, and critics of both the literature and the history of this era.
Author: Margaret R. Higonnet
Publisher: Plume
ISBN:
Category : Poetry
Languages : en
Pages : 600
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Book Description
A comprehensive anthology to give modern readers access to 48 exciting women who wrote and published poetry in the Romantic and Victorian periods. The works of Elizabeth Barrett Browning, Christina Rossetti, and Emily Bronte have been collected and preserved, but most women poets of the age were passed over in favor of the major male talents. From the romanticism of Dorothy Wordsworth's odes to the political poems of Helen Maria Williams and Anna Barbauld to the satirical critiques of gender conventions in the poems by Jane Taylor and Charlotte Mew, this anthology restores the voices of these "lost" artists. Biographies accompany each selection.
Author: Paula Bernat Bennett
Publisher: Wiley-Blackwell
ISBN: 9780631203988
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
Paula Bernat's anthology, based on seven years of pioneering archival research, establishes nineteenth-century American women's poetry as a major field in American literature and American women's history.
Author: Diana Greene
Publisher: Univ of Wisconsin Press
ISBN: 0299191036
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
Author: Jennifer Putzi
Publisher: Cambridge University Press
ISBN: 1316033546
Category : Literary Criticism
Languages : en
Pages : 718
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Book Description
A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches. Organized into three chronological sections, the essays examine multiple genres of poetry, consider poems circulated in various manuscript and print venues, and propose alternative ways of narrating literary history. From these essays, a rich story emerges about a diverse poetics that was once immensely popular but has since been forgotten. This History confirms that the field has advanced far beyond the recovery of select individual poets. It will be an invaluable resource for students, teachers, and critics of both the literature and the history of this era.