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Author: Stephen Hefling
Publisher: Routledge
ISBN: 1135887624
Category : Music
Languages : en
Pages : 404
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Book Description
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author: Stephen Hefling
Publisher: Routledge
ISBN: 1135887624
Category : Music
Languages : en
Pages : 404
Get Book Here
Book Description
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author: Marie Sumner Lott
Publisher: University of Illinois Press
ISBN: 0252097270
Category : Music
Languages : en
Pages : 329
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Book Description
Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues. String chamber music, in particular, fostered social interactions that helped build communities within communities. Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvoøák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.
Author: Carl Dahlhaus
Publisher: Univ of California Press
ISBN: 9780520076440
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Author: Jim Samson
Publisher: Cambridge University Press
ISBN: 9780521590174
Category : Music
Languages : en
Pages : 796
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Book Description
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
Author: Stephen Hefling
Publisher: Routledge
ISBN: 1135887616
Category : Music
Languages : en
Pages : 454
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Book Description
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author: John H. Baron
Publisher: Pendragon Press
ISBN: 9781576471005
Category : Juvenile Nonfiction
Languages : en
Pages : 506
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Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Author: Trevor Herbert
Publisher: Oxford University Press, USA
ISBN: 0199898316
Category : History
Languages : en
Pages : 368
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Book Description
The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
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Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Derek Hyde
Publisher: Routledge
ISBN: 0429827628
Category : Social Science
Languages : en
Pages : 169
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Book Description
First published in 1998, this volume by Derek Hyde remedies the lack of information concerning the contribution made by women to musical life in Britain during the nineteenth century in this carefully researched survey. The book reveals the significant role played by women in the production and performance of certain genres of music, such as piano music, songs and ballads, and touches on the reasons why they were more prominent in these areas than in the male preserves of chamber and orchestral music. In particular, the pioneering work of Sarah Glover in Sol-fa notation and the part played by Mary Wakefield in establishing the Competitive Festival Movement are charted. The third edition includes a new introduction, taking into account recent research in the field of gender and music. There is also a revised chapter on the work of Ethel Smyth, the first woman composer to enjoy a measure of success in England. This book will be of interest to social historians, musicologists and those concerned with women’s history alike.
Author: Katharine Ellis
Publisher: Cambridge University Press
ISBN: 9780521454438
Category : Music
Languages : en
Pages : 18
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Book Description
In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.
